The True Blood of the South: Hypermodern Portrayals of the Mythological Figure of the Maenad

In: Illuminating the Dark Side: Evil, Women and the Feminine
Author:
Lucia Currás Norés
Search for other papers by Lucia Currás Norés in
Current site
Google Scholar
PubMed Close
Type:
Chapter
Pages:
123–129
DOI:
https://doi.org/10.1163/9781848880443_013

Purchase instant access (PDF download and unlimited online access):

$40.00
Add to Cart
Redeem Access Token

True Blood (Alan Ball, 2008-present), HBO’s greatest ratings success after The Sopranos (David Chase, 1999-2007), debuted on September 2008. Despite the fact that initial impressions were mixed, critical reception of True Blood’s first season has generally been favourable. However, its biggest ratings accomplishment was not reached until the second season’s premiere in June 2009 – becoming the most viewed show on HBO since the series finale of The Sopranos.

  • Collapse
  • Expand
Cover Illuminating the Dark Side: Evil, Women and the Feminine
E-Book ISBN:
9781848880443
Publisher:
Brill
Print Publication Date:
15 Apr 2010
Preliminary Material
Caesarean Kidnapping: Maternal Instinct, Malingering and Murder
The Dilemma of Depicting Desire: Maternal Secret or Public Censure
Unnatural Mothers, Mothering Unnaturally: Technologies of Reproduction and the Politics of Maternity in Hiromi Goto’s Hopeful Monsters
Lampooning ‘The Queen of Mean’: Representations of Leona Helmsley in Popular Culture
Aileen Wuornos: Sympathy For The Devil
‘Look At Moiye!’: Monstrous Feminine as Social Rebellion in Kath & Kim
Neo-Victorian Sapphic Femme Fatales: Manipulation and Double Game in Sarah Waters’ Affinity
Mother against Daughter and Daughter against Mother: Hostile Femininity in the Neo-Victorian Novel
The Breast Bites Back: How the Projected ‘Bad’ Object of the Female Vampire Achieves Autonomy in L. Wiseman’s Underworld Evolution
Exotic Demons: Representations of the Ethnic Woman in Jack Kerouac’s The Subterraneans
Dangerous Whispers from the Flower and Willow World
Sweet-Tongued Foes: Female Antagonists in Fantasy Fiction for Children and Young Adults
The Tarantula Arms! That’s Where I Brought My Victims! Blanche Dubois, or the Journey from Southern Belle to Evil Woman
‘I don’t ask for things I don’t think I can get’: Regina Giddens as Portrayal of a New Southern Evil in William Wyler’s The Little Foxes
From Jezebel to the Southern Belle: (Mis)Representations of the Female in Classic Hollywood Film: Jezebel and Gone With the Wind
Hawthorne and Tolstoy: Views on the Problem of Women as Evil
The Beauty Myth as the Root of Feminine Evil in Marie Belloc Lowndes’ What Really Happened
Introspaces of Subversion vs Ideological: Spaces of Evil in Eavan Boland’s ‘Anorexic’
Sculpting Wanton Vessels: Physiognomy, Medical Theory and the Construction of the Evil Feminine in the Later Middle Ages
Female Imagination as Origin of Evil in Paracelsus (1493-1541) and Boehme (1575-1624)
Judaic Evil Myths in Latin American Women Writers
Xenogenesis: Lilith the ‘Other’ and the Alien Origin Story in the Science Fiction Saga of O. E. Butler
Beyond the Femme Fatale: The Mythical Pandora as Cathartic, Transformative Force
The Bitch: ‘La Malinche’ and the Construct of the Deviant Female in Chicana Feminist Theory and Writings
Prostitution and the Prostitute: Demonisation or Sanctification, Vixen or Victim? The Belgian Experience
Immoral Earnings: Portraying Prostitutes in Ottoman Turkey
High-Flyers of the Restoration: Literary Attempts at Taming the (W)hor(r)ific
The Problem of Representability: Lesbian Depiction in the Horror Film and Contemporary Art

Metrics

All Time Past 365 days Past 30 Days
Abstract Views 66 15 2
Full Text Views 1 0 0
PDF Views & Downloads 14 0 0