Chapter 21 Exhibiting Manga, Representing “Japan”

In: Japanese Art – Transcultural Perspectives
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Jaqueline Berndt
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  • Balzer, Jens. “Bloß keine Kulturindustrie: Natsume Fusanosukes ‘Manga’—Ausstellung im Berliner Museum für Ostasiatische Kunst.” Berliner Zeitung, July 12, 2001.

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  • Berndt, Jaqueline. “Deviating from ‘Art’: Japanese Manga Exhibitions 1990–2015.” In Comic Art in Museums, edited by Kim A. Munson, 178191. Jackson: University Press of Mississippi, 2020.

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  • Berndt, Jaqueline. “Drawing, Reading, Sharing: A Guide to the Manga Hokusai Manga Exhibition.” Booklet accompanying the exhibition Manga Hokusai Manga: Approaching the Master’s Compendium from the Perspective of Contemporary Comics, organized by the Japan Foundation. Tokyo: Japan Foundation, 2016. https://www.academia.edu/22879183/HEAVY_FILE_Drawing_Reading_Sharing_A_Guide_to_the_Manga_Hokusai_Manga_Exhibition .

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  • Berndt, Jaqueline. “Manga, Which Manga? Publication Formats, Genres, Users.” In Japanese Civilization in the 21st Century, edited by Andrew Targowski, Juri Abe, and Hisanori Katō, 121133. New York: Nova Science Publishers, 2016.

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  • Berndt, Jaqueline. “Permeability and Othering: The Relevance of ‘Art’ in Contemporary Japanese Manga Discourse.” In Critical Perspectives on Twentieth Century Japanese Thought, edited by Livia Monnet, 349375. Montreal: Montréal University Press, 2001. https://books.openedition.org/pum/19887?lang=en .

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  • Berndt, Jaqueline. “(Review) Manga マンガ, edited by Nicole Coolidge Rousmaniere and Matsuba Ryoko (London: Thames & Hudson/The British Museum, 2019; 352pp.).” Print Quarterly, xxxvii, 4 (2020): 483485.

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  • Berndt, Jaqueline. “Tenji sareru manga: Bijutsukan ni okeru manga no ‘bigaku’” 展示されるマンガ:美術館におけるマンガの「美学」 [Manga exhibitions: The “aesthetics” of comics at the art museum]. In Man-bi-ken: Manga no bi/gakuteki jigen e no sekkin マン美研.マンガの美/学的次元への接近 [Man-bi-ken: Approaches to the aesthetic dimensions of manga], edited by Jaqueline Berndt, 160191. Kyoto: Daigo Shobō, 2002.

  • Brienza, Casey. “Introduction.” In Global Manga: “Japanese Comics” without Japan?, edited by Casey Brienza, 1333. Farnham: Ashgate, 2015.

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  • Carter, Jennifer. “Architecture by Design: Exhibiting Architecture Architecturally.” MediaTropes 3, no. 2 (2012): 2851. http://www.mediatropes.com/index.php/Mediatropes/article/download/16888/13881 .

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  • Castel, Coralie. “‘Nihonjinron’ in the Museums of Paris: Design and Japanese Identity.” Cipango—French Journal of Japanese Studies [online] 1 (2012): 122. http://cjs.revues.org/227 . DOI: 10.4000/cjs.227.

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  • Chamberlain, Rachel. “3 Celebrated Manga Artists at The British Museum.” Art Radar, October 16, 2015. http://artradarjournal.com/2015/10/16/manga-artists-at-the-british-museum/ (no longer active).

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  • Ferguson, Bruce W.Exhibition Rhetorics: Material Speech and Utter Sense.” In Thinking about Exhibitions, edited by Reesa Greenberg, Bruce W. Ferguson, and Sandy Nairne, 172185. London: Routledge, 2005.

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  • Furuichi Yasuko 古市保子, ed. Manga Realities: Exploring the Art of Japanese Comics Today/ Shinjigen: manga hyōgen no genzai 次元:マンガ表現の現在. Tokyo: The Japan Foundation, 2010.

  • Hoebink, Dorus, Stijn Reijnders, and Abby Waysdorf. “Exhibiting Fandom: A Museological Perspective.” Transformative Works and Cultures 16 (2014). http://dx.doi.org/10.3983/twc.2014.0529 .

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  • Howell, David R.The Mystery of Museums in Graphic Novels.” Journal of Graphic Novels and Comics 6, no. 4 (2015): 419429. https://doi.org/10.1080/21504857.2015.1027938 .

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  • Idea Editorial Board. “‘Sobue Shin + cozfish,’ tokushū: Manga anime light noberu bunka no design (zenhen)” 祖父江慎+コズフィッシュ」、特集:漫画・アニメ・ライトノベル文化のデザイン(前編) [‘Sobue Shin + cozfish,’ special issue: Designs for the culture of manga, anime and light novels, part 1]. Idea イデア 334 (May 2009): 3050.

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  • Ishita Saeko 石田佐恵子, Murata Mariko 村田麻里子, and Yamanaka Chie 山中千恵, eds. Popyurā bunka myūjiamu: bunka no shūshū, kyōyū, shōhi ポピュラー文化ミュージアム: 文化の収集、共有、消費 [Popular culture museum: Collecting, sharing, and consuming culture]. Kyoto: Mineruva Shobō, 2013.

  • Itō . “Practical Manga Research: Difficulties and Possibilities of Manga Exhibitions and Manga Museums.” Translated by Jaqueline Berndt. In Comicology—Global Manga Studies 6, edited by Jaqueline Berndt and Saika Tadahiro, 14. Kyoto International Manga Research Center, 2016. http://imrc.jp/images/upload/lecture/data/Ito_ENG.pdf .

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  • Itō Yū. 伊藤遊 et al. Manga myūjiamu e ikō マンガミュージアムへ行こう [Let’s go to the Manga Museum]. Tokyo: Iwanami Junia Shinsho, 2014.

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  • The Japan Foundation (Kokusai Kōryū Kikin 国際交流基金). “Manga Hokusai Manga: Approaching the Master’s Compendium from the Perspective of Contemporary Comics.” https://www.jpf.go.jp/e/project/culture/exhibit/traveling/manga_hokusai.html .

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  • Kanazawa Kodama 金澤韻.Bijutsukan de no mangaten: ‘Yokoyama Yūichi neo-manga no zenkiroku: Watashi wa jikan o kaiteiru’ ten ni tsuite no report” 美術館での漫画展」横山裕一ネオ漫画の全記録:私は時間を描いている [Manga exhibitions in the art museum: Report on the exhibition The Complete Neo Manga of Yokoyama Yuichi: I Draw Time]. Bijutsu Forum 21 美術フォーラム 24 (2011): 127131.

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  • Kudō Takeshi 工藤健志. “Kōritsu bijutsukan ni oite kaisai sareru manga, anime-ten ni kansuru ichikōsatsu” 公立美術館において開催される漫画、アニメ展に関する一考察 [A thought about manga/anime exhibitions held at public art museums]. artscape (DNP Museum Information Japan), October 15, 2019. https://artscape.jp/report/curator/10156250_1634.html .

  • Kyoto International Manga Museum. “Great Manga History Traces from Edo.” http://www.kyotomm.jp/english/event/exh/manga_history_eng.html (no longer active).

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  • Levine, Caroline. Forms: Whole, Rhythm, Hierarchy, Network. Princeton: Princeton University Press, 2015.

  • Masuda Nozomi 増田のぞみ.Manga kanren myūjiamu” マンガ関連ミュージアム [Manga museums]. In Popyurā bunka myūjiamu: bunka no shūshū, kyōyū, shōhi ポピュラー文化ミュージアム:文化の収集、共有、消費 [Popular culture museum: Collecting, sharing and consuming culture], edited by Ishita Saeko 石田佐恵子, Murata Mariko 村田麻里子, and Yamanaka Chie 山中千恵, 187216. Kyoto: Mineruva Shobō, 2013.

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  • Méon, Jean-Matthieu. “Comics Exhibitions in Contemporary France: Diversity and Symbolic Ambivalence.” International Journal of Comic Art 17, no. 1 (Spring 2015): 446464.

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  • Mitchell, W.J.T., and Mark B.N. Hansen, eds. Critical Terms for Media Studies. Kindle edition. Chicago: The University of Chicago Press, 2010.

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  • Miyamoto, Hirohito 宮本大人.The Formation of an Impure Genre: On the Origins of Manga.” Translated by Jennifer Prough. “Meiji Literature and Artwork.” Special issue, Review of Japanese Culture and Society 14 (December 2002): 3948.

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  • Natsume, Fusanosuke 夏目房之介.Manga Exhibitions Shaking the Concept of Japanese Comics.” In Comicology—Global Manga Studies 6, edited by Jaqueline Berndt and Saika Tadahiro, 13. Kyoto International Manga Research Center, 2016. http://imrc.jp/images/upload/lecture/data/Natsume_ENG.pdf .

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  • Omote Tomoyuki 表智之, Kanazawa Kodama 金澤韻, and Murata Mariko 村田麻里子, eds. Manga to myūjiamu ga deau toki マンガとミュージアムが出会うとき [When manga meets the museum]. Kyoto: Rinsen Shoten, 2009.

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  • Picone, Michael D.Comic Art in Museums and Museums in Comic Art.” European Comic Art 6, no. 2 (Autumn 2013): 4068.

  • Radywyl, Natalia, Amelia Barikin, Nikos Papastergiadis, and Scott McQuire. “Ambient Aesthetics: Altered Subjectivities in the New Museum.” In The International Handbooks of Museum Studies: Museum Theory, edited by Andrea Witcomb and Kylie Message, 417–436. Hoboken: John Wiley & Sons, 2015.

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  • Stewart, Ronald. “Manga as Schism: Kitazawa Rakuten’s Resistance to ‘Old-Fashioned’ Japan.” In Manga’s Cultural Crossroads, edited by Jaqueline Berndt and Bettina Kümmerling-Meibauer, 27–49. New York: Routledge, 2013.

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  • Suzuki Katsuo 鈴木勝雄 and Kanazawa Kodama 金澤韻. “Taidan ‘Takahata Isao-ten’ kara kangaeru (kōhen).” 対談「高畑勲展」から考える(後編)[Dialogue: Taking the Takahata Isao exhibition as a point of departure (part 2)]. Manga and Anime 3.0, posted October 1, 2019. https://mapdate.net/post-0032/ .

  • Takahashi Mizuki 高橋瑞木. “Mangaten no konnan ni tsuite.” マンガ展の困難について [On the difficulties of manga exhibitions]. Bijutsu Forum 21 美術フォーラム24 (2011): 123–126.

  • Valaskivi, Katja. “A Brand New Future? Cool Japan and the Social Imaginary of the Branded Nation.” Japan Forum 25, no. 4 (2013): 485–504.

  • Valaskivi, Katja. Cool Nations: Media and the Social Imaginary of the Branded Country. London: Routledge, 2016.

  • White, Daniel. “How the Center Holds: Administering Soft Power and Cute Culture in Japan.” In Reframing Diversity in the Anthropology of Japan, edited by John Ertl, John Mock, John McCreary, and Gregory Poole, 99–120. Kanazawa: Kanazawa University, 2015. https://www.researchgate.net/publication/281632179_How_the_Center_Holds_Administering_Soft_Power_and_Cute_Culture_in_Japan .

  • Yamanaka Chie 山中千恵. “Popyurā bunka kara kangaeru” ポピュラー文化から考える [Thinking from the perspective of popular culture]. In Popyurā bunka myūjiamu: bunka no shūshū, kyōyū, shōhi ポピュラー文化ミュージアム:文化の収集、共有、消費 [Popular culture museum: Collecting, sharing and consuming culture], edited by Ishita Saeko 石田佐恵子, Murata Mariko 村田麻里子, and Yamanaka Chie 山中千恵, 31–48. Kyoto: Mineruva Shobō, 2013.

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