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This chapter considers the political legacies of Greek tragedy through a double lens, investigating the ways in which tragedy is both ‘at home’ and ‘homeless’, and how these two aspects have resonated with subsequent cultures. Tragedy is rooted in the Athenian polis, but looks outwards to other communities, and is fascinated by the workings of exile and migration. The notions of ‘at home’ and ‘homeless’ can help examine how tragedy is used to project ideal communities, in which all are at home; and to critique or heal those other communities, where it is harder to be so. The chapter thus first interrogates the relations between tragedy and the good society in Idealist and Marxist criticism, before considering how certain performance traditions have developed the activity of nation-building. Secondly, the chapter scrutinises the figure of the ‘homeless’, considering recent versions in the tradition of Sophocles’ Antigone, before concluding with some contemporary performances that highlight tragedy’s migratory proclivities.
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