The present volume consists of translated anecdotes, on musicological and socio-cultural topics, from al-Iṣbahānī’s
Kitāb al-Aghānī al-Kabīr (
The Grand Book of Songs) with annotations and commentaries. It deals with musical rhythmic and melodic modes, technical terms and treatises; music instruments; composition techniques and processes; education and oral/written transmissions; vocal and instrumental performances and their aesthetics; solo and ensemble music; change and its inevitability; musical and textual improvisations;
ṭarab and the acute emotions of joy or grief; medieval dances; social status. Though extracts from
The Grand Book of Songs have been translated in European languages since 1816, this work presents a much larger and more comprehensive scope that will benefit musicologists, medievalist and Middle Eastern scholars as well as the general reader.
The Arab Thieves, Peter Webb critically explores the classic tales of pre-Islamic Arabian outlaws in Arabic Literature. A group of Arabian camel-rustlers became celebrated figures in Muslim memories of pre-Islam, and much poetry ascribed to them and stories about their escapades grew into an outlaw tradition cited across Arabic literature. The ninth/fifteenth-century Egyptian historian al-Maqrīzī arranged biographies of ten outlaws into a chapter on ‘Arab Thieves’ in his wide-ranging history of the world before Muhammad. This volume presents the first critical edition of al-Maqrīzī’s text with a fully annotated English translation, alongside a detailed study that interrogates the outlaw lore to uncover the ways in which Arabic writers constructed outlaw identities and how al-Maqrīzī used the tales to communicate his vision of pre-Islam. Via an exhaustive survey of early Arabic sources about the outlaws and comparative readings with outlaw traditions in other world literatures, The Arab Thieves reveals how Arabic literature crafted lurid narratives about criminality and employed them to tell ancient Arab history.
The ubiquity of references to dogs in medieval and early modern texts and images must at some level reflect their actual presence in those worlds, yet scholarly consideration of this material is rare and scattered across diverse sources. This volume addresses that gap, bringing together fifteen essays that examine the appearance, meaning, and significance of dogs in painting, sculpture, manuscripts, literature, and legal records of the period, reaching beyond Europe to include cultural material from medieval Japan and Islam. While primarily art historical in focus, the authors approach the subject from a range of disciplines and with varying methodology that ultimately reveals as much about dogs as about the societies in which they lived.
Contributors are Kathleen Ashley, Jane Carroll, Emily Cockayne, John Block Friedman, Karen M. Gerhart, Laura D. Gelfand, Craig A. Gibson, Walter S. Gibson, Nathan Hofer, Jane C. Long, Judith W. Mann, Sophie Oosterwijk, Elizabeth Carson Pastan, Donna L. Sadler, Alexa Sand, and Janet Snyder.