Proust and the Fantastic: Metaphor, Metamorphosis and the Visual Arts

In: Textual Intersections
Author:
Marion Schmid
Search for other papers by Marion Schmid in
Current site
Google Scholar
PubMed Close
Type:
Chapter
Pages:
213–224
DOI:
https://doi.org/10.1163/9789042027329_019

Purchase instant access (PDF download and unlimited online access):

$40.00
Add to Cart
Redeem Access Token

Citation Info

  • Collapse
  • Expand

Textual Intersections

Literature, History and the Arts in Nineteenth-Century Europe

Series:  Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft Online, Volume: 129 and  Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft, Volume: 129
Cover Textual Intersections
E-Book ISBN:
9789042027329
Publisher:
Brill
Print Publication Date:
01 Jan 2009
Preliminary Material
Acknowledgements
Introduction: Intertextual, Intermedial, Intersections
Figuring the Artistic Subject: a Genealogy of Nineteenth-Century Dandyism
Monsters and the Mob: Depictions of the Grotesque on the Parisian Stage, 1826-1836
Staging Colours: Edward Gordon Craig and Wassily Kandinsky
Symptoms of Epistemological Change: Intersections with Music and the Visual Arts in the German Novel of the Long Ninteenth Century
How to Get Past Your Editor: E.T.A. Hoffmann’s Don Juan as a Palimpsest
Fragments and Time: Aspects of Revolutionary Change, Literature and Painting in Spain (1790-1870)
Geschichte Wallensteins: Ranke’s Problem of Narrative – and Schiller’s Solution?
Generical Intersections in Nineteenth-Century French Painting and Literature: Manet’s La Musique aux Tuileries and Baudelaire’s Petits Poèmes en prose
Manet's A Bar at the Folies-Bergère as an Allegory of Nostalgia
Theatrical Intersections: an Entry from the Goncourts’ Journal, 1 March 1862
Literary Acrobatics: Edmond de Goncourt’s Les Frères Zemganno
Decapitation, Dissection and Symbolic Deformity: the Crisis of Italian Romanticism: Hugo, Piave and Boito
The Effect of the Pre-Raphaelites on the Cultural Consciousness of D’Annunzio
Jewish Motifs in Mid-Nineteenth Century Russian Music, Art and Art Criticism
Dreaming the Myth of ‘Wholeness’: Romantic Interpretations of Ancient Greek Music in Greece (1890-1910)
Notes on Contributors
Index of Proper Names

Metrics

All Time Past 365 days Past 30 Days
Abstract Views 71 37 2
Full Text Views 2 0 0
PDF Views & Downloads 7 1 0