Irrationalism in Ancient Russia

In: Facets of Russian Irrationalism between Art and Life
Author:
Tatiana Chumakova
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Type:
Chapter
Pages:
72–93
DOI:
https://doi.org/10.1163/9789004311121_004

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Series:  Studies in Slavic Literature and Poetics, Volume: 61 and  Studies in Slavic Literature and Poetics Online, Volume: 61
Cover Facets of Russian Irrationalism between Art and Life
E-Book ISBN:
9789004311121
Publisher:
Brill
Print Publication Date:
01 Jan 2016
Preliminary Material
Introduction: Rationalising Russian Irrationalism
The Traditions of Rationalism in Russian Culture of the Pre-Soviet Period
Ethos Versus Pathos. The Ontologisation of Knowledge in Russian Philosophy
Irrationalism and Antisemitism in Late-Tsarist Literature
Russian Semiotics of Behaviour, or Can a Russian Person be Regarded as ‘Homo Economicus’?
Fides et ratio: Catholicism, Rationalism and Mysticism in Russian Literary Culture of the Mid-Nineteenth Century
The Irrational Basis of Gogol’s Mythopoetics
On the Philosophical Sources and Nature of Dostoevskii’s Anti-Rationalism
Shifting French Perspectives on Dostoevskian Anti-Rationalism
The Concept of Love and Beauty in the Works of Turgenev
Patterns of European Irrationalism, from Source to Estuary: Johann Georg Hamann, Lev Shestov and Anton Chekhov – on Both Sides of Reason
Lev Tolstoi and Vasilii Rozanov: Two Fundamental(ist) Types of Russian Irrationalism
From Neo-Kantian Theory of Cognition to Christian Intellectual Mysticism: Logical Voluntarism in Vladimir Solov’ev and Andrei Belyi
Aleksei Remizov’s Pliashushchii demon – tanets i slovo: Cultural Memory, Dreams and Demons
Irrational Elements in Ivan Bunin’s Short Story ‘The Grammar of Love’
Viewing Askance: Irrationalist Aspects in Russian Art from Fedotov to Malevich and into the Beyond
Symbols, Metaphors and Irrationalities in Twentieth-Century Music
The Irrational in Russian Cinema: A Short Course
The Rational and Irrational Standard: Russian Architecture as a Facet of Culture
The Irrational in the Perception of Andrei Platonov’s Characters
The Metaphysics of Numbers in the Eurasian Artistic Mentality: Viktor Pelevin’s The Dialectics of the Transition Period (From Nowhere to No Place)
“Questions to Which Reason Has No Answer”: Iurii Mamleev’s Irrationalism in European Context
Vladimir Sorokin and the Return of History
Index

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