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Hegel, George Wilhelm Friedrich. Introduction to Hegel’s Philosophy of Art. Translated by Bernard Bosanquet. London: Kegan Paul Trench & Co., 1886. Originally published as G.W.F. Hegel, introduction to Vorlesungen über die Aesthetik. 3 vols. Berlin: Duncker & Humblot, 1835–1838.)| false
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Imperial Household Museum (Teishitsu Hakubutsukan 帝室博物館), ed. Kōhon Nihon teikoku bijutsu ryakushi 稿本日本帝国美術略史 [Manuscript of a brief history of art in imperial Japan]. Tokyo: Nōshōmushō, 1901.

Imperial Household Museum (Teishitsu Hakubutsukan 帝室博物館), ed. Kōhon Nihon teikoku bijutsu ryakushi 稿本日本帝国美術略史 [Manuscript of a brief history of art in imperial Japan]. Tokyo: Nōshōmushō, 1901.)| false
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Inaga Shigemi 稲賀繁美. “Hyōgen shugi to kiin seidō: Hokushin Jihen kara Taishō matsunen ni itaru Hashimoto Kansetsu no kiseki to Kyōto Shinagaku no shūhen” 表現主義と気韻生動: 北清事変から大正末年に至る橋本関雪の軌跡と京都支那学の周辺 [Expressionism and qiyun shengdong: The trajectory of Hashimoto Kansetsu and the surrounding of the Kyoto School of Sinology during the period between the Boxer’s Uprising and the end of the Taishō era]. Nihon kenkyū 日本研究 51 (2015): 97–125.

Inaga Shigemi 稲賀繁美. “Hyōgen shugi to kiin seidō: Hokushin Jihen kara Taishō matsunen ni itaru Hashimoto Kansetsu no kiseki to Kyōto Shinagaku no shūhen” 表現主義と気韻生動: 北清事変から大正末年に至る橋本関雪の軌跡と京都支那学の周辺 [Expressionism and qiyun shengdong: The trajectory of Hashimoto Kansetsu and the surrounding of the Kyoto School of Sinology during the period between the Boxer’s Uprising and the end of the Taishō era]. Nihon kenkyū 日本研究 51 (2015): 97–125.)| false
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Ise Sen’ichirō 伊勢専一郎. “Sansuiga” 山水画 [Landscape paintings]. In vol. 1, Tōan zō shogafu 董盦蔵書畫譜 [Catalogue of works of calligraphy and painting in the Tōan collection], edited by Saitō Etsuzō (Tōan) 斎藤悦蔵 (董盦), 11–81. Osaka: Hakubundō, 1928.

Ise Sen’ichirō 伊勢専一郎. “Sansuiga” 山水画 [Landscape paintings]. In vol. 1, Tōan zō shogafu 董盦蔵書畫譜 [Catalogue of works of calligraphy and painting in the Tōan collection], edited by Saitō Etsuzō (Tōan) 斎藤悦蔵 (董盦), 11–81. Osaka: Hakubundō, 1928.)| false
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Kabayama Kōichi 樺山紘一, ed. Rekishigaku no hōhō 歴史学の方法 [Methods in history]. Vol. 6, Rekishigaku jiten 歴史学事典 [Encyclopedia of historiography]. Tokyo: Kōbundō, 1998.

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Kinbara Seigo 金原省吾. Shina kaigashi 支那絵画史 [History of Chinese Painting]. Tokyo: Kokon Shoin, 1938.

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Kinoshita, Nagahiro. “Okakura Kakuzō as a Historian of Art.” Review of Japanese Culture and Society 24, no. 1 (2012): 26–38.

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Kōno Motoaki 河野元昭. “Nihon bunjinga shiron” 日本文人画試論 [Thoughts on Japanese literati painting]. Ōkan suru bi 文人画：往還する美 [Literati painting: Beauty that goes hither and thither], 3-27. Kyoto: Shibunkaku Shuppan, 2018.

Kōno Motoaki 河野元昭. “Nihon bunjinga shiron” 日本文人画試論 [Thoughts on Japanese literati painting]. Ōkan suru bi 文人画：往還する美 [Literati painting: Beauty that goes hither and thither], 3-27. Kyoto: Shibunkaku Shuppan, 2018.)| false
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Kuze Kanako 久世夏奈子. “Okakura Tenshin to Bosuton Bijutsukan” 岡倉天心とボストン美術館 [Okakura Tenshin and the Museum of Fine Arts, Boston]. Bijutsushi 美術史 159 (October 2005): 1–17.

Kuze Kanako 久世夏奈子. “Okakura Tenshin to Bosuton Bijutsukan” 岡倉天心とボストン美術館 [Okakura Tenshin and the Museum of Fine Arts, Boston]. Bijutsushi 美術史 159 (October 2005): 1–17.)| false
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Lillehoj, Elizabeth. “Making Asia Out of China: Okakura Kakuzō’s Notions of Classicism.” In Collecting China: The World, China, and a Short History of Collecting, edited by Vimalin Rujivacharakul, 73–85. Newark: University of Delaware Press, 2011.

Lillehoj, Elizabeth. “Making Asia Out of China: Okakura Kakuzō’s Notions of Classicism.” In Collecting China: The World, China, and a Short History of Collecting, edited by Vimalin Rujivacharakul, 73–85. Newark: University of Delaware Press, 2011.)| false
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Lippit, Yukio. Painting of the Realm: The Kano House of Painters in Seventeenth-Century Japan. Seattle: University of Washington Press, 2012.

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Lübke, Wilhelm. Outlines of the History of Art. 2 vols. Translated by Clarence Cook. New York: Dodd, Mead, and Co., 1877. Originally published as Grundriß der Kunstgeschichte. Stuttgart: Ebner & Seubert, 1860.

Lübke, Wilhelm. Outlines of the History of Art. 2 vols. Translated by Clarence Cook. New York: Dodd, Mead, and Co., 1877. Originally published as Grundriß der Kunstgeschichte. Stuttgart: Ebner & Seubert, 1860.)| false
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Maeda, Tamaki. “Luo Zhenyu and the ‘Legacy of the Southern School’ in Japan and the West.” In Lost Generation: Luo Zhenyu, Qing Loyalists, and the Formation of Modern Chinese Culture, edited by Chia-ling Yang and Roderick Whitfield, 123–141. London: Saffron Books, in association with University of Edinburgh, 2012.

Maeda, Tamaki. “Luo Zhenyu and the ‘Legacy of the Southern School’ in Japan and the West.” In Lost Generation: Luo Zhenyu, Qing Loyalists, and the Formation of Modern Chinese Culture, edited by Chia-ling Yang and Roderick Whitfield, 123–141. London: Saffron Books, in association with University of Edinburgh, 2012.)| false
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Maeda, Tamaki. “National Painting Unbound: Modernizing Ink Painting in the Sino-Japanese Art World.” In East Asian Art History in a Transnational Context, edited by Eriko Tomiozawa-Kay and Toshio Watanabe, 188–208. London: Routledge, 2019.

Maeda, Tamaki. “National Painting Unbound: Modernizing Ink Painting in the Sino-Japanese Art World.” In East Asian Art History in a Transnational Context, edited by Eriko Tomiozawa-Kay and Toshio Watanabe, 188–208. London: Routledge, 2019.)| false
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Maeda, Tamaki. “(Re-)Canonizing Literati Painting: The Kyoto Circle.” In The Role of Japan in the Development of Modern Chinese Art, edited by Joshua A. Fogel, 215–227, 353–358. Berkeley: University of California Press, 2012.

Maeda, Tamaki. “(Re-)Canonizing Literati Painting: The Kyoto Circle.” In The Role of Japan in the Development of Modern Chinese Art, edited by Joshua A. Fogel, 215–227, 353–358. Berkeley: University of California Press, 2012.)| false
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Maeda, Tamaki. “Tomioka Tessai’s Narrative Landscapes: Rethinking Sino-Japanese Traditions.” PhD diss., University of Washington, 2004.

Maeda, Tamaki. “Tomioka Tessai’s Narrative Landscapes: Rethinking Sino-Japanese Traditions.” PhD diss., University of Washington, 2004.)| false
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Maeda, Tamaki, and Aida Yuen Wong. “Kindred Spirit: Fu Baoshi and the Japanese Art World.” In Chinese Art in an Age of Revolution: Fu Baoshi (1904–1965), edited by Anita Chung, 35–41. New Haven: Yale University Press, 2011.

Maeda, Tamaki, and Aida Yuen Wong. “Kindred Spirit: Fu Baoshi and the Japanese Art World.” In Chinese Art in an Age of Revolution: Fu Baoshi (1904–1965), edited by Anita Chung, 35–41. New Haven: Yale University Press, 2011.)| false
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Murai, Noriko, and Yukio Lippit. “Okakura Kakuzō: A Reintroduction.” In “Beyond Tenshin: Okakura Kakuzō’s Multiple Legacies.” Special issue, Review of Japanese Culture and Society 24, no. 1 (2012): 1–14.

Murai, Noriko, and Yukio Lippit. “Okakura Kakuzō: A Reintroduction.” In “Beyond Tenshin: Okakura Kakuzō’s Multiple Legacies.” Special issue, Review of Japanese Culture and Society 24, no. 1 (2012): 1–14.)| false
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Murai, Noriko, and Yukio Lippit, eds. “Beyond Tenshin: Okakura Kakuzō’s Multiple Legacies.” Special issue, Review of Japanese Culture and Society 24, no. 1 (2012).

Murai, Noriko, and Yukio Lippit, eds. “Beyond Tenshin: Okakura Kakuzō’s Multiple Legacies.” Special issue, Review of Japanese Culture and Society 24, no. 1 (2012).)| false
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Naitō Kankichi 内藤乾吉. “Atogaki” あとがき [Afterword]. In vol. 13, Naitō Konan 内藤湖南, Naitō Konan zenshū 内藤湖南全集, compiled by Kanda Kiichirō 神田喜一郎 and Naitō Kankichi 内藤乾吉, 551–553. Tokyo: Chikuma Shobō, 1973.

Naitō Kankichi 内藤乾吉. “Atogaki” あとがき [Afterword]. In vol. 13, Naitō Konan 内藤湖南, Naitō Konan zenshū 内藤湖南全集, compiled by Kanda Kiichirō 神田喜一郎 and Naitō Kankichi 内藤乾吉, 551–553. Tokyo: Chikuma Shobō, 1973.)| false
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Naitō Konan 内藤湖南. Naitō Konan zenshū 内藤湖南全集 [Collected works of Naitō Konan], compiled by Kanda Kiichirō 神田喜一郎 and Naitō Kankichi 内藤乾吉. 14 vols. Tokyo: Chikuma Shobō, 1969–1976.

Naitō Konan 内藤湖南. Naitō Konan zenshū 内藤湖南全集 [Collected works of Naitō Konan], compiled by Kanda Kiichirō 神田喜一郎 and Naitō Kankichi 内藤乾吉. 14 vols. Tokyo: Chikuma Shobō, 1969–1976.)| false
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Naitō Konan 内藤湖南. “Nanga shōron: Shina geijutsu no sekaiteki ichi” 南画小論: 支那藝術の世界的位置 [A brief discussion of Southern school painting: The position of Chinese art in the world]. In vol. 13, Naitō Konan 内藤湖南, Naitō Konan zenshū 内藤湖南全集, compiled by Kanda Kiichirō 神田喜一郎 and Naitō Kankichi 内藤乾吉, 297–311. Tokyo: Chikuma Shobō, 1973.

Naitō Konan 内藤湖南. “Nanga shōron: Shina geijutsu no sekaiteki ichi” 南画小論: 支那藝術の世界的位置 [A brief discussion of Southern school painting: The position of Chinese art in the world]. In vol. 13, Naitō Konan 内藤湖南, Naitō Konan zenshū 内藤湖南全集, compiled by Kanda Kiichirō 神田喜一郎 and Naitō Kankichi 内藤乾吉, 297–311. Tokyo: Chikuma Shobō, 1973.)| false
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Naitō Konan 内藤湖南. “Nihon bijutsushi jo” 日本美術史序 [Introduction to Japanese art history]. In vol. 13, Naitō Konan 内藤湖南, Naitō Konan zenshū 内藤湖南全集 [Collected works of Naitō Konan], compiled by Kanda Kiichirō 神田喜一郎 and Naitō Kankichi 内藤乾吉, 393–395. Tokyo: Chikuma Shobō, 1973. Originally published in Nihon bijutsushi tokushū dai issatsu 日本美術史特輯第一冊 [Japanese art history special issue, no. 1]. Tōyō bijutsu 東洋美術 1 (1930).

Naitō Konan 内藤湖南. “Nihon bijutsushi jo” 日本美術史序 [Introduction to Japanese art history]. In vol. 13, Naitō Konan 内藤湖南, Naitō Konan zenshū 内藤湖南全集 [Collected works of Naitō Konan], compiled by Kanda Kiichirō 神田喜一郎 and Naitō Kankichi 内藤乾吉, 393–395. Tokyo: Chikuma Shobō, 1973. Originally published in Nihon bijutsushi tokushū dai issatsu 日本美術史特輯第一冊 [Japanese art history special issue, no. 1]. Tōyō bijutsu 東洋美術 1 (1930).)| false
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Naitō Konan 内藤湖南. “Nihon gaka wa ikani Shina o miruka” 日本畫家は如何に支那を觀るか [What Japanese painters should see in China]. In vol. 13, Naitō Konan 内藤湖南, Naitō Konan zenshū 内藤湖南全集 [Collected works of Naitō Konan], 514–516. Tokyo: Chikuma Shobō, 1973. Originally published in Daimai bijutsu 大毎美術16 (January 1924).

Naitō Konan 内藤湖南. “Nihon gaka wa ikani Shina o miruka” 日本畫家は如何に支那を觀るか [What Japanese painters should see in China]. In vol. 13, Naitō Konan 内藤湖南, Naitō Konan zenshū 内藤湖南全集 [Collected works of Naitō Konan], 514–516. Tokyo: Chikuma Shobō, 1973. Originally published in Daimai bijutsu 大毎美術16 (January 1924).)| false
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Naitō Konan 内藤湖南. “Shin hakusai no Shinaga: Hoku-Sō izen nanga ten (Asahi Kaikan) ni tsuite” 新舶載の支那画: 北宋以前南画展（朝日会館）に就いて [New migration of Chinese painting: On an exhibition (at Asahi Kaikan) on literati panting before the Northern Song dynasty (Asahi Kaikan)]. In vol. 13, Naitō Konan 内藤湖南, Naitō Konan zenshū 内藤湖南全集 [Collected works of Naitō Konan], compiled by Kanda Kiichirō 神田喜一郎 and Naitō Kankichi 内藤乾吉, 547–549. Tokyo: Chikuma Shobō, 1973. Originally published in Ōsaka Asahi shinbun 大阪朝日新聞, November 8, 1928.

Naitō Konan 内藤湖南. “Shin hakusai no Shinaga: Hoku-Sō izen nanga ten (Asahi Kaikan) ni tsuite” 新舶載の支那画: 北宋以前南画展（朝日会館）に就いて [New migration of Chinese painting: On an exhibition (at Asahi Kaikan) on literati panting before the Northern Song dynasty (Asahi Kaikan)]. In vol. 13, Naitō Konan 内藤湖南, Naitō Konan zenshū 内藤湖南全集 [Collected works of Naitō Konan], compiled by Kanda Kiichirō 神田喜一郎 and Naitō Kankichi 内藤乾吉, 547–549. Tokyo: Chikuma Shobō, 1973. Originally published in Ōsaka Asahi shinbun 大阪朝日新聞, November 8, 1928.)| false
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Naitō Konan 内藤湖南. Shina kaigashi 支那絵画史 [History of Chinese Painting]. Tokyo: Kōbundō, 1938. Reprinted in vol. 13, Naitō Konan 内藤湖南, Naitō Konan zenshū 内藤湖南全集 [Collected works of Naitō Konan], compiled by Kanda Kiichirō 神田喜一郎 and Naitō Kankichi 内藤乾吉, 1–466. Tokyo: Chikuma Shobō, 1973.

Naitō Konan 内藤湖南. Shina kaigashi 支那絵画史 [History of Chinese Painting]. Tokyo: Kōbundō, 1938. Reprinted in vol. 13, Naitō Konan 内藤湖南, Naitō Konan zenshū 内藤湖南全集 [Collected works of Naitō Konan], compiled by Kanda Kiichirō 神田喜一郎 and Naitō Kankichi 内藤乾吉, 1–466. Tokyo: Chikuma Shobō, 1973.)| false
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Nakamura Fusetsu 中村不折 and Oga Seiun 小鹿青雲. Shina kaigashi 支那絵画史 [History of Chinese Painting]. Tokyo: Genkōsha, 1913.

Nakamura Fusetsu 中村不折 and Oga Seiun 小鹿青雲. Shina kaigashi 支那絵画史 [History of Chinese Painting]. Tokyo: Genkōsha, 1913.)| false
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Okakura, Kakuzō. The Ideals of the East with Special Reference to the Art of Japan. London: John Murray, 1903.

Okakura, Kakuzō. The Ideals of the East with Special Reference to the Art of Japan. London: John Murray, 1903.)| false
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Okakura Kakuzō [Tenshin] “Exhibition of Recent Acquisitions in Chinese and Japanese Art: December 13, 1912, to January 15, 1913.” Museum of Fine Arts Bulletin 10, no. 60 (December 1912): 45–58.

Okakura Kakuzō [Tenshin] “Exhibition of Recent Acquisitions in Chinese and Japanese Art: December 13, 1912, to January 15, 1913.” Museum of Fine Arts Bulletin 10, no. 60 (December 1912): 45–58.)| false
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Okakura Kakuzō [Tenshin] 岡倉覚三 [天心]. “Nihon bijutsushi” 日本美術史 [Japanese art history]. In vol. 4, Okakura Tenshin 岡倉天心, Okakura Tenshin zenshū 岡倉天心全集, compiled by Kumamoto Kenjirō 隈本謙二郎, Okakura Koshirō 岡倉古志郎, Kinoshita Junji 木下順二, Kawakita Michiaki 河北倫明, and Hashikawa Bunzō 橋川文三, 3–167. Tokyo: Heibonsha, 1980.

Okakura Kakuzō [Tenshin] 岡倉覚三 [天心]. “Nihon bijutsushi” 日本美術史 [Japanese art history]. In vol. 4, Okakura Tenshin 岡倉天心, Okakura Tenshin zenshū 岡倉天心全集, compiled by Kumamoto Kenjirō 隈本謙二郎, Okakura Koshirō 岡倉古志郎, Kinoshita Junji 木下順二, Kawakita Michiaki 河北倫明, and Hashikawa Bunzō 橋川文三, 3–167. Tokyo: Heibonsha, 1980.)| false
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Okakura Kakuzō [Tenshin] 岡倉覚三 [天心]. Okakura Tenshin zenshū 岡倉天心全集 [Collected works of Okakura Tenshin], compiled by Kumamoto Kenjirō 隈本謙二郎, Okakura Koshirō 岡倉古志郎, Kinoshita Junji 木下順二, Kawakita Michiaki 河北倫明, and Hashikawa Bunzō 橋川文三. 8 vols. plus a supplementary vol. Tokyo: Heibonsha, 1979–1981.

Okakura Kakuzō [Tenshin] 岡倉覚三 [天心]. Okakura Tenshin zenshū 岡倉天心全集 [Collected works of Okakura Tenshin], compiled by Kumamoto Kenjirō 隈本謙二郎, Okakura Koshirō 岡倉古志郎, Kinoshita Junji 木下順二, Kawakita Michiaki 河北倫明, and Hashikawa Bunzō 橋川文三. 8 vols. plus a supplementary vol. Tokyo: Heibonsha, 1979–1981.)| false
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Okakura Kakuzō [Tenshin] 岡倉覚三 [天心]. “Taitō kōgeishi” 泰東巧藝史 [History of fine art in Orient]. In vol. 4, Okakura Kakuzō [Tenshin] 岡倉覚三 [天心]. Okakura Tenshin zenshū 岡倉天心全集 [Collected works of Okakura Tenshin], compiled by Kumamoto Kenjirō 隈本謙二郎, Okakura Koshirō 岡倉古志郎, Kinoshita Junji 木下順二, Kawakita Michiaki 河北倫明, and Hashikawa Bunzō 橋川文三, 257–316. Tokyo: Heibonsha, 1980.

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