AVANT-GARDE ACTIVISM – THE CASE OF THE NEW STUDENT SOCIETY IN COPENHAGEN (1922-24)

In: A Cultural History of the Avant-Garde in the Nordic Countries 1900-1925
Author:
Torben Jelsbak
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Type:
Chapter
Pages:
541–555
DOI:
https://doi.org/10.1163/9789401208918_038

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Series:  A Cultural History of the Avant-Garde in the Nordic Countries, Volume: 28, Avant-Garde Critical Studies, Volume: 28, and Avant-Garde Critical Studies, Volume: 28
Cover A Cultural History of the Avant-Garde in the Nordic Countries 1900-1925
E-Book ISBN:
9789401208918
Publisher:
Brill
Print Publication Date:
01 Jan 2012
Preliminary Material
PREFACE
THE EARLY TWENTIETH CENTURY AVANT-GARDE AND THE NORDIC COUNTRIES. AN INTRODUCTORY TOUR D’HORIzON
NORDIC ICONS IN THE EUROPEAN AVANT-GARDES
REBELS AND RENEGADES – STRINDBERG, ARTAUD AND THE AVANT-GARDE
MUNCH’S IMPACT ON EUROPE
DIE ASTA AND THE AVANT-GARDE
“THE MANIFOLD IN ONE / AND THE ONE MANIFOLD” – ASTA NIELSEN AS AN ICON FOR THE EUROPEAN AVANT-GARDE
NORDIC ARTISTS IN THE EUROPEAN METROPOLISES
NORDIC WRITERS AND ARTISTS IN PARIS BEFORE, DURING AND AFTER WORLD WAR I
ACADÉMIE MATISSE AND ITS RELEVANCE IN THE LIFE AND WORK OF SIGRID HJERTÉN
JEAN BÖRLIN AND LES BALLETS SUÉDOIS
“FROM THE NORTH COMES THE LIGHT TO US!” – SCANDINAVIAN ARTISTS IN FRIEDRICHSHAGEN AT THE TURN OF THE CENTURY
BERLIN AND THE SWEDISH AVANT-GARDE – GAN, NELL WALDEN, VIKING EGGELING, AXEL OLSON AND BENGT ÖSTERBLOM
ICELANDIC ARTISTS IN THE NETWORK OF THE EUROPEAN AVANT-GARDE – THE CASES OF JÓN STEFÁNSSON AND FINNUR JÓNSSON
LOCATIONS OF THE NORDIC AVANT-GARDE
THE AVANT-GARDE AND THE MARKET
PROMOTING THE YOUNG – INTERACTIONS BETWEEN THE AVANT-GARDE AND THE SWEDISH ART MARKET 1910-1925
THE AVANT-GARDE AND THE DANISH ART MARKET
ART METROPOLIS FOR A DAY – COPENHAGEN DURING WORLD WAR I
KANDINSKY IN SWEDEN – MALMÖ 1914 AND STOCKHOLM 1916
THE NATIONAL AND THE INTERNATIONAL IN ULTRA (1922) AND QUOSEGO (1928)
AVANT-GARDE ENCOUNTERS ON KARELIAN BEDROCK (1890s-1930s)
THE PAVILION OF DE 14
FLAMMAN
COPENHAGEN SWORDPLAY – AVANT-GARDE MANOEUVRES AND THE AESTHETICS OF WAR IN THE ART MAGAZINE KLINGEN (1917-1920)
Dada Copenhagen
TRANSMISSION, APPROPRIATIONS AND RESPONSES
THE RECEPTION OF THE EARLY EUROPEAN AVANT-GARDES IN SWEDEN
PÄR LAGERKVIST’S LITERARY ART AND PICTORIAL ART
THE FINLAND-SWEDISH AVANT-GARDE MOMENTS
DANISH EXPRESSIONISM
AVANT-GARDISM DANISH STYLE – JAIS NIELSEN AS A MODERN GENRE PAINTER 1916-18
JÓHANNES KJARVAL’S APPROPRIATION OF PROGRESSIVE ATTITUDES IN PAINTING BETWEEN 1917 AND 1920
THE MODERN BREAKTHROUGH IN SWEDISH AND SCANDINAVIAN ART MUSIC
DANCING ACROSS COPENHAGEN
POLITICS, IDEOLOGY, DISCOURSE
FINNISH NATIONALISM AND THE AVANT-GARDE
MULTILINGUALISM AND (DE)TERRITORIALISATION IN THE WORKS OF ELMER DIKTONIUS
HILMA AF KLINT AND THE NEW ART OF SEEING
ART AS A REVOLUTIONARY DIONYSIAN JAGUAR – OTTO VILLE KUUSINEN, ELMER DIKTONIUS AND THE EMERGENCE OF AVANT-GARDE POETRY IN FINLAND
THE EARLY AVANT-GARDE IN ICELAND
LEGACIES OF THE EARLY NORDIC AVANT-GARDES
ABSTRACTS
INDEx

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