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Since the 1980s, a number of European citizens have travelled each year to Senegal, Guinea or Burkina Faso to participate in dance and drum camps. Amongst this market of African dance, the Senegalese dance and music performance called sabar has become very popular during the last years. Based on a multi-sited ethnographic fieldwork in the ‘transnational social field’ of Senegalese dance classes, this chapter sheds light on the transactions, identity constructions and routes of mobility that are produced around the teaching of sabar in Europe and in dance workshops organised in Senegal. A first part of this chapter describes how these circuits of mobility to Africa continue with migrations of Senegalese dancers and musicians in Europe and with the network of African dance classes they have developed there. A second part examines the image of Africa that is reproduced and challenged during sabar dance camps in Dakar and describes the encounters and exchanges between Europeans and Senegalese, analysing the entanglement of material and emotional dimensions that structure these circuits (Cole and Groes 2016).