Japanese Art: Transcultural Perspectives

In: Japanese Art – Transcultural Perspectives
Authors:
Melanie Trede
Search for other papers by Melanie Trede in
Current site
Google Scholar
PubMed
Close
,
Mio Wakita
Search for other papers by Mio Wakita in
Current site
Google Scholar
PubMed
Close
, and
Christine M.E. Guth
Search for other papers by Christine M.E. Guth in
Current site
Google Scholar
PubMed
Close

Purchase instant access (PDF download and unlimited online access):

$40.00
  • Collapse
  • Expand
  • AHR Conversation: On Transnational History.” American Historical Review 111, no. 5 (December 2006): 14411464.

  • Amino Yoshihiko 網野善彦. Higashi shinakai to saikai bunka 東シナ海と西海文化 [The East China Sea and its cultures]. Tokyo: Shōgakukan, 1992.

    • Search Google Scholar
    • Export Citation
  • Anderson, Benedict. Imagined Communities: Reflections on the Origin and Spread of Nationalism. London: Verso, 1983. [Translated into Japanese as Benedikuto Andāson ベネディクト・アンダーソン]. Sōzō no kyōdōtai: Nashonarizumu no kigen to ryūkō 想像の共同体:ナショナリズムの起源と流行. Translated by Shiraishi Takashi and Shiraishi Saya. Tokyo: Riburopōto, 1987.

    • Search Google Scholar
    • Export Citation
  • Appadurai, Arjun. “Disjuncture and Difference in the Global Cultural Economy.” In Arjun Appadurai, Modernity at Large: Cultural Dimensions of Globalization, 2747. Minneapolis: University of Minnesota Press, 1996.

    • Search Google Scholar
    • Export Citation
  • Appadurai, Arjun. The Social Life of Things: Commodities in Cultural Perspective. Cambridge: Cambridge University Press, 1986.

  • Bogdanova-Kummer, Eugenia. Bokujinkai: Japanese Calligraphy and the Postwar Avant-Garde. Japanese Visual Culture 19. Leiden: Brill, 2020.

    • Search Google Scholar
    • Export Citation
  • Braudel, Fernand. La Méditeranée et le monde méditeranéen à l’époque de Philippe II [The Mediterranean and the Mediterranean world during the era of Philippe II]. Paris: Almand Colin, 1966.

    • Search Google Scholar
    • Export Citation
  • Translated into English as Fernand Braudel, The Mediterranean and the Mediterannean World in the Age of Philip II. 2 vols. Translated by Si’an Reynolds. London: Collins, 1972–1973. Japanese translation: Ferunan Burōderu, Chichūkai [The Mediterranean]. 5 vols. Translated by Hamana Yumi. Tokyo: Fujiwara Shoten, 1991–1995.

    • Search Google Scholar
    • Export Citation
  • Canclini, Néstor García. Hybrid Cultures: Strategies for Entering and Leaving Modernity. Translated by Christopher L. Chiappari and Silvia L. Lopez. Minneapolis: University of Minnesota Press, 1995.

    • Search Google Scholar
    • Export Citation
  • Chaiklin, Martha. Cultural Commerce and Dutch Commercial Culture: The Influence of European Material Culture in Japan, 1700–1850. Studies in Overseas History 5. Leiden: Research School CNWS, 2003.

    • Search Google Scholar
    • Export Citation
  • Ching, Dora C.Y., Louise Allison Cort, and Andrew M. Watsky, eds. Around Chigusa: Tea and the Arts of Sixteenth-Century Japan. Princeton: Princeton University Press, 2017.

    • Search Google Scholar
    • Export Citation
  • Cort, Louise Allison, and Andrew M. Watsky, eds. Chigusa and the Art of Tea. Washington, DC: Freer Gallery of Art and Arthur M. Sackler Gallery, Smithsonian Institution, 2014.

    • Search Google Scholar
    • Export Citation
  • Craft Gallery, National Museum of Modern Art, Tokyo (Tōkyō Kokuritsu Kindai Bijutsukan Kōgeikan 東京国立近代美術館工芸館). Ekkyōsuru Nihonjin: kōgei ka ga yumemita Ajia 1910s–1945 越境する日本人ー工芸家が夢見たアジア1910s—1945 [Japanese crossing borders: Asia as dreamed by craftspeople, 1910s–1945]. Tokyo: Tōkyō Kokuritsu Kindai Bijutsukan Kōgeikan, 2012.

    • Search Google Scholar
    • Export Citation
  • Croissant, Doris, and Lothar Ledderose. Japan und Europa 1543–1929. Berlin: Berliner Festspiele, 1993.

  • Delank, Claudia. Das imaginäre Japan in der Kunst. “Japanbilder” vom Jugendstil bis zum Bauhaus. Munich: iudicium verlag, 1996. [Translated into Japanese as Kuraudia Deranku クラウディア・デランク], Doitsu ni okeru “Nihon zō”: Yūgento shutīru kara Bauhausu made ドイツにおける⟨日本=像⟩——ユーゲントシュティールからバウハウスまで. Translated by Mizufuji Tatsuhiko and Ikeda Yūko. Kyoto: Shibunkaku Shuppan, 2004.

  • Elkins, James, ed. Is Art History Global? London: Routledge, 2007.

  • Fogel, Joshua A., ed. Role of Japan in Modern Chinese Art. Berkeley: University of California Press, 2012.

  • Gell, Alfred. Art and Agency: An Anthropological Theory. Oxford: Clarendon, 1998.

  • Guth, Christine M.E. Hokusai’s Great Wave: Biography of a Global Icon. Honolulu: University of Hawai‘i Press, 2015.

  • Guth, Christine M.E. Longfellow’s Tattoos. Tourism, Collecting, and Japan. Seattle: University of Washington Press, 2004.

  • Hidaka, Kaori 日高薫. Ikoku no hyōshō: kinsei yushitsu shikki no sōzōryoku 異国の表象 近世輸出漆器の創造 [Expressions of foreign lands: The creativity of early modern export lacquer]. Tokyo: Buryukke, 2008.

    • Search Google Scholar
    • Export Citation
  • Imai Yūko 今井祐子. Tōgei no japonizumu 陶芸のジャポニズム [The Japonisme of ceramics]. Nagoya: University of Nagoya Press, 2016.

    • Search Google Scholar
    • Export Citation
  • Inaga, Shigemi. “Is Art History Globalizable? A Critical Commentary from a Far Eastern Point of View.” In Is Art History Global?, edited by James Elkins, 249278. London: Routledge, 2006.

    • Search Google Scholar
    • Export Citation
  • Inaga, Shigemi. “A ‘Pirates’ View’ of Art History.” Review of Japanese Culture and Society 26 (December 2014): 6579.

  • Kamada Yumiko 鎌田由美子. Jūtan ga musubu sekai. Kyōto Gion matsuri Indo jūtan e no michi 絨毯が結ぶ世界—京都祇園祭インド絨毯への道 [World woven together with a carpet: A road to the Indian carpet for the Gion Festival in Kyoto]. Nagoya: The University of Nagoya Press, 2016.

  • Kawakatsu Heita 川勝平太, ed. Umi kara mita rekishi. Burōderu “Chichūkai” o yomu 海から見た歴史:ブローデル<地中海>を読む [Histories seen from the sea: Reading La Méditeranée et le monde méditeranéen à l’époque de Philippe II by Braudel]. Tokyo: Fujiwara Shoten, 1996.

  • Kikuchi, Yuko. Japanese Modernisation and Mingei Theory: Cultural Nationalism and Oriental Orientalism. London: RoutledgeCurzon, 2004.

  • Kikuchi, Yuko. “Russel Wright and Japan: Bridging Japonisme and Good Design through Craft.” The Journal of Modern Craft 1, no. 3 (2008): 357382.

    • Search Google Scholar
    • Export Citation
  • Kitazawa Noriaki 北澤憲昭. Me no shinden. “Bijutsu” juyōshi nōto 眼の神殿:「美術」受容史ノート [Temple of the eye: Notes on the reception of “art”]. Tokyo: Bijutsu Shuppansha, 1988.

  • Lai Yu-chih 賴毓芝.Qingmo shiyin de xingqi yu Shanghai Riben huapu lei shuji de liutong: yi Dianshizhai conghua wei zhongxing” 清末石印的興起與上海日本畫譜類書籍的流通: 以《點石齋叢畫》為中心 [The rise of lithography and the circulation of Japanese painting manuals in late Qing Shanghai: A study focusing on Dianshizhai conghua]. Zhongyang yenjiu yuan jindai shi yenjiu suo jikan 中央研究院近代史研究所集刊/Bulletin of the Institute of Modern History, Academia Sinica, no. 85 (September 2014): 57127.

    • Search Google Scholar
    • Export Citation
  • Latour, Bruno. Reassembling the Social. An Introduction to Actor-Network-Theory. Oxford: Oxford University Press, 2005.

  • Maeda, Tamaki. “(Re-)Canonizing Literati Painting: The Kyoto Circle.” In The Role of Japan in the Development of Modern Chinese Art, edited by Joshua A. Fogel, 215227, 353358. Berkeley: University of California Press, 2012.

    • Search Google Scholar
    • Export Citation
  • Martin, Jean-Hubert, ed. Magiciens de la terre [Magicians of the earth]. Paris: Editions du Centre Pompidou, 1989.

  • Momoki Shirō 桃木至朗, ed. Kaiiki ajiashi kenkyū nyūmon 海域アジア史研究入門 [Introduction to the study of the Asian maritime history]. Tokyo: Iwanami Shoten, 2008.

    • Search Google Scholar
    • Export Citation
  • Murai, Noriko, and Yukio Lippit, eds. “Beyond Tenshin: Okakura Kakuzō’s Multiple Legacies.” Special issue, Review of Japanese Culture and Society 24, no. 1 (2012).

    • Search Google Scholar
    • Export Citation
  • Nederveen Pieterse, Jan. Globalization and Culture: Global Mélange. Lanham: Rowman & Littlefield Publishers, Inc., 2009.

  • Nute, Kevin. Frank Lloyd Wright and Japan: The Role of Traditional Japanese Art and Architecture in the Work of Frank Lloyd Wright. London: Routledge, 2000. Japanese edition, Kebin Nyūto ケヴィン・ニュート, Furanku Raido raito to Nihon フランク・ロイド・ライトと日本文化. Translated by Ōki Junko. Tokyo: Kajima Shuppankai, 1997.

    • Search Google Scholar
    • Export Citation
  • Osterhammel, Jurgen, and Niels P. Petersson. Globalization: A Short History. Princeton: Princeton University Press, 2005.

  • Riello, Giorgio, and Prasannan Parthasarathi, eds. The Spinning World: A Global History of Cotton Textiles, 1200–1850. Oxford: Oxford University Press, 2009.

    • Search Google Scholar
    • Export Citation
  • Satō Dōshin 佐藤道信. “Nihon bijutsu” tanjō. Kindai Nihon no “kotoba” to senryaku <日本美術>誕生-近代日本の「ことば」と戦略 [The birth of “Japanese art”: The language and strategy of modern Japan]. Tokyo: Kōdansha, 1996.

  • Screech, Timon. “The Cargo of the New Year’s Gift: Pictures from London to India and Japan, 1614.” In The Power of Things and the Flow of Cultural Transformations: Art and Culture between Europe and Asia, edited by Lieselotte Saurma-Jeltsch and Anja Eisenbeiß, 114134. Berlin: Deutscher Kunstverlag, 2010.

    • Search Google Scholar
    • Export Citation
  • Screech, Timon. The Lens Within the Heart: The Western Scientific Gaze and Popular Imagery in Late Edo Japan. Honolulu: University of Hawai‘i Press, 2002.

    • Search Google Scholar
    • Export Citation
  • Screech, Timon. “A 17th-century Japanese Minister’s Acquisition of Western Pictures. Inoue Masashige (1585–1661) and His European Objects.” In Transforming Knowledge Orders: Museums, Collections and Exhibitions, edited by Larissa Förster, 72106. Paderborn: Fink, 2014.

    • Search Google Scholar
    • Export Citation
  • Tagsold, Christian. Spaces in Translation. Japanese Gardens and the West. Philadelphia: University of Pennsylvania Press, 2017.

  • Takashina Erika 高階絵里加. Ikai no umi: Hōsui, Seiki, Tenshin ni okeru seiyō 異界の海—芳翠・清輝・天心における西洋 [The sea beyond: Hōsui, Seiki, Tenshin, and the West]. Chiba: Miyoshi Art Publishing, 2000.

    • Search Google Scholar
    • Export Citation
  • Tatehata, Akira, Hayashi Michio, National Museum of Modern Art, Tokyo (Tōkyō Kokuritsu Kindai Bijutsukan Kōgeikan), National Museum of Contemporary Art (Kungnip Hyŏndae Misulgwan), and Singapore Art Museum. Cubism in Asia: Unbounded Dialogues. Singapore: Singapore Art Museum, 2006.

    • Search Google Scholar
    • Export Citation
  • Tiampo, Ming. Gutai: Decentering Modernism. Chicago: University of Chicago Press, 2011.

  • Tokyo National Research Institute for Cultural Properties (Tōkyō Bunkazai Kenkyūjo 東京文化財研究所), ed. Kataru genzai, katarareru kako: Nihon no bijutsushigaku hyakunen 語る現在、語られる過去. 日本の美術史学100年 [Discussing present, past in discussion: One hundred years of Japanese art history]. Tokyo: Heibonsha, 1999.

    • Search Google Scholar
    • Export Citation
  • Tokyo National Research Institute for Cultural Properties (Tōkyō Bunkazai Kenkyūjo 東京文化財研究所), ed. Ugoku mono: “Bijutsuhin” no kachikeisei towa nanika うごくモノ—「美術品」の価値形成とは何か [Objects in motion: Questioning the values of “art works”]. Tokyo: Heibonsha, 2004.

    • Search Google Scholar
    • Export Citation
  • Tomii, Reiko. Radicalism in the Wilderness: International Contemporaneity and 1960s Art in Japan. Cambridge: MIT Press, 2016.

  • Tomlinson, John. “Globalized Culture: The Triumph of the West.” In Culture and Global Change, edited by Tracey Skelton and Tim Allen, 2229. London: Routledge, 1999.

    • Search Google Scholar
    • Export Citation
  • Weisenfeld, Gennifer, ed. “Visual Cultures of Japanese Imperialism.” Special issue, positions east asia cultures critique 8, no. 3 (Winter 2000).

    • Search Google Scholar
    • Export Citation
  • Volk, Alicia. “Donating a Japanese Tea Caddy: Heinrich Siebold, Ninagawa Noritane, and Reframing Japanese Tea Ceramics in mid-1870s Vienna.” In Transmitters of Another Culture II: The Collection of Heinrich von Siebold, edited by Kaori Hidaka and Bettina Zorn, 2339, 171187. Kyoto: Rinsen Shoten, 2021.

    • Search Google Scholar
    • Export Citation
  • Volk, Alicia. In Pursuit of Universalism: Yorozu Tetsugorō and Japanese Modern Art. Berkeley: University of California Press, 2010.

  • Wakita, Mio. Staging Desires: Japanese Femininity in Kusakabe Kimbei’s Nineteenth-Century Souvenir Photography. Berlin: Reimer, 2013.

  • Winther-Tamaki, Bert. Art in the Encounter of Nations: Japanese and American Artists in the Early Postwar Years. Honolulu: University of Hawai‘i Press, 2001.

    • Search Google Scholar
    • Export Citation
  • Winther-Tamaki, Bert, and Kenichi Yoshida, eds. “Commensurable Distinctions: Intercultural Negotiations of Modern and Contemporary Japanese Visual Culture.” Review of Japanese Culture and Society XXVI (December 2014): 112.

    • Search Google Scholar
    • Export Citation
  • Wong, Aida Yuen. “The East, Nationalism, and Taishō Democracy: Naitō Konan’s History of Chinese Painting.” In Crossing the Yellow Sea: Sino-Japanese Cultural Contacts, 1600–1950, edited by Joshua A. Fogel, 281304. EastBridge: Norwalk, 2007.

    • Search Google Scholar
    • Export Citation
  • Wong, Aida Yuen. “Reforming Calligraphy in Modern Japan: The Six Dynasties School and Nakamura Fusetsu’s Chinese ‘Stele’ Style.” In Role of Japan in Modern Chinese Art, edited by Joshua A. Fogel, 131153. Berkeley: University of California Press, 2012.

    • Search Google Scholar
    • Export Citation
  • Wu, Chinghsin. Koga Harue and Avant-Garde Art in Modern Japan. Oakland: University of California Press, 2019.

  • Yasumatsu Miyuki 安松みゆき. Nachisu Doitsu to “teikoku” Nihon bijutsu: rekishi kara kesareta tenrankai ナチス・ドイツと<帝国>日本美術:歴史から消された展覧会 [Nazi Germany and arts of “imperial” Japan: Exhibitions erased from history]. Tokyo: Yoshikawa Kōbunkan, 2016.

  • Yoshimoto, Midori. Into Performance: Japanese Women Artists in New York. New Brunswick: Rutgers University Press, 2005.

Metrics

All Time Past 365 days Past 30 Days
Abstract Views 341 341 49
Full Text Views 8 8 1
PDF Views & Downloads 20 20 0