A Borderline Case – Facial Politics in Kjartan Slettemark’s The Passport

In: A Cultural History of the Avant-Garde in the Nordic Countries 1950-1975
Author:
Mette Mortensen
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Type:
Chapter
Pages:
577–584
DOI:
https://doi.org/10.1163/9789004310506_064

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Series:  A Cultural History of the Avant-Garde in the Nordic Countries, Volume: 32, Avant-Garde Critical Studies, Volume: 32, and Avant-Garde Critical Studies, Volume: 32
Cover A Cultural History of the Avant-Garde in the Nordic Countries 1950-1975
E-Book ISBN:
9789004310506
Publisher:
Brill
Print Publication Date:
01 Jan 2016
Preliminary Material
The Post-War Avant-Garde in the Nordic Countries
Politics and Play – The Impure Arts of Öyvind Fahlström
The Female Christ at the Stock Exchange
Biological Avant-Garde – Inger Christensen’s det
Images of Women
The Kitchen – An Offspring of Steina and Woody Vasulka
The Social Avant-Garde – The ‘Democratisation’ of Literature in the Early 1960s in Sweden
Culture Wars in Denmark
The Moderna Museet in Stockholm – The Institution and the Avant-Garde
The Fylkingen Concert Society, 1950–1975
Self-Organisation in the Avant-Garde of the 1960s
Åke Hodell’s Kerberos – A Case Study
Morten Krohg and Art’s Oppositional Role
EMS – The Electronic Music Studio in Stockholm
Subpublications from a Basement in Snaregade 6, Copenhagen – Arena Sub-Pub (1969–1970)
An Open Field of Play and Experimentation – The Little Magazine Birtingur
Tvångs-Blandaren – Stuff in a Box
Rondo and Gorilla – Magazine and Calendar
Against Restrictions and Exclusions – For Expansion and Inclusions – The Little Magazine ta’ (1967–68)
A Time Capsule from the Sixties – The Little Magazine ta’ BOX (1969–1970)
In the Service of the Revolution – The Little Magazine MAK (1969–1970)
Profil 1966–69 – Triumph and Crisis of the Collective
Christian Dotremont’s Logogrammes and Logoneiges – European Avant-Garde Inspired by Lapland
Exile, Correspondence, Rebellion – Tracing the Interactive Relationship between Iceland and Dieter Roth
Galerie Køpcke – An Artist-Run Gallery in Copenhagen 1958–1962
Action Music! – Nam June Paik in Scandinavia, 1961
Clothing Irons and Whisky Bottles – Creating an Icelandic Musical Avant-Garde
Erró, or the Porousness of Borders
The Situationist Offensive in Scandinavia
SÚM – The Flux in Iceland
Fluxus, Eric Andersen and the Communist East
Making Choices – Debatable Translations and Publication Policies of Finnish Cultural Magazines
Chance and Play, or Marvellous Machines – A Forgotten Swedish Film Avant-Garde
Radiophonic Poetry and a Blind Movie – Öyvind Fahlström’s Sound Art
The Medium is the Message – Danish Radio Experiments of the 1960s
What’s Wrong with Billy Spafon?
Comics and the Avant-Garde
Concrete Poetry as Sign of Technological Changes in Society
Collaborators in Art and Technology – The Case of Billy Klüver
The Case[y] of Husberg
Computers and Art in the 1960s
Art Has Opened People’s Eyes, Music People’s Ears and Computers People’s Minds – Erkki Kurenniemi on Music and Technology
University of Helsinki Electronic Music Studio – Founding and Early Development
The New Monument – Experimental tv and Remediation
ABCinema and Super 8 Technology
Visions Seen through Felt Boots – “The Carriers of the Fire” of Avant-Garde Art in the 1950s and 1970s in Finland
Artists’ Books in the 1960s
Telephone Art
Fylkingen’s Text-Sound Festivals 1968–1974

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