9 Woman, Why Weepest Thou? Rembrandt’s 1638 Noli me tangere as a Dutch Calvinist Visual Typology

In: Mary Magdalene, Iconographic Studies from the Middle Ages to the Baroque

Author:

Bobbi Dykema

Bobbi Dykema
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Mary Magdalene, Iconographic Studies from the Middle Ages to the Baroque

Series: Studies in Religion and the Arts, Volume: 7

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