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“Doitsu koku e taiyo no kokuhō oyobi jūyō bijutsuhin” 獨逸国へ貸与の国宝及重要美術品 [National Treasures and Important Cultural Properties lent to Germany]. Kokka 国華 48, no. 8 (1938): 238–239.

“Doitsu koku e taiyo no kokuhō oyobi jūyō bijutsuhin” 獨逸国へ貸与の国宝及重要美術品 [National Treasures and Important Cultural Properties lent to Germany]. Kokka 国華 48, no. 8 (1938): 238–239.)| false
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Hayashi Michiko 林みちこ. “1910nen Nichiei Hakurankai ni okeru kokuhō no shuppin to ‘Tokubetsu hogo kenzōbutsu oyobi kokuhō-chō’” 1910年日英博覧会における国宝の出品と『特別保護建造物及国宝帖』[Japanese National Treasures at the 1910 Japan-British Exhibition, and “Japanese temples and their treasures”]. Bijutsushi 美術史181 (2016): 41.

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Kitazawa Noriaki 北澤憲昭. “Nihon bijutsushi” to iu wakugumi 「日本美術史」という枠組み [The paradigms of Japanese art history]. In Ima Nihon no bijutsushigaku wo furikaeru 今日本の美術史学をふりかえる [The present, the discipline of art history in Japan], 22–31. Tokyo: Tokyo National Research Institute for Cultural Properties (Tōkyō Bunkazai Kenkyūjo 東京文化財研究所), 1999.)| false
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Kojima Kikuo 兒島喜久雄. “Berurin Nihon Kobijutsu Tenrankai” 伯林日本古美術展覧会 [Exhibition of Old Japanese Art]. Kaizo 改造 (September 1939): 132–145.

Kojima Kikuo 兒島喜久雄. “Berurin Nihon Kobijutsu Tenrankai” 伯林日本古美術展覧会 [Exhibition of Old Japanese Art]. Kaizo 改造 (September 1939): 132–145.)| false
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Königliche Akademie der Künste zu Berlin (Royal Academy of Art, Berlin), ed. Alter Ostasiatischer Kunst, China—Japan [Old East Asian Art, China—Japan]. Berlin: Julius Band, 1912.

Königliche Akademie der Künste zu Berlin (Royal Academy of Art, Berlin), ed. Alter Ostasiatischer Kunst, China—Japan [Old East Asian Art, China—Japan]. Berlin: Julius Band, 1912.)| false
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Kümmel, Otto. “Alt japanische Kunst, zur Ausstellung Alt japanischer Kunst im Deutschen Museum in Berlin.” In Die Kunst in Dritten Reich, 3 Jahrgang/Folge 5. Mai 1939. Munich: Münchener Parteiverlag der NSDAP, Franz Eher Verlag.

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Kümmel, Otto. “Ausstellungen” [Exhibitions]. Kunstchronik, N.F. 21, Heft 22 (1910): 362–363, annotation 13.

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Kümmel, Otto. Ausstellung Altjapanischer Kunst Berlin 1939 [Exhibition of Old Japanese art in Berlin 1939]. Berlin: Verlag für Kunstwissenschaft, 1939.

Kümmel, Otto. Ausstellung Altjapanischer Kunst Berlin 1939 [Exhibition of Old Japanese art in Berlin 1939]. Berlin: Verlag für Kunstwissenschaft, 1939.)| false
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Kümmel, Otto. “Japanische Kunst und der Japanisch-Englischen Ausstellung in London” [Japanese art and the Japan-British Exhibition in London]. Kunstchronik, N.F. 21, Heft 36/37 (August 26,1910): 580–584.

Kümmel, Otto. “Japanische Kunst und der Japanisch-Englischen Ausstellung in London” [Japanese art and the Japan-British Exhibition in London]. Kunstchronik, N.F. 21, Heft 36/37 (August 26,1910): 580–584.)| false
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Kuwahara Minoru 桑原実, ed. Tōkyō Bijutsu Gakkō no rekishi 東京美術学校の歴史 [The history of the Tokyo School of Fine Arts]. Osaka: Nihon Bunkyō Shuppan, 1977

Kuwahara Minoru 桑原実, ed. Tōkyō Bijutsu Gakkō no rekishi 東京美術学校の歴史 [The history of the Tokyo School of Fine Arts]. Osaka: Nihon Bunkyō Shuppan, 1977)| false
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Leims, Thomas. “Das deutsche Japanbild in der NS-Zeit” [The German image of Japan during the Nazi era]. In Deutschland-Japan in der Zwischenkriegszeit [Germany-Japan in the interwar era], edited by Josef Kreiner and Regine Mathias, 450–452. Bonn: Bouvier, 1990.

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Mabuchi Akiko 馬渕明子. “1900nen Pari Bankoku Hakurankai to Histoire de l’Art du Japon wo megutte” 一九００年パリ万国博覧会とHistoire de l’Art du Japon をめぐって [The 1900 Paris Exposition universelle and Histoire de l’Art du Japon]. In Ima Nihon no bijutsushigaku wo furigaeru 今日本の美術史学をふりかえる [The present, the discipline of art history in Japan], 43–55. Tokyo: National Research Institute of Cultural Properties (Tōkyō Kokuritsu Bunkazai Kenkyūjo 東京国立文化財研究所), 1999.

Mabuchi Akiko 馬渕明子. “1900nen Pari Bankoku Hakurankai to Histoire de l’Art du Japon wo megutte” 一九００年パリ万国博覧会とHistoire de l’Art du Japon をめぐって [The 1900 Paris Exposition universelle and Histoire de l’Art du Japon]. In Ima Nihon no bijutsushigaku wo furigaeru 今日本の美術史学をふりかえる [The present, the discipline of art history in Japan], 43–55. Tokyo: National Research Institute of Cultural Properties (Tōkyō Kokuritsu Bunkazai Kenkyūjo 東京国立文化財研究所), 1999.)| false
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Maruo Shōzaburō 丸尾彰三郎. “Berurin Nihon Bijutsu Tenrankai (jō)” 伯林日本古美術展覧 (上) [Japanese Art Exhibition in Berlin, part 1]. Shiseki meishō tennen kinen butsu 史蹟名勝天然記念物14, no. 9 (1930): 614–615.

Maruo Shōzaburō 丸尾彰三郎. “Berurin Nihon Bijutsu Tenrankai (jō)” 伯林日本古美術展覧 (上) [Japanese Art Exhibition in Berlin, part 1]. Shiseki meishō tennen kinen butsu 史蹟名勝天然記念物14, no. 9 (1930): 614–615.)| false
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Masaki Naohiko 正木直彦. Jūsan Shōdō nikki 十三松堂日記 [Diary of Jūsan Shōdō]. Vol. 1. Tokyo: Chūō Kōron Bijutsu Shuppan 1965.

Masaki Naohiko 正木直彦. Jūsan Shōdō nikki 十三松堂日記 [Diary of Jūsan Shōdō]. Vol. 1. Tokyo: Chūō Kōron Bijutsu Shuppan 1965.)| false
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Okakura Tenshin 岡倉天心. “Nihon shumi to gaikokujin” 日本趣味と外国人 [Japonisme and foreigners]. In Okakura Tenshin zenshū 岡倉天心全集 [The collected works of Okakura Tenshin], compiled by Kumamoto Kenjirō 隈本謙二郎, Okakura Koshirō 岡倉古志郎, Kinoshita Junji 木下順二, Kawakita Michiaki 河北倫明, and Hashikawa Bunzō 橋川文三, vol. 3, 324–325. Tokyo: Heibonsha, 1979.

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Okakura Tenshin 岡倉天心. “Ōbei ni okeru Nihon bijutsu” 欧米における日本美術 [Japanese art in Europe and North America]. In Okakura Tenshin zenshū 岡倉天心全集 [The collected works of Okakura Tenshin], compiled by Kumamoto Kenjirō 隈本謙二郎, Okakura Koshirō 岡倉古志郎, Kinoshita Junji 木下順二, Kawakita Michiaki 河北倫明, and Hashikawa Bunzō 橋川文三, 150–153. Special volume. Tokyo: Heibonsha, 1981.

Okakura Tenshin 岡倉天心. “Ōbei ni okeru Nihon bijutsu” 欧米における日本美術 [Japanese art in Europe and North America]. In Okakura Tenshin zenshū 岡倉天心全集 [The collected works of Okakura Tenshin], compiled by Kumamoto Kenjirō 隈本謙二郎, Okakura Koshirō 岡倉古志郎, Kinoshita Junji 木下順二, Kawakita Michiaki 河北倫明, and Hashikawa Bunzō 橋川文三, 150–153. Special volume. Tokyo: Heibonsha, 1981.)| false
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The Office of the Imperial Japanese Commission to the Japan-British Exhibition, comp. An Illustrated Catalogue of Japanese Old Fine Arts Displayed at the Japan-British Exhibition. Tokyo: Shinbi Shoin, 1910. https://archive.org/details/illustratedcatal00japa_0 .

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Satō, Dōshin 佐藤道信. Modern Japanese Art and the Meiji State: The Politics of Beauty. Translated by Hiroshi Nara. Los Angeles: Getty Research Institute, 2011. Originally published as Satō Dōshin 佐藤道信, Meiji kokka to kindai bijutsu: bi no seijigaku 明治国家と近代美術: 美の政治学 [The Meiji state and modern art: The politics of beauty]. Tokyo: Yoshikawa Kōbunkan, 1999.

Satō, Dōshin 佐藤道信. Modern Japanese Art and the Meiji State: The Politics of Beauty. Translated by Hiroshi Nara. Los Angeles: Getty Research Institute, 2011. Originally published as Satō Dōshin 佐藤道信, Meiji kokka to kindai bijutsu: bi no seijigaku 明治国家と近代美術: 美の政治学 [The Meiji state and modern art: The politics of beauty]. Tokyo: Yoshikawa Kōbunkan, 1999.)| false
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Takagi Hiroshi 高木博志. Nihon kindai no bunkazai hogo gyōsei to bijutsushi no seiritsu 日本近代の文化財保護行政と美術史の成立 [Council for the Protection of Cultural Properties during Japan’s modern era and the formation of the history of art]. In Ima Nihon no bijutsushigaku wo furikaeru 今日本の美術史学をふりかえる [The present, the discipline of art history in Japan], 13–21. Tokyo: Tokyo National Research Institute for Cultural Properties (Tōkyō Bunkazai Kenkyūjo 東京文化財研究所), 1999.

Takagi Hiroshi 高木博志. Nihon kindai no bunkazai hogo gyōsei to bijutsushi no seiritsu 日本近代の文化財保護行政と美術史の成立 [Council for the Protection of Cultural Properties during Japan’s modern era and the formation of the history of art]. In Ima Nihon no bijutsushigaku wo furikaeru 今日本の美術史学をふりかえる [The present, the discipline of art history in Japan], 13–21. Tokyo: Tokyo National Research Institute for Cultural Properties (Tōkyō Bunkazai Kenkyūjo 東京文化財研究所), 1999.)| false
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Tanaka, Stephan. “Imaging History, Inscribing Belief in the Nation.” The Journal of Asian Studies 53, no. 1 (February 1994): 22–44.

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Tan’o Yasunori 丹尾安典. “1900nen Pari banpaku to honpō bijutsu” 1900年パリ万博と本邦美術 [The 1900 Paris World Exhibition and the Japanese arts]. In Nihon kindai bijutsu to seiyō 日本近代美術と西洋 [Modern Japanese Art and Europe], edited by Meiji Bijutsu Gakkai 明治美術学会 [Meiji Art Society], 257–271. Tokyo: Meiji Bijutsu Gakkai, 1993.

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Tokyo Imperial Museum (Tōkyō Teishitsu Hakubutsukan 東京帝室博物館), ed. Kōhon Nihon teikoku bijutsu ryakushi 稿本日本帝國美術略史 [Manuscript of a brief history of art in imperial Japan]. Tokyo: Ryūbunkan Tosho Kabushiki Kaisha, 1916.

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Ueno Naoteru 上野直昭. Meiji bunkashi 明治文化史 [A cultural history of the Meiji period]. Vol. 8. Tokyo: Hara Shobō, 1981.

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Watanabe Toshio 渡辺俊夫. “Igirisu—goshikku rivaivaru kara Nihonfū teien made” イギリス—ゴシック・リヴァイヴァルから日本風庭園まで [England—from Gothic revival to Japanese-style gardens], 69–89. In Japonizumu nyūmon ジャポニズム入門 [Introduction to Japonisme]. Kyoto: Shibunkaku Shuppan, 2000.

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Yashiro Yukio 矢代幸雄. “Doitsu ni okeru Nihon bijutsu no rikai to kanshō ドイツにおける日本美術の理解と鑑賞” [Perception and appreciation of Japanese art in Germany]. In Berurin Nihon Kobijutsu Tenrankai kinen kōenkai, Nichi-doku bunka no yūbe 伯林日本古美術展覧会記念講演会、日独文化の夕べ [Commemorative lecture of the Berlin Exhibition of Old Japanese Art: An evening of Japanese and German culture], edited by the Berurin Nihon Bijutsu Tenrankai Iinkai 伯林日本古美術展覧会委員会 [The Committee of the Exhibition of Old Japanese Art], 14–15. Tokyo: The Committee of the Exhibition of Old Japanese Art, 1939.

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Yashiro Yukio 矢代幸雄. “Kaigai ni okeru Nihonbijutsu” 海外における日本美術 [Japanese art outside Japan]. Sekai 世界 63 (March 1951): 79–81.

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Yashiro Yukio 矢代幸雄. Nihon bijutsu no onjin tachi 日本美術の恩人たち [Allies of Japanese art]. Tokyo: Bungei Shunjūsha, 1961.

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Yashiro Yukio 矢代幸雄. Nihon bijutsu no saikentō 日本美術の再検討 [Reevaluation of Japanese art]. Tokyo: Perikansha, 1987.

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Yasumatsu Miyuki 安松みゆき. Nachisu Doitsu to “teikoku” Nihon bijutsu: rekishi kara kesareta tenrankai ナチス・ドイツと＜帝国＞日本美術：歴史から消された展覧会 [Nazi Germany and arts of “imperial” Japan: Exhibitions erased from history]. Tokyo: Yoshikawa Kōbunkan, 2016.