Staging Colours: Edward Gordon Craig and Wassily Kandinsky

In: Textual Intersections
Author:
Birgit Haas
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Type:
Chapter
Pages:
41–51
DOI:
https://doi.org/10.1163/9789042027329_006

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Textual Intersections

Literature, History and the Arts in Nineteenth-Century Europe

Series:  Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft Online, Volume: 129 and  Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft, Volume: 129
Cover Textual Intersections
E-Book ISBN:
9789042027329
Publisher:
Brill
Print Publication Date:
01 Jan 2009
Preliminary Material
Acknowledgements
Introduction: Intertextual, Intermedial, Intersections
Figuring the Artistic Subject: a Genealogy of Nineteenth-Century Dandyism
Monsters and the Mob: Depictions of the Grotesque on the Parisian Stage, 1826-1836
Symptoms of Epistemological Change: Intersections with Music and the Visual Arts in the German Novel of the Long Ninteenth Century
How to Get Past Your Editor: E.T.A. Hoffmann’s Don Juan as a Palimpsest
Fragments and Time: Aspects of Revolutionary Change, Literature and Painting in Spain (1790-1870)
Geschichte Wallensteins: Ranke’s Problem of Narrative – and Schiller’s Solution?
Generical Intersections in Nineteenth-Century French Painting and Literature: Manet’s La Musique aux Tuileries and Baudelaire’s Petits Poèmes en prose
Manet's A Bar at the Folies-Bergère as an Allegory of Nostalgia
Theatrical Intersections: an Entry from the Goncourts’ Journal, 1 March 1862
Literary Acrobatics: Edmond de Goncourt’s Les Frères Zemganno
Decapitation, Dissection and Symbolic Deformity: the Crisis of Italian Romanticism: Hugo, Piave and Boito
The Effect of the Pre-Raphaelites on the Cultural Consciousness of D’Annunzio
Jewish Motifs in Mid-Nineteenth Century Russian Music, Art and Art Criticism
Dreaming the Myth of ‘Wholeness’: Romantic Interpretations of Ancient Greek Music in Greece (1890-1910)
Proust and the Fantastic: Metaphor, Metamorphosis and the Visual Arts
Notes on Contributors
Index of Proper Names

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