Chapter 4 A View of the Avant-Garde from Postwar Japanese Calligraphy

In: Japanese Art – Transcultural Perspectives
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Eugenia Bogdanova-Kummer
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  • Bäckström, Per, ed. Decentering the Avant-Garde. Amsterdam: Rodopi, 2014.

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  • Inoue Yūichi 井上有一.Kokusai bijutsuten wo mite omotta koto” 国際美術展を見て思ったこと [What I thought when seeing the Exhibition of International Art]. Bokujin 墨人 4 (July 1952): 4.

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  • Sams, Richard. “Demokrato Exhibition Memorial Round-Table Discussion.” In Demokurāto 1951–1957 kaihō sareta sengo bijutsu デモクラート1951~ 1957—解放された戦後美術 [Demokrato 1951–1957: Postwar art emancipated], edited by Takano Akihiro 高野明広, 204211. Miyazaki: Miyazaki Prefectural Art Museum, 1999.

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  • Tezuka, Miwako. “Jikken Kōbō and Takiguchi Shūzo: The New Deal Collectivism of 1950s Japan.” In Collectivism in Twentieth-Century Japanese Art, edited by Reiko Tomii and Midori Yoshimoto. Special issue, positions asia critique 21, no. 2. (2013): 351383.

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  • Tiampo, Ming. “Gutai Chain: The Collective Spirit of Individualism.” In Collectivism in Twentieth-Century Japanese Art, edited by Reiko Tomii and Midori Yoshimoto, 383417. Special issue, positions asia critique 21, no. 2. (2013): 383417.

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  • Tiampo, Ming. Gutai: Decentering Modernism. Chicago: University of Chicago Press, 2011.

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