Migration, Rhizomic Identities, and the Black Atlantic in Postcolonial Literary Studies: The Trans-Space as Home in Pauline Melville’s Short Story “Eat Labba and Drink Creek Water”

In: Contested Communities
Author:
Susan Arndt
Search for other papers by Susan Arndt in
Current site
Google Scholar
PubMed Close
Type:
Chapter
Pages:
219–235
DOI:
https://doi.org/10.1163/9789004335288_015

Purchase instant access (PDF download and unlimited online access):

$40.00
Add to Cart
Redeem Access Token
  • Collapse
  • Expand

Contested Communities

Communication, Narration, Imagination

Series:  Cross/Cultures, Volume: 190
Cover Contested Communities
E-Book ISBN:
9789004335288
Publisher:
Brill
Print Publication Date:
01 Jan 2017
Preliminary Material
Introduction: On Community Formation, Manifestation, and Contestation: Acts of Membership and Exclusion
Community and the Common
The Native Speaker in World Englishes: A Historical Perspective
Orality and Literacy in Verbal Duelling: Playing the Dozens in the Twenty-First Century
Prestige Change in Contact Varieties of English in Urban Diaspora Communities
Diasporic Cyber-Jamaican: Stylized Dialect of an Imagined Community
’Africa is not a Game’: Constructions of Ex-Colonized and Ex-Colonizer Entities Online
The Indian Tabloid in English: What Type of Community Does It Speak To, and How?
Thuggee: Thornton, Taylor and the Literature of Banditry in Colonial India
Haunting Conflicts: Memory, Forgetting, and the Struggle for Community in David Chariandy’s Soucouyant
Whose Hillbrow? Xenophobia and the Urban Space in the ‘New’ South Africa
Orientation and Narration: Aboriginal Identity in Nugi Garimara’s Follow the Rabbit-Proof Fence
A ‘furry subjunctive case’ of Empathy: Human–Animal Communities in Life of Pi and the Question of Literary Anthropomorphism
Migration, Rhizomic Identities, and the Black Atlantic in Postcolonial Literary Studies: The Trans-Space as Home in Pauline Melville’s Short Story “Eat Labba and Drink Creek Water”
Community and Language in Transnational Music Styles: Symbolic Meanings of Spanish in Salsa and Reggaetón
Language Crossings in Transnational Music Cultures: Bottom-Up Promotion of Kiswahili Through the Music Industry in Uganda
Cross Talk: Jamaican Popular Music and the Politics of Translation
At Whose Cost? A Critical Reading of Carolyn Cooper’s Keynote Lecture “Cross Talk: Jamaican Popular Music and the Politics of Translation”
Notes on Contributors
Index

Metrics

All Time Past 365 days Past 30 Days
Abstract Views 1064 70 10
Full Text Views 128 1 0
PDF Views & Downloads 29 3 0