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Allan, A., Anagnostou-Laoutides, E. and Stafford, E.J. (eds) (2020) Herakles Inside and Outside the Church: from the first Christian Apologists to the end of the Quattrocento, Metaforms: Studies in the Reception of Classical Antiquity 18, Leiden: Brill.
Bernstein, N.W. (2018) Seneca: Hercules Furens, London: Bloomsbury.
Blanshard, A.J.L. and Stafford, E.J. (eds) (2020) The Modern Hercules: images of the hero from the nineteenth to the early twenty-first century (Metaforms: Studies in the Reception of Classical Antiquity 21), Leiden: Brill.
Brown, P. and Ograjenšek, S. (eds) (2010) Ancient Drama in Music for the Modern Stage, Oxford: Oxford University Press.
Cyrino, M. (2020) ‘How the Rock became Rockules: Dwayne Johnson’s star text in Hercules (2014)’, in Blanshard and Stafford (eds), 650–66.
Dougherty, C. (2005) Prometheus, Abingdon, Oxon.: Routledge.
Fitch, J.G. (1987) Seneca’s Hercules Furens, Ithaca: Cornell University Press.
Frade, S. (2023) Heracles and Athenian Propaganda: politics, imagery and drama, London: Bloomsbury.
Galinsky, K. (1972) The Herakles Theme: the adaptations of the hero in literature from Homer to the twentieth century, Totowa, NJ: Rowman and Littlefield.
Griffiths, E. (2006a) Euripides: Herakles, London: Duckworth.
Harrison, G.W.M. (forthcoming) A Companion to Hercules, Hoboken NJ: Wiley-Blackwell.
Harrop, S. (2020) ‘Herakles on Chesil Bank: the Archers, disavowable classics, and The Small Back Room’, in Blanshard and Stafford (eds), 333–50.
James, P. (2015) ‘Hercules as a symbol of labour: a nineteenth-century class-conflicted hero’, in Stead, H. and Hall, E. (eds) Greek and Roman Classics and the British Struggle for Social Reform, London: Bloomsbury, 138–154.
James, P. (2020) ‘Whose hero? Hercules and his avatars in political discourse’, in Blanshard and Stafford (eds), 221–38.
Levett, B. (2004) Sophocles: Women of Trachis, London: Duckworth.
Lu Hsu, K. (2021) The Violent Hero: Heracles in the Greek imagination, London: Bloomsbury.
Mainz, V. (2020) ‘Hercules, his club and the French Revolution’, in Mainz and Stafford (eds), 293–319.
Mainz, V. and Stafford, E.J. (eds) (2020) The Exemplary Hercules From the Renaissance to the Enlightenment and Beyond (Metaforms: Studies in the Reception of Classical Antiquity 20), Leiden: Brill.
Napolitano, M. (2010) ‘Greek tragedy and opera: notes on a marriage manqué’, Brown and Ograjenšek (eds), 31–46.
Ogden, D. (ed.) (2021) The Oxford Handbook of Heracles, Oxford: Oxford University Press.
Piqueux, A. (2022) The Comic Body in Ancient Greek Theatre and Art, 440–320 BCE, Oxford: Oxford University Press.
Riley, K. (2008) The Reception and Performance of Euripides’ Herakles: Reasoning Madness, Oxford: Oxford University Press.
Rodosthenous, G. (ed.) (2017) Contemporary Adaptations of Greek Tragedy: Auteurship and Directorial Visions, London and New York: Bloomsbury Methuen Drama.
Roisman, H. (2005) Sophocles: Philoctetes, London: Duckworth.
Silk, M.S. (1985) ‘Herakles and Greek tragedy’, Greece and Rome 32: 1–22.
Stafford, E.J. (2012) Herakles, Abingdon, Oxon.: Routledge.
Stafford, E.J. (2021) ‘“Mighty saga of the world’s mightiest man”: is there such a thing as a modern Hercules epic?’, in Potter, A. and Gardner, H. (eds) The Ancient Epic in Film and Television (Screening Antiquity series, Edinburgh: Edinburgh University Press), 49–65.
Taplin, O. (1993) Comic Angels and Other Approaches to Greek Drama Through Vase- Painting, Oxford: Oxford University Press.
Taplin, O. (2007) Pots and Plays: interactions between tragedy and Greek vase-painting of the fourth century BC, Malibu: Getty Publications.
Taplin, O. and Wyles, R. (eds) (2010) The Pronomos Vase and its Context, Oxford: Oxford University Press.
Thorp, J. (2010) ‘Dance in Lully’s Alceste’, in Brown and Ograjenšek (eds), 85–95.
Wygant, A. (2010) ‘The ghost of Alcestis’, in Brown and Ograjenšek (eds), 96–111.
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