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Abstract:This essay examines immanence in the work of postmodern novelist David Foster Wallace, including parts of The Broom of the System, Infinite Jest, “The Suffering Channel,” and The Pale King. Drawing on comparisons to Franz Kafka, Gilles Deleuze and Felix Guattari, and others, the essay exposes Wallace’s minute attention to narrative structures, paradoxical door images, and prefixes (in-, en-, ex-) that suggest there can be no flight or escape from the self or language.