Authors:
Colin A. McKinnon
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,
Niall Scott
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, and
Kristen Sollee
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Type:
Chapter
Pages:
i–xiv
DOI:
https://doi.org/10.1163/9781848880573_001

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Cover Can I Play with Madness? Metal, Dissonance, Madness and Alienation
E-Book ISBN:
9781848880573
Publisher:
Brill
Print Publication Date:
15 Apr 2011
Goethe vs. Rammstein: Who is Allowed to Play with Madness? The Influence of Musical Taste on Prejudice against Heavy Metal Lyrics
Death and Life: The Role of Music and the Others
Textual Analysis of Song Lyrics Adopting a Mental Health Diagnostic Standard as Method
Two Steps past Insanity: The Expression of Aggression in Death Metal Music
Can Progressive Metal’s Narrative Inform Social Stigma Theory? Pain of Salvation’s The Perfect Element Parts 1 and 2 as Examples
Hysteric Desire: Sexual Positions, Sonic Subjectivity and Gender Play in Glam Metal
No Method in the Madness? The Problem of the Cultural Reading in Robert Walser’s Running with the Devil: Power, Madness and Gender in Heavy Metal Music and Recent Metal Studies
Qualitative Research in Understanding the Metal Community
Heavy Metal, Identity Work and Social Transitions: Implications for Young People’s Well Being in the Australian Context
Heavy Metal Rituals and the Civilising Process
Cycles of Metal and Cycles of Male Aggression: Ageing and the Changing Aggressive Impulse
Metal Disorder, Metal Disturbance
War inside My Head: Metal, Mental Illness and Psychic Energy
Suicide, Metal Music and Expectancy Theory
Emo Saved My Life: Challenging the Mainstream Discourse of Mental Illness around My Chemical Romance
Does Death and Suicide Sound Like the Music You Hear?
Playing with Madness in the Forest of Shadows: Dissonance, Deviance and Non-Comformity in the Black Metal Scene
Lord Satan’s Secret Rites and Satanism as Self-Therapy: The Creation of a Masculinity Gender Identity within Black Metal
‘A Furore Normannorum, Libera Nos Domine!’ A Short History of Going Berserk in Scandinavian Literature and Heavy Metal

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