Chapter 4 Scenes from Ovid’s Metamorphoses on Four 18th-Century Chinese Export Porcelain Punchbowls

In: Ovid in China
Author:
Thomas J. Sienkewicz
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Type:
Chapter
Pages:
88–109
DOI:
https://doi.org/10.1163/9789004467286_006

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Ovid in China

Reception, Translation, and Comparison

Series:  Metaforms, Volume: 22
Cover Ovid in China
E-Book ISBN:
9789004467286
Publisher:
Brill
Print Publication Date:
13 Jul 2022
Front Matter
Introduction
Chapter 1 Western Classics / Ovid in China: An Overview
Chapter 2 Late Ming Jesuits and Western Classicism
Chapter 3 Ovid on China: Images from Illustrated Suites of Scenes from Ovid on Eighteenth-Century Chinese Export Porcelain
Chapter 5 An Early Chinese Translation of an Ovidian Quotation
Chapter 6 Ovid’s Debut in Chinese: Translating the Ars Amatoria into the Republican Discourse of Love
Chapter 7 Translating Ovid into Chinese: Challenges and Strategies
Chapter 8 Writing in Misfortune: Ovid’s Heroides in Light of Chinese Poetic Perspectives
Chapter 9 Translating Laughter: Literature, Language, Genre, and Culture
Chapter 10 Ego sum praeceptor amoris: Ovid’s Art of Seduction for the Chinese Audience
Chapter 11 Liberal Arts and Face Cosmetics: Ovid’s Medicamina into Mandarin
Chapter 12 Experimenting with a Poetic Form in the Chinese Translation of the Metamorphoses
Chapter 13 Themes of Women’s Vengeance and Filicide in Ovid’s Metamorphoses: Reception and Comparison in Modern Chinese Literature
Chapter 14 Translating Fasti: Bringing Ovid’s Roman Year to China
Chapter 15 Translating Time: Writing the Calendar in Early China and Ancient Rome
Chapter 16 The Voice of the Exiled Poet: A Translator’s Perspective
Chapter 17 Retelling Two Exiles in Rome and China: Philosophical Comfort, Literary Consolation, and the Impossible Mourning
Back Matter

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