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Elkins, James, ed. Is Art History Global? New York: Routledge, 2007.)| false
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Executive Committee of the Symposium on Hayashi Tadamasa (Hayashi Tadamasa Shinpojiumu Jikkō Iinkai 林忠正シンポジウム実行委員会), ed. Hayashi Tadamasa—Japonisumu to bunka kōryū 林忠正—ジャポニスムと文化交流 [Hayashi Tadamasa—Japonisme and cultural exchange]. Tokyo: Buryukke, 2007.

Executive Committee of the Symposium on Hayashi Tadamasa (Hayashi Tadamasa Shinpojiumu Jikkō Iinkai 林忠正シンポジウム実行委員会), ed. Hayashi Tadamasa—Japonisumu to bunka kōryū 林忠正—ジャポニスムと文化交流 [Hayashi Tadamasa—Japonisme and cultural exchange]. Tokyo: Buryukke, 2007.)| false
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Hayashi Tadamasa. “Kitaru senkuhyakunen Futsukoku Pari Bankoku Hakurankai shuppin ni tsuki iken” 来ル千九百年仏国巴里万国博覧会出品ニ付意見 [Opinion on the exhibits of the upcoming Paris Exposition universelle in 1900] (1898). In Hayashi Tadamasa shokan, edited by Kigi Yasuko 木々康子, 441–454. Tokyo: Shinzansha, 2003.

Hayashi Tadamasa. “Kitaru senkuhyakunen Futsukoku Pari Bankoku Hakurankai shuppin ni tsuki iken” 来ル千九百年仏国巴里万国博覧会出品ニ付意見 [Opinion on the exhibits of the upcoming Paris Exposition universelle in 1900] (1898). In Hayashi Tadamasa shokan, edited by Kigi Yasuko 木々康子, 441–454. Tokyo: Shinzansha, 2003.)| false
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Hayashi Tadamasa 林忠正. “Pari Hakurankai ni tsuki bijutsudan” 巴里博覧会に付き美術談 [A talk on the fine arts related to the Paris Exposition universelle]. Nihon Bijutsu Kyōkai hōkoku 日本美術協会報告, no. 122 (May 1898): 7–18.

Hayashi Tadamasa 林忠正. “Pari Hakurankai ni tsuki bijutsudan” 巴里博覧会に付き美術談 [A talk on the fine arts related to the Paris Exposition universelle]. Nihon Bijutsu Kyōkai hōkoku 日本美術協会報告, no. 122 (May 1898): 7–18.)| false
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Hayashi Tadamasa 林忠正. “Takaoka dōki iji no iken” 高岡銅器維持ノ意見 [Opinion on the preservation of the Takaoka bronze wares] (1886). In Hayashi Tadamasa shokan・shiryō shū, edited by Kigi Yasuko 木々康子, 424–440. Tokyo: Shinzansha, 2003.

Hayashi Tadamasa 林忠正. “Takaoka dōki iji no iken” 高岡銅器維持ノ意見 [Opinion on the preservation of the Takaoka bronze wares] (1886). In Hayashi Tadamasa shokan・shiryō shū, edited by Kigi Yasuko 木々康子, 424–440. Tokyo: Shinzansha, 2003.)| false
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Hayashi Tadamasa 林忠正. “Toyama hakuse no ensetsu wo yomu” 外山博士ノ演説ヲ読ム [Understanding a lecture by Dr. Toyama]. Meiji Bijutsukai hōkoku 明治美術会報告 (1890): 12–33.

Hayashi Tadamasa 林忠正. “Toyama hakuse no ensetsu wo yomu” 外山博士ノ演説ヲ読ム [Understanding a lecture by Dr. Toyama]. Meiji Bijutsukai hōkoku 明治美術会報告 (1890): 12–33.)| false
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Hayashi Tadamasa 林忠正 (designer/exhibitor) and Suzuki Chōkichi 鈴木長吉 (artist). Twelve Bronze Falcons Exhibited at the World’s Columbian Exposition Chicago. Tokyo: Seishi Bunsha, 1893.

Hayashi Tadamasa 林忠正 (designer/exhibitor) and Suzuki Chōkichi 鈴木長吉 (artist). Twelve Bronze Falcons Exhibited at the World’s Columbian Exposition Chicago. Tokyo: Seishi Bunsha, 1893.)| false
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Inaga Shigemi 稲賀繁美. Kaiga no rinkai—kindai Higashi Ajia bijutsu no shikkoku to meiun 絵画の臨界—近代東アジア美術の桎梏と命運 [The boundaries in painting—the bonds and the destiny of modern East Asian art]. Nagoya: Nagoya Daigaku Shuppankai, 2014.

Inaga Shigemi 稲賀繁美. Kaiga no rinkai—kindai Higashi Ajia bijutsu no shikkoku to meiun 絵画の臨界—近代東アジア美術の桎梏と命運 [The boundaries in painting—the bonds and the destiny of modern East Asian art]. Nagoya: Nagoya Daigaku Shuppankai, 2014.)| false
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Inaga Shigemi 稲賀繁美, ed. Tōyō ishiki: musō to genjitsu no aida, 1887–1953 東洋意識: 夢想と現実のあいだ, 1887–1953 [Oriental consciousness between reverie and reality, 1887–1953]. Tokyo: Mineruva Shobō, 2012.

Inaga Shigemi 稲賀繁美, ed. Tōyō ishiki: musō to genjitsu no aida, 1887–1953 東洋意識: 夢想と現実のあいだ, 1887–1953 [Oriental consciousness between reverie and reality, 1887–1953]. Tokyo: Mineruva Shobō, 2012.)| false
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Institut de Tokyo, Institution Administrative Indépendante, Centre National de Recherche pour les Propriétés Culturelles/Dokuritsu Gyōsei Hōjin Bunkazai Kenkyūjo Tōkyō Bunkazai Kenkyūjo 独立行政法人文化財研究所東京文化財研究所, eds. Hayashi Tadamasa ateshokanshū 林忠正宛書簡集/Correspondance addressée à Hayashi Tadamasa. Tokyo: Kokusho Kankōkai, 2001.

Institut de Tokyo, Institution Administrative Indépendante, Centre National de Recherche pour les Propriétés Culturelles/Dokuritsu Gyōsei Hōjin Bunkazai Kenkyūjo Tōkyō Bunkazai Kenkyūjo 独立行政法人文化財研究所東京文化財研究所, eds. Hayashi Tadamasa ateshokanshū 林忠正宛書簡集/Correspondance addressée à Hayashi Tadamasa. Tokyo: Kokusho Kankōkai, 2001.)| false
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Jōzuka Taketoshi 定塚武敏. Gashō Hayashi Tadamasa 画商林忠正 [The art dealer Hayashi Tadamasa]. Tokyo: Kita Nihon Shuppansha, 1972.

Jōzuka Taketoshi 定塚武敏. Gashō Hayashi Tadamasa 画商林忠正 [The art dealer Hayashi Tadamasa]. Tokyo: Kita Nihon Shuppansha, 1972.)| false
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Kigi Yasuko 木々康子, ed. Hayashi Tadamasa shokan・shiryō shū 林忠正宛書簡・資料集 [Correspondence with Hayashi Tadamasa and a collection of resource materials]. Tokyo: Shinzansha, 2003.

Kigi Yasuko 木々康子, ed. Hayashi Tadamasa shokan・shiryō shū 林忠正宛書簡・資料集 [Correspondence with Hayashi Tadamasa and a collection of resource materials]. Tokyo: Shinzansha, 2003.)| false
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Kigi Yasuko 木々康子. Hayashi Tadamasa to sono jidai 林忠正とその時代 [Hayashi Tadamasa and the age]. Tokyo: Chikuma Shobō, 1987.

Kigi Yasuko 木々康子. Hayashi Tadamasa to sono jidai 林忠正とその時代 [Hayashi Tadamasa and the age]. Tokyo: Chikuma Shobō, 1987.)| false
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Kigi Yasuko 木々康子. Hayashi Tadamasa: ukiyo-e wo koete Nihon bijutsu no subete wo 林忠正 浮世絵を超えて日本美術のすべてを [Hayashi Tadamasa: all of Japanese art over ukiyo-e]. Tokyo: Minerva Shobō, 2009.

Kigi Yasuko 木々康子. Hayashi Tadamasa: ukiyo-e wo koete Nihon bijutsu no subete wo 林忠正 浮世絵を超えて日本美術のすべてを [Hayashi Tadamasa: all of Japanese art over ukiyo-e]. Tokyo: Minerva Shobō, 2009.)| false
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Kigi Yasuko 木々康子. Hi ga noboru toki 陽が昇るとき [The time of sun rising]. Tokyo: Chikuma Shobō, 1984.

Kigi Yasuko 木々康子. Hi ga noboru toki 陽が昇るとき [The time of sun rising]. Tokyo: Chikuma Shobō, 1984.)| false
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Kigi Yasuko 木々康子. Pōru・Runeāru to Hayashi Tadamasa ポール・ルヌアールと林忠正 [Paul Renouard and Hayashi Tadamasa]. MUSEUM, no. 604 (October 2006): 39–45.

Kigi Yasuko 木々康子. Pōru・Runeāru to Hayashi Tadamasa ポール・ルヌアールと林忠正 [Paul Renouard and Hayashi Tadamasa]. MUSEUM, no. 604 (October 2006): 39–45.)| false
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Kigi Yasuko 木々康子. Sōryū no keifu 蒼龍の系譜 [Lineage of the blue dragon]. Tokyo: Chikuma Shobō, 1976.

Kigi Yasuko 木々康子. Sōryū no keifu 蒼龍の系譜 [Lineage of the blue dragon]. Tokyo: Chikuma Shobō, 1976.)| false
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Kitazawa Noriaki 北澤憲昭. “Me no shinden—bijutsu juyōshi nōto” 眼の神殿－「美術」受容史ノート [The temple of the eyes—notes on the reception of bijutsu]. Tokyo: Bijutsu Shuppansha, 1989.

Kokusai Shinpojiumu “Nihon ni okeru ‘bijutsu’ Gainen no Saikōchiku” Kiroku-shū Henshū Iinkai (国際シンポジウム「日本における「美術」概念の再構築」記録集編集委員会), ed. “‘Bijutsu’ gainen no saikōchiku no bunrui jidai no owari ni”「美術」概念の再構築 分類の時代の終わりに/“Toward Updating the Concept of ‘Bijutsu’ gainen at the Ending of Age of Classification.” Tokyo: Buryukke, 2017.

Kokusai Shinpojiumu “Nihon ni okeru ‘bijutsu’ Gainen no Saikōchiku” Kiroku-shū Henshū Iinkai (国際シンポジウム「日本における「美術」概念の再構築」記録集編集委員会), ed. “‘Bijutsu’ gainen no saikōchiku no bunrui jidai no owari ni”「美術」概念の再構築 分類の時代の終わりに/“Toward Updating the Concept of ‘Bijutsu’ gainen at the Ending of Age of Classification.” Tokyo: Buryukke, 2017.)| false
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Koyama, Brigitte 小山ブリジット. Yume mita Nippon: Edomon・do・Gonkūru to Hayashi Tadamasa 夢見た日本　エドモン・ド・ゴンクールと林忠正 [Japon rêvé: Edmond de Goncourt and Hayashi Tadamasa]. Tokyo: Heibonsha, 2006.

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Kümmel, Otto. Die Kunst Chinas, Japans und Koreas. Wildpark-Potsdam: Akademische Verlagsgesellschaft Athenaion, 1929.)| false
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Mabuchi Akiko 馬渕明子. “1900nen Pari Bankoku Hakurankai to Histoire de l’Art du Japon wo megutte” 一九００年パリ万国博覧会とHistoire de l’Art du Japon をめぐって [The 1900 Paris Exposition universelle and Histoire de l’Art du Japon]. In Ima Nihon no bijutsushigaku wo furigaeru 今日本の美術史学をふりかえる [The present, the discipline of art history in Japan], 43–55. Tokyo: Tōkyō Kokuritsu Bunkazai Kenkyūjo, 1999.

Mabuchi Akiko 馬渕明子. “1900nen Pari Bankoku Hakurankai to Histoire de l’Art du Japon wo megutte” 一九００年パリ万国博覧会とHistoire de l’Art du Japon をめぐって [The 1900 Paris Exposition universelle and Histoire de l’Art du Japon]. In Ima Nihon no bijutsushigaku wo furigaeru 今日本の美術史学をふりかえる [The present, the discipline of art history in Japan], 43–55. Tokyo: Tōkyō Kokuritsu Bunkazai Kenkyūjo, 1999.)| false
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“Meiji sanjūyonnen gogatsu dainikai tokubetsu tenrankai mokuroku Tōkyō Teishitsu Hakubutsukan” 明治三十四年五月第ニ回特別展覧会目録 東京帝室博物館 [May 1901, list of works of the second special exhibition, Tokyo Imperial Museum]. https://www.tobunken.go.jp/japanese/publication/pdf/1901_tnm.pdf .

“Meiji sanjūyonnen gogatsu dainikai tokubetsu tenrankai mokuroku Tōkyō Teishitsu Hakubutsukan” 明治三十四年五月第ニ回特別展覧会目録 東京帝室博物館 [May 1901, list of works of the second special exhibition, Tokyo Imperial Museum]. https://www.tobunken.go.jp/japanese/publication/pdf/1901_tnm.pdf . )| false
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“Meiji sanjūyonnen shigatsu daiikai tokubetsu tenrankai mokuroku Tōkyō Teishitsu Hakubutsukan” 明治三十四年四月第一回特別展覧会目録 東京帝室博物館 [April 1901, list of works of the first special exhibition, Tokyo Imperial Museum]. https://www.tobunken.go.jp/japanese/publication/pdf/1901_tnm.pdf .

“Meiji sanjūyonnen shigatsu daiikai tokubetsu tenrankai mokuroku Tōkyō Teishitsu Hakubutsukan” 明治三十四年四月第一回特別展覧会目録 東京帝室博物館 [April 1901, list of works of the first special exhibition, Tokyo Imperial Museum]. https://www.tobunken.go.jp/japanese/publication/pdf/1901_tnm.pdf . )| false
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Ministry of Agriculture and Commerce (Nōshōmushō 農商務省), ed. “Senkuhyakunen Pari Bankoku Hakurankai” [The 1900 Paris Exposition universelle]. Rinji Hakurankai Jimukyoku Hōkoku 1 臨時博覧会事務局報告 (上) (1902).

Ministry of Agriculture and Commerce (Nōshōmushō 農商務省), ed. “Senkuhyakunen Pari Bankoku Hakurankai” [The 1900 Paris Exposition universelle]. Rinji Hakurankai Jimukyoku Hōkoku 1 臨時博覧会事務局報告 (上) (1902).)| false
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Pitelka, Morgan. Spectacular Accumulation: Material Culture, Tokugawa Ieyasu, and Samurai Sociability. Honolulu: University of Hawai‘i Press, 2016.

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Saunders, Rachel. “Pursuits of Power: Falconry in Edo Period Japan.” Orientations 36, no. 2 (March 2005): 82–92.)| false
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Shizuoka Prefectural Museum of Art (Shizuoka Kenritsu Bijutsukan 静岡県立美術館), ed. Higashi Ajia kaiga no kindai—yōga no tanjo to sono tenkai 東アジア/絵画の近代 油画の誕生とその展開 [Oil painting in East Asia: Its awakening and development]. Shizuoka: Shizuoka Kenritsu Bijutsukan, 1999.

Shizuoka Prefectural Museum of Art (Shizuoka Kenritsu Bijutsukan 静岡県立美術館), ed. Higashi Ajia kaiga no kindai—yōga no tanjo to sono tenkai 東アジア/絵画の近代 油画の誕生とその展開 [Oil painting in East Asia: Its awakening and development]. Shizuoka: Shizuoka Kenritsu Bijutsukan, 1999.)| false
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Suzuki Sadami 鈴木貞美 and Ryū Kenki 劉建輝, eds. Higashi Ajia ni okeru kindai shogainen no seiritsu: dai 26 kai kokusai kenkyū shūkai kindai Tōa shogainenteki seiritsu 東アジアにおける近代諸概念の成立: 第26回国際研究集会近代東亜諸概念的成立 [Establishment of modern concepts in East Asia: The 26th international research meeting of the conceptual establishment of the modern east ]. Kyoto: Nichibunken (Kokusai Nihon Bunka Kenkyū Sentā), 2012.

Suzuki Sadami 鈴木貞美 and Ryū Kenki 劉建輝, eds. Higashi Ajia ni okeru kindai shogainen no seiritsu: dai 26 kai kokusai kenkyū shūkai kindai Tōa shogainenteki seiritsu 東アジアにおける近代諸概念の成立: 第26回国際研究集会近代東亜諸概念的成立 [Establishment of modern concepts in East Asia: The 26th international research meeting of the conceptual establishment of the modern east ]. Kyoto: Nichibunken (Kokusai Nihon Bunka Kenkyū Sentā), 2012.)| false
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Takaoka City Museum of Art (Takaoka Bijutsukan 高岡市美術館), Fukuyama Museum of Art (Fukuyama Bijutsukan ふくやま美術館), and the Museum of Modern Art, Ibaraki (Ibaraki-ken Kindai Bijutsukan 茨城県近代美術館). Furansu kaiga to ukiyo-e: tōzai bunka no kakehashi Hayashi Tadamasa no me フランス絵画と浮世絵—東西文化の架け橋 林忠正の眼/French Painting and ukiyo-e: The Eye of Tadamasa Hayashi, A Bridge between the Eastern and Western Cultures. Takaoka: Takaoka-shi Bijutsukan, 1996.

Takaoka City Museum of Art (Takaoka Bijutsukan 高岡市美術館), Fukuyama Museum of Art (Fukuyama Bijutsukan ふくやま美術館), and the Museum of Modern Art, Ibaraki (Ibaraki-ken Kindai Bijutsukan 茨城県近代美術館). Furansu kaiga to ukiyo-e: tōzai bunka no kakehashi Hayashi Tadamasa no me フランス絵画と浮世絵—東西文化の架け橋 林忠正の眼/French Painting and ukiyo-e: The Eye of Tadamasa Hayashi, A Bridge between the Eastern and Western Cultures. Takaoka: Takaoka-shi Bijutsukan, 1996.)| false
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Tokyo National Museum of Modern Art (Tōkyō Kokuritsu Kindai Bijutsukan 東京国立近代美術館). Ajia no kyubisumu アジアのキュビスム 境界なき対話 [Cubism in Asia: Borderless dialogues]. Tokyo: Tōkyō Kokuritsu Kindai Bijutsukan, 2005.

Tokyo National Museum of Modern Art (Tōkyō Kokuritsu Kindai Bijutsukan 東京国立近代美術館). Ajia no kyubisumu アジアのキュビスム 境界なき対話 [Cubism in Asia: Borderless dialogues]. Tokyo: Tōkyō Kokuritsu Kindai Bijutsukan, 2005.)| false
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Toyota Municipal Museum of Art (Toyota-shi Bijutsukan 豊田市美術館). Kindai no Higashi Ajia imēji—Nihon wa dō Ajia wo egaite kita ka 近代の東アジアイメージ—日本はどうアジアを描いてきたか [Image of East Asia in the modern era—how Japan depicted Asia]. Toyota: Toyota-shi Bijutsukan, 2009.

Toyota Municipal Museum of Art (Toyota-shi Bijutsukan 豊田市美術館). Kindai no Higashi Ajia imēji—Nihon wa dō Ajia wo egaite kita ka 近代の東アジアイメージ—日本はどうアジアを描いてきたか [Image of East Asia in the modern era—how Japan depicted Asia]. Toyota: Toyota-shi Bijutsukan, 2009.)| false
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Yasumatsu Miyuki 安松みゆき. Doitsu kindai ni okeru Nihon bijutsukan—tōyō bijutsushika Myunsutāberuku no Kyunmeru hihan wo ki ni shite ドイツ近代における日本美術観—東洋美術史家ミュンスターベルクのキュンメル批判を基にして—[The understanding of Japanese art in modern Germany—based on the critique of Kümmel by the Asian art historian Münsterberg]. Beppu Daigaku kiyō 別府大学紀要53 (2012): 39–49.

Yasumatsu Miyuki 安松みゆき. Doitsu kindai ni okeru Nihon bijutsukan—tōyō bijutsushika Myunsutāberuku no Kyunmeru hihan wo ki ni shite ドイツ近代における日本美術観—東洋美術史家ミュンスターベルクのキュンメル批判を基にして—[The understanding of Japanese art in modern Germany—based on the critique of Kümmel by the Asian art historian Münsterberg]. Beppu Daigaku kiyō 別府大学紀要53 (2012): 39–49.)| false
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Yoshida Chizuko 吉田千鶴子. Kindai Higashi Ajia bijutsu ryūgakusei no kenkyū—Tōkyō Bijutsu Gakkō ryūgakusei shiryō 近代東アジア美術留学生の研究—東京美術学校留学生史料 [Research on East Asian students abroad in the modern era—documents on overseas students of the Tokyo School of Fine Arts]. Tokyo: Yumani Shobō, 2009.

Yoshida Chizuko 吉田千鶴子. Kindai Higashi Ajia bijutsu ryūgakusei no kenkyū—Tōkyō Bijutsu Gakkō ryūgakusei shiryō 近代東アジア美術留学生の研究—東京美術学校留学生史料 [Research on East Asian students abroad in the modern era—documents on overseas students of the Tokyo School of Fine Arts]. Tokyo: Yumani Shobō, 2009.)| false
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