Chapter 4 Hacking Language

Critical Engagement with Curatorial Statements

In: Feminist Critique and the Museum
Authors:
Kathy Sanford
Search for other papers by Kathy Sanford in
Current site
Google Scholar
PubMed
Close
and
Darlene Clover
Search for other papers by Darlene Clover in
Current site
Google Scholar
PubMed
Close

Purchase instant access (PDF download and unlimited online access):

$40.00

Abstract

Museums are generally viewed as neutral conveyors of historical, cultural, and societal meaning about the world and ourselves. Language is a significant way in which meaning is conveyed in museums, through ‘objective’ statements explaining the meaning and importance of artifacts and exhibitions. Language, however, is a powerful and often invisible carrier of knowledge, contributing to our belief that museums offer unbiased views of the world. Both intentionally and unintentionally, language found in museums is all too often used to maintain society’s hegemonic orders of power. Using a feminist lens, this chapter critically examines ways in which exhibitions’ artifacts are presented and represented through language and the importance of noticing the authoritative uses of language to inscribe patriarchal and colonial views of the world. A critical examination of ways in which language is used, we argue, is necessary if our consciousness is to be challenged and multiple perspectives and diverse stories are to be included in museums.

  • Collapse
  • Expand

Feminist Critique and the Museum

Educating for a Critical Consciousness

Introduction

Metrics

All Time Past 365 days Past 30 Days
Abstract Views 437 165 29
Full Text Views 24 3 0
PDF Views & Downloads 53 7 0