Chapter 10 A “Great and Valuable Collection”: Sir Joshua Reynolds (1723–1792) and His Prints

In: Placing Prints: New Developments in the Study of Print, 1400–1800
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Donato Esposito
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  • Esposito, Donato, “The Academy at Home: Art Collecting, Formation and Display by Reynolds and Leighton,” in Collecting and Museology, ed. Andrea M. Gáldy and Florian Dobmeier (Newcastle: 2020), 4771.

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  • Esposito, Donato, “Artist in Residence: Joshua Reynolds at No 47, Leicester Fields,” in The Georgian London Town House: Building, Collecting and Display, ed. Susanna Avery-Quash and Kate Retford (New York and London: 2019), 191210.

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  • Esposito, Donato, “Regarding Rembrandt: Reynolds and Rembrandt,” in Rembrandt: Britain’s Discovery of the Master, ed. Tico Seifert (Edinburgh: 2018), 93105.

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  • Esposito, Donato, “The Virtual Rome of Sir Joshua Reynolds,” in The Site of Rome: Studies in the Art and Topography of Rome 1400–1750, ed. David R. Marshall (Rome: 2014), 76107.

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  • Esposito, Donato, “What’s in a Mark, or What Marks Can Tell Us: The Use and Abuse of the Collector’s Mark of Sir Joshua Reynolds (1723–1792),” in Les marques de collections: II, ed. Peter Fuhring (Dijon: 2011), 5763.

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  • Esposito, Donato, “The Print Collection of Sir Joshua Reynolds,” Print Quarterly, 28, no. 4 (2011), 376381.

  • Esposito, Donato, “‘Care, Taste and Judgement’: Reynolds’ Collection of Works on Paper,” in Sir Joshua Reynolds: The Acquisition of Genius, ed. Sam Smiles (Bristol: 2009), 102158.

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