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An architectural feature called the Mirror Wall transformed Sigiriya, Sri Lanka in the 7th century. Between the 7th and 13th centuries, visitors inscribed their experiences onto this wall, telling stories of how the landscape had been planned to curate their experiences, although indirectly. This visitor record represents the set of practices for a new literary language made from spoken Sinhala. It required visiting the place, evoking mental images of its features, and representing those images in a highly regulated poetic text. Going to Sigiriya was a rite of passage for many—and an important historical event. It consolidated both an emergent literary community and its designed landscape through textualized response. Studied all together, this architectural location made to look like a mirror, its setting, and the visitor responses can alter our ideas about Sigiriya’s gardens.