Chapter 5 Not for the Feeble of Mind! Color-printed Illustrations in European Medical Literature, 1500–1850

In: Placing Prints: New Developments in the Study of Print, 1400–1800
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Ad Stijnman
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  • Billard, Charles, Traité des maladies des enfans nouveaux-nés et a la mamelle (Paris, London and Brussels: 1828).

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  • Billard, Charles, Krankheiten der Neugebornen und Säuglinge, nach den neuesten klinischen und pathologisch-anatomischen im Hospital der Findelkinder zu Paris gemachten Beobachtungen, ed. Friedrich Ludwig Meißner (Leipzig: 1829).

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  • Choulant, Ludwig, Geschichte und Bibliographie der anatomischen Abbildung nach ihrer Beziehung auf anatomische Wissenschaft und bildende Kunst (1852; repr. Niederwalluf bei Wiesbaden: 1971).

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  • Extrait des Registres du Conseil d’Etat”, in Mercure de France (1741, Dec.), 29242929.

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  • Gautier-Dagoty, Jacques-Fabien (ed.), Observations sur l’histoire naturelle, sur la physique et sur la peinture (Paris: 1752–55).

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  • Luz, Emanuel, Dissertatio inauguralis medica exhibens momenta quaedam circa herniotomian praecipue circa evitandam arteriae epigastricae laesionem [etc.] (Tübingen: 1799).

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  • Martens, Franz Heinrich, Ueber eine sehr complicirte Hasenscharte oder einen sogenannten Wolfsrachen: mit einer an demselben Subjekte befindlichen merkwürdigen Misstaltung der Hände und Füsse, operirt von Johann Gottlob Eckoldt (Leipzig: 1804).

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  • Observations périodiques, sur la physique, l’histoire naturelle, et les Arts, ou Journal de sciences et arts (Paris: 1757).

  • Réponse de M. [Antoine Gauthier] de Montdorge, aux informations de M. Rémond de Sainte Albine, au sujet de la contestation entre deux élèves de feu M. le Blond, sur l’art d’imprimer les tableaux,” Mercure de France (1749, July), 173179.

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  • Sander, Georg Karl Heinrich, Praelectionum et chirurgicarum et physicarum selectus quas in Societate Physico-Medica Brunsvicensi Habuit [etc.] (Brunswick: 1827).

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  • Senff, Karl Friedrich, Nonnulla de incremento ossium embryonum in primis graviditatis temporibus (Halle: 1802).

  • Stukeley, William, Of the Spleen, its description and history, uses and diseases, particularly the vapors, with their remedy: Being a lecture read at the Royal College of Physicians (London: 1723), To which is added some anatomical observations in the dissection of an elephant (London: 1723).

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  • Tableaux imprimés”, in Mercure de France (1742, August), 18381843.

  • Vesalius, Andreas, De humani corporis fabrica libri septem (Basel: 1543).

  • Vicq-d’Azyr, Félix, Traité d’anatomie et de physiologie: avec des planches coloriées représentant au naturel les divers organes de l’Homme et des Animaux, 2 vols (Paris: 1786).

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  • Allgemeines Lexikon der bildenden Künstler von der Antike bis zur Gegenwart, ed. Ulrich Thieme and Felix Becker, 37 vols. (1907–50, repr. Leipzig: 1999).

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  • Griffiths, Antony, “White Ink”, Print Quarterly, 8, no. 3 (1991), 286290.

  • Hollstein’s Dutch and Flemish Etchings, Engravings and Woodcuts: 1450–1700, 72 vols (Amsterdam: 1949–2010).

  • Ikeda, Mayumi, “The Fust and Schöffer Office and the Printing of the Two-Colour Initials in the 1457 mainz Psalter”, in Printing Colour 1400–1700: History, Techniques, Functions and Receptions ed. Ad Stijnman and Elizabeth Savage (Leyden, Boston: 2015), 6575.

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  • Nakamura, Jun, “On Hercules Segers’s ‘Printed Paintings’”, in Printing Colour 1400– 1700: History, Techniques, Functions and Receptions ed. Ad Stijnman and Elizabeth Savage (Leyden, Boston: 2015), 189195.

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  • Raabe, Mechtild, Leser und Lektüre im 17. Jahrhundert: die Ausleihbücher der Herzog August Bibliothek Wolfenbüttel 1664–1713, 3 vols (Munich: 1998).

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  • Roberts, K. B. and J. D. W. Tomlinson, The Fabric of the Body: European Traditions of Anatomical Illustration (Oxford: 1992).

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  • Savage, Elizabeth, “Jost de Negker’s Woodcut Charles V (1519): An Undescribed Example of Gold Printing”, Art in Print, 5, no. 2 (2015, July/Aug), 915.

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  • Savage, Elizabeth, “Colour Printing in Relief before c.1700: A Technical Story”, in Printing Colour 1400–1700: History, Techniques, Functions and Receptions, ed. Ad Stijnman and Elizabeth Savage (Leyden, Boston: 2015), 2341.

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  • Savage, Elizabeth, “A Printer’s Art: The Development and Influence of Colour Printmaking in the German Lands, c.1476–c.1600”, in Printing Colour 1400–1700: History, Techniques, Functions and Receptions, ed. Ad Stijnman and Elizabeth Savage (Leyden, Boston: 2015), 93102.

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  • Savage, Elizabeth, “Proto-à la poupée Printing in Relief: An Initial ‘D’ in the Rylands Mainz Psalter, 1457,” (unpublished manuscript).

  • Stijnman, Ad, “White Ink”, Print Quarterly, 9, no. 2 (1992), 181183.

  • Stijnman, Ad, “Another Clair-obscur Etching”, Print Quarterly, 10, no. 1 (1993), 5859.

  • Stijnman, Ad, Engraving and Etching 1400–2000: A History of the Development of Manual Intaglio Printmaking Processes (London and Houten: 2012).

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  • Stijnman, Ad and Elizabeth Savage, “Materials and Techniques for Early Colour Printing”, in Ad Stijnman and Elizabeth Savage (ed.), Printing Colour 1400–1700: History, Techniques, Functions and Receptions (Leiden: 2015), 1122.

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  • Stijnman, Ad and Elizabeth Savage, Printing Colour 1400–1700: History, Techniques, Functions and Receptions (Leiden: 2015).

  • Stijnman, Ad, “Thoughts on art history from the perspective of the maker,” in Art in Print, vol. 6, no. 3 (2016), 1617.

  • Stijnman, Ad, “Hercules Segers’s Printmaking Techniques”, in Hercules Segers: Painter, Etcher, exhibition catalogue, ed. Huigen Leeflang and Pieter Roelofs (Amsterdam: 2017), 6277.

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  • Stijnman, Ad, Johannes Teyler and Dutch Colour Prints c.1700, ed. Simon Turner (The new Hollstein Dutch & Flemish etchings, engravings and woodcuts: 1450–1700) (Ouderkerk aan den IJssel: 2017).

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  • Van Huffel, Nicolaas Gerhardus, Coloritto: bijdrage tot de geschiedenis van de kunst om in drie kleuren te drukken, met een herdruk van het boekje van J. C. Le Blon [Paris 1756] (Amsterdam: 1916).

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