Buonanni, Filippo. Techniques of Chinese Lacquer: The Classic Eighteenth-century Treatise on Asian Varnish. Translated by Flavia Perugini. Los Angeles: Getty Publications, 2009.

Buonanni, Filippo. Techniques of Chinese Lacquer: The Classic Eighteenth-century Treatise on Asian Varnish. Translated by Flavia Perugini. Los Angeles: Getty Publications, 2009.)| false
• Search Google Scholar
• Export Citation

Chen Huixia 陳慧霞. “Qinggong jiu cang riben shi hui de ruogan wenti—yi Guoli Gugong Bowuyuan de shoucang wei zhongxin” 清宮舊藏日本蒔繪的若干問題—以國立故宮博物院的收藏為中心 [Questions concerning the Japanese maki-e in the Qing imperial collection—evidence from the collection of the National Palace Museum]. The National Palace Museum Research Quarterly 故宮學術季刊, no. 20-4 (2003): 191–223.

Chen Huixia 陳慧霞. “Qinggong jiu cang riben shi hui de ruogan wenti—yi Guoli Gugong Bowuyuan de shoucang wei zhongxin” 清宮舊藏日本蒔繪的若干問題—以國立故宮博物院的收藏為中心 [Questions concerning the Japanese maki-e in the Qing imperial collection—evidence from the collection of the National Palace Museum]. The National Palace Museum Research Quarterly 故宮學術季刊, no. 20-4 (2003): 191–223.)| false
• Search Google Scholar
• Export Citation

Chen Huixia 陳慧霞. “Qinggong shihui: yuan cang Riben qiqi tezhan” 清宮蒔絵: 院蔵日本漆器特展 [Japanese lacquerware from the Qing imperial collection]. Taipei: Guoli Gugong Bowuyuan, 2002.

Chen Huixia 陳慧霞. “Qinggong shihui: yuan cang Riben qiqi tezhan” 清宮蒔絵: 院蔵日本漆器特展 [Japanese lacquerware from the Qing imperial collection]. Taipei: Guoli Gugong Bowuyuan, 2002.)| false
• Search Google Scholar
• Export Citation

Chen Huixia 陳慧霞. “Yongzhengchao de yangqi yu fangyangqi” 雍正朝的洋漆與仿洋漆 [On the imperial studio’s imitation of Japanese lacquerware during the Yongzheng reign]. The National Palace Museum Research Quarterly 故宮學術季刊, no. 28-1 (2010): 191–223.

Chen Huixia 陳慧霞. “Yongzhengchao de yangqi yu fangyangqi” 雍正朝的洋漆與仿洋漆 [On the imperial studio’s imitation of Japanese lacquerware during the Yongzheng reign]. The National Palace Museum Research Quarterly 故宮學術季刊, no. 28-1 (2010): 191–223.)| false
• Search Google Scholar
• Export Citation

Chen Ting 陳霆. Liang shan mo tan 兩山墨談 [Ink talks from the two mountains]. Vol. 18. Beijing: Wenwu Chubanshe, 1986.

Chen Ting 陳霆. Liang shan mo tan 兩山墨談 [Ink talks from the two mountains]. Vol. 18. Beijing: Wenwu Chubanshe, 1986.)| false
• Search Google Scholar
• Export Citation

Earle, Joe. “Genji Meets Yang Guifei: A Group of Japanese Export Lacquers.” Transactions of Oriental Ceramic Society (1983/1984): 45–76.

Earle, Joe. “Genji Meets Yang Guifei: A Group of Japanese Export Lacquers.” Transactions of Oriental Ceramic Society (1983/1984): 45–76.)| false
• Search Google Scholar
• Export Citation

Egami Yasushi 江上綏. “Ashide-e to sono shūhen” 葦手絵とその周辺 [Ashide painting and related objects]. Nihon no bijutsu 日本の美術 478 (2006): 98.

Egami Yasushi 江上綏. “Ashide-e to sono shūhen” 葦手絵とその周辺 [Ashide painting and related objects]. Nihon no bijutsu 日本の美術 478 (2006): 98.)| false
• Search Google Scholar
• Export Citation

Gao Lian 高濂. Yan Xian Qing Shang Jian ba du 雅尚齋遵生八牋 [Eight discourses on the art of living], 1591. Vol. 14. In Wenyuange edition of the Siku quanshu 四庫全書 [electronic resource], Wuchang: Wuhan Daxue Chubanshe, 1999.

Gao Lian 高濂. Yan Xian Qing Shang Jian ba du 雅尚齋遵生八牋 [Eight discourses on the art of living], 1591. Vol. 14. In Wenyuange edition of the Siku quanshu 四庫全書 [electronic resource], Wuchang: Wuhan Daxue Chubanshe, 1999.)| false
• Search Google Scholar
• Export Citation

Hidaka, Kaori 日高薫. “Ikoku ni okurareta shikki—Tenshō ken’ō setsu no miyagemono” 異国に贈られた漆器—天正遣欧使節の土産物 [Lacquerware sent to other countries—Tenshō mission to Europe and their gifts]. Kokuritsu Rekishi Minzoku Hakubutsukan kenkyu hōkoku 140 国立歴史民俗博物館研究報告 (2008): 97–116.

Hidaka, Kaori 日高薫. “Ikoku ni okurareta shikki—Tenshō ken’ō setsu no miyagemono” 異国に贈られた漆器—天正遣欧使節の土産物 [Lacquerware sent to other countries—Tenshō mission to Europe and their gifts]. Kokuritsu Rekishi Minzoku Hakubutsukan kenkyu hōkoku 140 国立歴史民俗博物館研究報告 (2008): 97–116.)| false
• Search Google Scholar
• Export Citation

Hidaka, Kaori 日高薫. Ikoku no hyōshō: kinsei yushitsu shikki no sōzōryoku 異国の表象 近世輸出漆器の創造力 [Representation of foreign countries: Creativity in premodern export lacquerware]. Tokyo: Brücke, 2008.

Hidaka, Kaori 日高薫. Ikoku no hyōshō: kinsei yushitsu shikki no sōzōryoku 異国の表象 近世輸出漆器の創造力 [Representation of foreign countries: Creativity in premodern export lacquerware]. Tokyo: Brücke, 2008.)| false
• Search Google Scholar
• Export Citation

Hidaka, Kaori 日高薫. “Kinsei ni okeru shikkōhin no yushutsu: sono keitai ni chūmoku shite” 近世における漆工品の輸出—その形態に注目して. [Export of lacquerware in the premodern period: A focus on form]. In vol. 9, Kagu dogu shitsunai shi 家具道具室内史 [The history of interiors, furniture, and tools], edited by Kagu Dōgu Shitsunai Shigakukai 家具道具室内史学会 [The Japan Society for the History of Interiors, Furniture, and Tools], 4–23. Tokyo: Kagu Dōgu Shitsunai Shigakukai, 2017.

Hidaka, Kaori 日高薫. “Kinsei ni okeru shikkōhin no yushutsu: sono keitai ni chūmoku shite” 近世における漆工品の輸出—その形態に注目して. [Export of lacquerware in the premodern period: A focus on form]. In vol. 9, Kagu dogu shitsunai shi 家具道具室内史 [The history of interiors, furniture, and tools], edited by Kagu Dōgu Shitsunai Shigakukai 家具道具室内史学会 [The Japan Society for the History of Interiors, Furniture, and Tools], 4–23. Tokyo: Kagu Dōgu Shitsunai Shigakukai, 2017.)| false
• Search Google Scholar
• Export Citation

Hidaka, Kaori 日高薫. “Kioku to gensō—17 seiki no Nipponsei yushutsu shikki ni miru fūkei hyōgen” 記憶と幻想—17 世紀の日本製輸出漆器にみる風景表現 [Memories and fantasy in Japanese export lacquer of the seventeenth century]. In 17 seiki Oranda bijutsu to ⟨Asia⟩ 17世紀オランダ美術と⟨アジア⟩ [Dutch seventeenth-century art and Asia]. Gakujutsu shinpojūmu hōkokusho 学術シンポジウム報告書, 36–41. Tokyo: The National Museum of Western Art, 2017.

Hidaka, Kaori 日高薫. “Kioku to gensō—17 seiki no Nipponsei yushutsu shikki ni miru fūkei hyōgen” 記憶と幻想—17 世紀の日本製輸出漆器にみる風景表現 [Memories and fantasy in Japanese export lacquer of the seventeenth century]. In 17 seiki Oranda bijutsu to ⟨Asia⟩ 17世紀オランダ美術と⟨アジア⟩ [Dutch seventeenth-century art and Asia]. Gakujutsu shinpojūmu hōkokusho 学術シンポジウム報告書, 36–41. Tokyo: The National Museum of Western Art, 2017.)| false
• Search Google Scholar
• Export Citation

Hutt, Julia. “East and West in Japanese Export Lacquerware: Some Problem Pieces in the Victoria and Albert Museum.” In Ostasiatische und europäische Lacktechniken/East Asian and European Lacquer Techniques. Vol. 112, Arbeitshefte des Bayerischen Landesamtes für Denkmalpflege, edited by Michael Kühlenthal, 19–26. Munich: Bayerisches Landesamt für Denkmalpflege, 2000.

Hutt, Julia. “East and West in Japanese Export Lacquerware: Some Problem Pieces in the Victoria and Albert Museum.” In Ostasiatische und europäische Lacktechniken/East Asian and European Lacquer Techniques. Vol. 112, Arbeitshefte des Bayerischen Landesamtes für Denkmalpflege, edited by Michael Kühlenthal, 19–26. Munich: Bayerisches Landesamt für Denkmalpflege, 2000.)| false
• Search Google Scholar
• Export Citation

Hutt, Julia. “A Japanese Lacquer Chest in the V&A: A Seventeenth-century Wedding Casket for the Dutch Market.” Apollo, no. 433 (March 1998): 3–9.

Hutt, Julia. “A Japanese Lacquer Chest in the V&A: A Seventeenth-century Wedding Casket for the Dutch Market.” Apollo, no. 433 (March 1998): 3–9.)| false
• Search Google Scholar
• Export Citation

Impey, Oliver. “Japanese Export Lacquer: The Fine Period.” In East Asian and European Lacquer Techniques. Vol. 112, Arbeitshefte des Bayerischen Landesamtes für Denkmalpelege, edited by Michael Kühlenthal, 11–17. Munich: Bayerisches Landesamt für Denkmalpflege, 2000.

Impey, Oliver. “Japanese Export Lacquer: The Fine Period.” In East Asian and European Lacquer Techniques. Vol. 112, Arbeitshefte des Bayerischen Landesamtes für Denkmalpelege, edited by Michael Kühlenthal, 11–17. Munich: Bayerisches Landesamt für Denkmalpflege, 2000.)| false
• Search Google Scholar
• Export Citation

Impey, Oliver. “Japanese Export Lacquer of the 17th century.” In Lacquerwork in Asia and Beyond. Colloquies on Art & Archaeology in Asia 11, edited by William Watson, 124–158. London: School of Oriental and African Studies, University of London, 1982.

Impey, Oliver. “Japanese Export Lacquer of the 17th century.” In Lacquerwork in Asia and Beyond. Colloquies on Art & Archaeology in Asia 11, edited by William Watson, 124–158. London: School of Oriental and African Studies, University of London, 1982.)| false
• Search Google Scholar
• Export Citation

Impey, Oliver, and Christiaan J.A. Jörg. Japanese Export Lacquer 1580–1850. Amsterdam, 2005.

Impey, Oliver, and Christiaan J.A. Jörg. Japanese Export Lacquer 1580–1850. Amsterdam, 2005.)| false
• Search Google Scholar
• Export Citation

Kawamura, Yayoi 川村やよい. Lacas Namban Huellas de Japón en España: IV Centenario de la Embajada Keichō/南蛮漆器　スペインに残された「日本」慶長遣欧使節400周年/Nanban Lacquer, Japan Remained in Spain, 400 Years after the Keichō Embassy. Madrid: Museo Nacional de Artes Decorativas, 2013.

Komatsu Taishū 小松大秀. “Muromachiki no suzuribako ni mieru bungaku ishō ni tsuite” 室町期の硯箱に見える文学意匠について [Literary design on the writing box in Muromachi period]. Kobijutsu 古美術 no. 71 (July 1984): 88–99.

Komatsu Taishū 小松大秀. “Muromachiki no suzuribako ni mieru bungaku ishō ni tsuite” 室町期の硯箱に見える文学意匠について [Literary design on the writing box in Muromachi period]. Kobijutsu 古美術 no. 71 (July 1984): 88–99.)| false
• Search Google Scholar
• Export Citation

Komatsu Taishū 小松大秀. “Shitsugeihin ni okeru ‘ashide’ hyōgen to sono tenkai” 漆芸品における「葦手」表現とその展開 [Ashide expression in lacquerware and its development]. MUSEUM no. 383 (February 1983): 29–38.

Komatsu Taishū 小松大秀. “Shitsugeihin ni okeru ‘ashide’ hyōgen to sono tenkai” 漆芸品における「葦手」表現とその展開 [Ashide expression in lacquerware and its development]. MUSEUM no. 383 (February 1983): 29–38.)| false
• Search Google Scholar
• Export Citation

Komatsu Taishū 小松大秀. “Shitsugeihin ni okeru bungaku ishō” 漆芸品における文学意匠 [Literary design in lacquerware]. MUSEUM no. 360 (March 1981): 4–21; no. 366 (September 1981): 26–38.

Komatsu Taishū 小松大秀. “Shitsugeihin ni okeru bungaku ishō” 漆芸品における文学意匠 [Literary design in lacquerware]. MUSEUM no. 360 (March 1981): 4–21; no. 366 (September 1981): 26–38.)| false
• Search Google Scholar
• Export Citation

Komatsu Taishū 小松大秀. “Shitsugeihin ni okeru bungaku ishō saikō” 漆芸品における文学意匠再考 [Reconsideration of literary design in lacquerware]. MUSEUM no. 564 (February 2000): 7–36.

Komatsu Taishū 小松大秀. “Shitsugeihin ni okeru bungaku ishō saikō” 漆芸品における文学意匠再考 [Reconsideration of literary design in lacquerware]. MUSEUM no. 564 (February 2000): 7–36.)| false
• Search Google Scholar
• Export Citation

Körber, Ulrike. “Reflections on Cultural Exchange and Commercial Relations in Sixteenth-Century Asia: A Portuguese Nobleman’s Lacquered Mughal Shield.” In Portugal, Jesuits, and Japan: Spiritual Beliefs and Earthly Goods, edited by Victoria Weston, 19–30. Boston: McMullen Museum of Art, Boston College, 2013.

Körber, Ulrike. “Reflections on Cultural Exchange and Commercial Relations in Sixteenth-Century Asia: A Portuguese Nobleman’s Lacquered Mughal Shield.” In Portugal, Jesuits, and Japan: Spiritual Beliefs and Earthly Goods, edited by Victoria Weston, 19–30. Boston: McMullen Museum of Art, Boston College, 2013.)| false
• Search Google Scholar
• Export Citation

Körber, Ulrike. “Der ‘Rochenhautschild’ der Hofjagd- und Rüstkammer des Kunsthistorischen Museums. Ein Reflex der portugiesischen Handelskontakte im 16. Jahrhundert. Untersuchung der Lackfassungen und Vergleiche mit ähnlichen Exemplaren” [The “Rochenhautschild” of the Hofjagd- und Rüstkammer of the Kunsthistorisches Museum. A reflection of Portuguese trade contacts in the 16th century. Examination of the lacquer settings and comparisons with similar specimens]. Technologische Studien (2011): 170–189.

Körber, Ulrike. “Der ‘Rochenhautschild’ der Hofjagd- und Rüstkammer des Kunsthistorischen Museums. Ein Reflex der portugiesischen Handelskontakte im 16. Jahrhundert. Untersuchung der Lackfassungen und Vergleiche mit ähnlichen Exemplaren” [The “Rochenhautschild” of the Hofjagd- und Rüstkammer of the Kunsthistorisches Museum. A reflection of Portuguese trade contacts in the 16th century. Examination of the lacquer settings and comparisons with similar specimens]. Technologische Studien (2011): 170–189.)| false
• Search Google Scholar
• Export Citation

Körber, Ulrike, José Carlos Frade, Margarida Cavaco, Isabel Ribeiro, et al. “A Study on 16th and 17th century Luso-Oriental (Luso-Asian) Lacquerware.” In ICOM-CC Lisbon: Preprints. Almada: Critério, 2011: 1–10.

Körber, Ulrike, José Carlos Frade, Margarida Cavaco, Isabel Ribeiro, et al. “A Study on 16th and 17th century Luso-Oriental (Luso-Asian) Lacquerware.” In ICOM-CC Lisbon: Preprints. Almada: Critério, 2011: 1–10.)| false
• Search Google Scholar
• Export Citation

Koyama Mayumi 小山真由美. “Kachō budō maki-e raden yōbitsu (Keichō ken’ō shisetsu no ihin)—Vuachikan zō Borugēze kankei bunsho ni yoru kōshō” 花鳥葡萄蒔絵螺鈿洋櫃 (慶長遣欧使節の遺品)ヴァチカン蔵ボルゲーゼ関係文書による考証 [Western-style chest with flowers, birds, and grapes in maki-e lacquer and mother-of-pearl inlay (relic of the Keichō envoys to Europe)—Provenance based on Borghese-related documents in the Vatican collection]. Kokka 國華1415 (September 2013): 17–35.

Koyama Mayumi 小山真由美. “Kachō budō maki-e raden yōbitsu (Keichō ken’ō shisetsu no ihin)—Vuachikan zō Borugēze kankei bunsho ni yoru kōshō” 花鳥葡萄蒔絵螺鈿洋櫃 (慶長遣欧使節の遺品)ヴァチカン蔵ボルゲーゼ関係文書による考証 [Western-style chest with flowers, birds, and grapes in maki-e lacquer and mother-of-pearl inlay (relic of the Keichō envoys to Europe)—Provenance based on Borghese-related documents in the Vatican collection]. Kokka 國華1415 (September 2013): 17–35.)| false
• Search Google Scholar
• Export Citation

Kujō Kanezane 九条兼実. Gyokuyō 玉葉 [Jeweled leaves]. Vol. 2 of 3. Tokyo: Kokusho Kankōkai, 1906.

Kujō Kanezane 九条兼実. Gyokuyō 玉葉 [Jeweled leaves]. Vol. 2 of 3. Tokyo: Kokusho Kankōkai, 1906.)| false
• Search Google Scholar
• Export Citation

Kyoto National Museum (Kyōto Kokuritsu Hatsubutsukan 京都国立博物館), ed. Maki-e kyuden wo kazaru tōyō no kirameki 蒔絵—宮殿を飾る 東洋の燦めき—[Export lacquer: Reflection of the west in black and gold]. Osaka: Yomiuri Shinbun, 2008.

Kyoto National Museum (Kyōto Kokuritsu Hatsubutsukan 京都国立博物館), ed. Maki-e kyuden wo kazaru tōyō no kirameki 蒔絵—宮殿を飾る 東洋の燦めき—[Export lacquer: Reflection of the west in black and gold]. Osaka: Yomiuri Shinbun, 2008.)| false
• Search Google Scholar
• Export Citation

Kyoto National Museum (Kyōto Kokuritsu Hatsubutsukan 京都国立博物館), ed. Nihon no ishō kōgei ni miru koten bungaku no sekai 日本の意匠 工芸に見る古典文学の世界 [Japanese design: World of classical literature in arts and crafts]. Kyoto: Kyōto Kokuritsu Hatsubutsukan, 1978.

Kyoto National Museum (Kyōto Kokuritsu Hatsubutsukan 京都国立博物館), ed. Nihon no ishō kōgei ni miru koten bungaku no sekai 日本の意匠 工芸に見る古典文学の世界 [Japanese design: World of classical literature in arts and crafts]. Kyoto: Kyōto Kokuritsu Hatsubutsukan, 1978.)| false
• Search Google Scholar
• Export Citation

Lacambre, Genevieve. “China’s Role in the Diffusion of Japanese Lacquerware.” In Art of Japan, Japanisms and Polish-Japanese Art Relations, edited by Agnieszka Kluczewska Wojcik and Jerzy Malinowski, 147–151. Krakow: Archeobooks, 2012

Lacambre, Genevieve. “China’s Role in the Diffusion of Japanese Lacquerware.” In Art of Japan, Japanisms and Polish-Japanese Art Relations, edited by Agnieszka Kluczewska Wojcik and Jerzy Malinowski, 147–151. Krakow: Archeobooks, 2012)| false
• Search Google Scholar
• Export Citation

Matsue Shigeyori 松江重頼, Kefukigusa 毛吹草 [Fur-blown grass]. In Shoinbon Kefukigusa 初印本毛吹草 [First facsimile edition of Kefukigusa]. Tokyo: Yumani Shobō, 1978.

Matsue Shigeyori 松江重頼, Kefukigusa 毛吹草 [Fur-blown grass]. In Shoinbon Kefukigusa 初印本毛吹草 [First facsimile edition of Kefukigusa]. Tokyo: Yumani Shobō, 1978.)| false
• Search Google Scholar
• Export Citation

Miyakoshi Tetsuo 宮腰哲雄. Urushigaku—shokusei, bunka kara yūkikagaku made 漆学—植生、文化から有機化学まで [Lacquer Science—From Vegetation and Culture to Organic Chemistry]. Tokyo: Meiji University Liberty Books, 2016.

Nagashima Meiko 永島明子. “Edo jidai chūki no yushutu shikki: Marī・Antowanetto no korekushon wo chūshin ni” 江戸時代中期の輸出漆器—マリー・アントワネットのコレクションを中心に” [Export lacquerware of the mid-Edo period: A focus on the collection of Marie Antoinette]. Shikkoshi 漆工史, no. 22 (1999): 25–66.

Nagashima Meiko 永島明子. “Edo jidai chūki no yushutu shikki: Marī・Antowanetto no korekushon wo chūshin ni” 江戸時代中期の輸出漆器—マリー・アントワネットのコレクションを中心に” [Export lacquerware of the mid-Edo period: A focus on the collection of Marie Antoinette]. Shikkoshi 漆工史, no. 22 (1999): 25–66.)| false
• Search Google Scholar
• Export Citation

Nakajima Gakushō 中島楽章. “Eiraku nenkan no nichimin bōeki” 永楽年間の日明朝貢貿易 [Tributary trade between the Ming dynasty and Japan during the Yongle reign]. Shien 史淵, 140, (2003): 51–99.

Nakajima Gakushō 中島楽章. “Eiraku nenkan no nichimin bōeki” 永楽年間の日明朝貢貿易 [Tributary trade between the Ming dynasty and Japan during the Yongle reign]. Shien 史淵, 140, (2003): 51–99.)| false
• Search Google Scholar
• Export Citation

National Museum of Japanese History (Kokuritsu Rekishi Minzoku Hakubutsukan 国立歴史民俗博物館), ed. Urushi bunka: Jōmon･ Yayoi jidai 漆文化: 縄文･ 弥生時代 [Lacquer culture: The Jōmon and Yayoi periods]. Chiba: Kokuritsu Rekishi Minzoku Hakubutsukan, 1994.

National Museum of Japanese History (Kokuritsu Rekishi Minzoku Hakubutsukan 国立歴史民俗博物館). URUSHI fushigi monogatari—hito to urushi no 12000 shi, URUSHI ふしぎ物語—人と漆の12000年史 [The wonders of URUSHI: 12,000-year history of people and lacquer in Japan]. Chiba: Kokuritsu Rekishi Minzoku Hakubutsukan, 2017.

National Museum of Japanese History (Kokuritsu Rekishi Minzoku Hakubutsukan 国立歴史民俗博物館). URUSHI fushigi monogatari—hito to urushi no 12000 shi, URUSHI ふしぎ物語—人と漆の12000年史 [The wonders of URUSHI: 12,000-year history of people and lacquer in Japan]. Chiba: Kokuritsu Rekishi Minzoku Hakubutsukan, 2017.)| false
• Search Google Scholar
• Export Citation

Nishida Hiroko 西田宏子. “Vyikutoria・Arubāto Hakubutsukan hozō shitsugeihin 1 Fuan・Deīman no hako” ヴィクトリア・アルバート博物館所蔵漆芸品１　ファン・ディーメンの箱 [Lacquerware in Victoria and Albert Museum I: Van Diemen Box]. MUSEUM, no. 258 (September 1972): 27–34.

Nishida Hiroko 西田宏子. “Vyikutoria・Arubāto Hakubutsukan hozō shitsugeihin 1 Fuan・Deīman no hako” ヴィクトリア・アルバート博物館所蔵漆芸品１　ファン・ディーメンの箱 [Lacquerware in Victoria and Albert Museum I: Van Diemen Box]. MUSEUM, no. 258 (September 1972): 27–34.)| false
• Search Google Scholar
• Export Citation

Palace Museum (Gugong Bowuyuan 故宮博物院), ed. Listing of Japanese Cultural Relics in the Collection of the Palace Museum 故宮蔵日本文物展覧図録. Beijing: Zijincheng Chubanshe, 2002.

Palace Museum (Gugong Bowuyuan 故宮博物院), ed. Listing of Japanese Cultural Relics in the Collection of the Palace Museum 故宮蔵日本文物展覧図録. Beijing: Zijincheng Chubanshe, 2002.)| false
• Search Google Scholar
• Export Citation

Sakamoto Mitsuru 坂本満, Narusawa Katsushi 成澤勝嗣, and Izumi Mari 泉万里. Nanban byōbu shūsei 南蛮屏風集成 [Complete catalogue of nanban screens]. Tokyo: Chuō Kōron Bijutsu Shuppan, 2008.

Sakamoto Mitsuru 坂本満, Narusawa Katsushi 成澤勝嗣, and Izumi Mari 泉万里. Nanban byōbu shūsei 南蛮屏風集成 [Complete catalogue of nanban screens]. Tokyo: Chuō Kōron Bijutsu Shuppan, 2008.)| false
• Search Google Scholar
• Export Citation

Smith, H. Clifford. “The Van Diemen Box.” The Burlington Magazine for Connoisseurs 29, no. 163 (October 1916): 299–301, 303.

Smith, H. Clifford. “The Van Diemen Box.” The Burlington Magazine for Connoisseurs 29, no. 163 (October 1916): 299–301, 303.)| false
• Search Google Scholar
• Export Citation

Songshi 宋史 [History of Song]. Chapter 491, collective biography 250, foreign countries 外國7. Sibu beiyao 四部備要32, 3829. Beijing: Zhonghua Shuju, 1989.

Songshi 宋史 [History of Song]. Chapter 491, collective biography 250, foreign countries 外國7. Sibu beiyao 四部備要32, 3829. Beijing: Zhonghua Shuju, 1989.)| false
• Search Google Scholar
• Export Citation

Stalker, John, and George Parker. A Treatise of Japaning and Varnishing Being a Compleat Discovery of Those Arts: With the Best Way of Making All Sorts of Varnish for Japan Wood, Prints or Pictures …: Together with above an Hundred Distinct Patterns of Japan-work …: Curiously Engraven on 24 Large Copper Plates. Oxford: printed for, and sold by the author, 1688.

Stalker, John, and George Parker. A Treatise of Japaning and Varnishing Being a Compleat Discovery of Those Arts: With the Best Way of Making All Sorts of Varnish for Japan Wood, Prints or Pictures …: Together with above an Hundred Distinct Patterns of Japan-work …: Curiously Engraven on 24 Large Copper Plates. Oxford: printed for, and sold by the author, 1688.)| false
• Search Google Scholar
• Export Citation

Takahashi Akemi 高橋あけみ. “Keichō ken’ō shisetsu no zōtōhin nado ni tsuite” 慶長遣欧使節の贈答品などについて [Gifts and other things of the Keichō envoys to Europe]. In Keichō ken’ō shisetsu 慶長遣欧使節 [Keichō mission]. Sendai-shi shi tokubetsuhen 8 仙台市史 特別編8. Sendai: Sendai-shi Shi Hensan Iinkai, 2010.

Takahashi Akemi 高橋あけみ. “Keichō ken’ō shisetsu no zōtōhin nado ni tsuite” 慶長遣欧使節の贈答品などについて [Gifts and other things of the Keichō envoys to Europe]. In Keichō ken’ō shisetsu 慶長遣欧使節 [Keichō mission]. Sendai-shi shi tokubetsuhen 8 仙台市史 特別編8. Sendai: Sendai-shi Shi Hensan Iinkai, 2010.)| false
• Search Google Scholar
• Export Citation

Tu Long 屠隆. Kao pan yu shi 考槃余事 [Desultory remarks on furnishing the abode of the retired scholar]. ca. 1600.

Tu Long 屠隆. Kao pan yu shi 考槃余事 [Desultory remarks on furnishing the abode of the retired scholar]. ca. 1600.)| false
• Search Google Scholar
• Export Citation

Wang Shixiang 王世襄. Xiushilu jieshuo, Zhongguo cuantong qigongyi yanjiu 髤飾録解説 中国伝統漆工芸研究 [Xiushilu lacquer treatise explained: Research on Chinese traditional lacquer art]. Beijing: Wenwu Chubanshe, 1998.

Wang Shixiang 王世襄. Xiushilu jieshuo, Zhongguo cuantong qigongyi yanjiu 髤飾録解説 中国伝統漆工芸研究 [Xiushilu lacquer treatise explained: Research on Chinese traditional lacquer art]. Beijing: Wenwu Chubanshe, 1998.)| false
• Search Google Scholar
• Export Citation

Wen Zhenheng 文震亨. Zhang Wu Zhi 長物志 [Treatise on superfluous things] (1615–1620). Vols. 6–8. In Wenyuange edition of the Siku quanshu 四庫全書 [electronic resource], Wuchang: Wuhan Daxue Chubanshe, 1999.

Wen Zhenheng 文震亨. Zhang Wu Zhi 長物志 [Treatise on superfluous things] (1615–1620). Vols. 6–8. In Wenyuange edition of the Siku quanshu 四庫全書 [electronic resource], Wuchang: Wuhan Daxue Chubanshe, 1999.)| false
• Search Google Scholar
• Export Citation

Yamauki Teijirō 山脇悌二郎. Tōban kamotsuchō 唐蛮貨物帳 [Cargo list of Chinese and European ships]. 2 vols. Tokyo: Naikaku Bunko, 1969–1970.

Yamauki Teijirō 山脇悌二郎. Tōban kamotsuchō 唐蛮貨物帳 [Cargo list of Chinese and European ships]. 2 vols. Tokyo: Naikaku Bunko, 1969–1970.)| false
• Search Google Scholar
• Export Citation

Yotsutsuji Hideki 四辻秀紀. “Ashide shiron” 葦手試論 [An essay on ashide]. Kokka 國華 1038 (1980): 7–23.

Yotsutsuji Hideki 四辻秀紀. “Ashide shiron” 葦手試論 [An essay on ashide]. Kokka 國華 1038 (1980): 7–23.)| false
• Search Google Scholar
• Export Citation

Zhu Jiajin 朱家溍. “Qing Yongzheng nian de qiqi zhizao kao” 清雍正年的漆器制造考 [About the manufacture of lacquerware during the Yongzheng era of the Qing dynasty]. Gugong Bowuyuan yuankan/Palace Museum Journal 故宮博物院院刊 1 (1988): 51–59.

Zhu Jiajin 朱家溍. “Qing Yongzheng nian de qiqi zhizao kao” 清雍正年的漆器制造考 [About the manufacture of lacquerware during the Yongzheng era of the Qing dynasty]. Gugong Bowuyuan yuankan/Palace Museum Journal 故宮博物院院刊 1 (1988): 51–59.)| false
• Search Google Scholar
• Export Citation

Zhu Jiajin 朱家溍. “Qingdai Zaobanchu qiqi zhizuo kao” 清代造辦處漆器制做考 [A study of lacquer-making in Zaobanchu workshops of the Qing court]. Gugong Bowuyuan yuankan/Palace Museum Journal 故宮博物院院刊3 (1989): 3–14.

Zhu Jiajin 朱家溍. “Qingdai Zaobanchu qiqi zhizuo kao” 清代造辦處漆器制做考 [A study of lacquer-making in Zaobanchu workshops of the Qing court]. Gugong Bowuyuan yuankan/Palace Museum Journal 故宮博物院院刊3 (1989): 3–14.)| false
• Search Google Scholar
• Export Citation

Zhu Jiajin 朱家溍. “Yangxin dian Zaobanchu to sono sakuhin”/“Yōshinden zōbensho to sono sakuhin” 養心殿造辦処とその作品 [The imperial Zaobanchu workshops and their products]. In Shin 清 [Qing]. Vol. 9, Sekai bijutsu daizen shū 世界美術大全集 [Great collection of world art], edited by Nishigami Minoru 西上実 and Nakano Tōru 中野徹, 334–340. Tokyo: Shogakukan, 1998.

Zhu Jiajin 朱家溍. “Yangxin dian Zaobanchu to sono sakuhin”/“Yōshinden zōbensho to sono sakuhin” 養心殿造辦処とその作品 [The imperial Zaobanchu workshops and their products]. In Shin 清 [Qing]. Vol. 9, Sekai bijutsu daizen shū 世界美術大全集 [Great collection of world art], edited by Nishigami Minoru 西上実 and Nakano Tōru 中野徹, 334–340. Tokyo: Shogakukan, 1998.)| false
• Search Google Scholar
• Export Citation

Zhu Jiajin 朱家溍. “Yongzheng Lacquerware in the Palace Museum, Beijing.” Orientations (March 1988): 28–39.

Zhu Jiajin 朱家溍. “Yongzheng Lacquerware in the Palace Museum, Beijing.” Orientations (March 1988): 28–39.)| false
• Search Google Scholar
• Export Citation