“THE MANIFOLD IN ONE / AND THE ONE MANIFOLD” – ASTA NIELSEN AS AN ICON FOR THE EUROPEAN AVANT-GARDE

In: A Cultural History of the Avant-Garde in the Nordic Countries 1900-1925
Author:
Geert Buelens
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Type:
Chapter
Pages:
105–116
DOI:
https://doi.org/10.1163/9789401208918_008

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Series:  A Cultural History of the Avant-Garde in the Nordic Countries, Volume: 28, Avant-Garde Critical Studies, Volume: 28, and Avant-Garde Critical Studies, Volume: 28
Cover A Cultural History of the Avant-Garde in the Nordic Countries 1900-1925
E-Book ISBN:
9789401208918
Publisher:
Brill
Print Publication Date:
01 Jan 2012
Preliminary Material
PREFACE
THE EARLY TWENTIETH CENTURY AVANT-GARDE AND THE NORDIC COUNTRIES. AN INTRODUCTORY TOUR D’HORIzON
NORDIC ICONS IN THE EUROPEAN AVANT-GARDES
REBELS AND RENEGADES – STRINDBERG, ARTAUD AND THE AVANT-GARDE
MUNCH’S IMPACT ON EUROPE
DIE ASTA AND THE AVANT-GARDE
“THE MANIFOLD IN ONE / AND THE ONE MANIFOLD” – ASTA NIELSEN AS AN ICON FOR THE EUROPEAN AVANT-GARDE
NORDIC ARTISTS IN THE EUROPEAN METROPOLISES
NORDIC WRITERS AND ARTISTS IN PARIS BEFORE, DURING AND AFTER WORLD WAR I
ACADÉMIE MATISSE AND ITS RELEVANCE IN THE LIFE AND WORK OF SIGRID HJERTÉN
JEAN BÖRLIN AND LES BALLETS SUÉDOIS
“FROM THE NORTH COMES THE LIGHT TO US!” – SCANDINAVIAN ARTISTS IN FRIEDRICHSHAGEN AT THE TURN OF THE CENTURY
BERLIN AND THE SWEDISH AVANT-GARDE – GAN, NELL WALDEN, VIKING EGGELING, AXEL OLSON AND BENGT ÖSTERBLOM
ICELANDIC ARTISTS IN THE NETWORK OF THE EUROPEAN AVANT-GARDE – THE CASES OF JÓN STEFÁNSSON AND FINNUR JÓNSSON
LOCATIONS OF THE NORDIC AVANT-GARDE
THE AVANT-GARDE AND THE MARKET
PROMOTING THE YOUNG – INTERACTIONS BETWEEN THE AVANT-GARDE AND THE SWEDISH ART MARKET 1910-1925
THE AVANT-GARDE AND THE DANISH ART MARKET
ART METROPOLIS FOR A DAY – COPENHAGEN DURING WORLD WAR I
KANDINSKY IN SWEDEN – MALMÖ 1914 AND STOCKHOLM 1916
THE NATIONAL AND THE INTERNATIONAL IN ULTRA (1922) AND QUOSEGO (1928)
AVANT-GARDE ENCOUNTERS ON KARELIAN BEDROCK (1890s-1930s)
THE PAVILION OF DE 14
FLAMMAN
COPENHAGEN SWORDPLAY – AVANT-GARDE MANOEUVRES AND THE AESTHETICS OF WAR IN THE ART MAGAZINE KLINGEN (1917-1920)
Dada Copenhagen
TRANSMISSION, APPROPRIATIONS AND RESPONSES
THE RECEPTION OF THE EARLY EUROPEAN AVANT-GARDES IN SWEDEN
PÄR LAGERKVIST’S LITERARY ART AND PICTORIAL ART
THE FINLAND-SWEDISH AVANT-GARDE MOMENTS
DANISH EXPRESSIONISM
AVANT-GARDISM DANISH STYLE – JAIS NIELSEN AS A MODERN GENRE PAINTER 1916-18
JÓHANNES KJARVAL’S APPROPRIATION OF PROGRESSIVE ATTITUDES IN PAINTING BETWEEN 1917 AND 1920
THE MODERN BREAKTHROUGH IN SWEDISH AND SCANDINAVIAN ART MUSIC
DANCING ACROSS COPENHAGEN
POLITICS, IDEOLOGY, DISCOURSE
AVANT-GARDE ACTIVISM – THE CASE OF THE NEW STUDENT SOCIETY IN COPENHAGEN (1922-24)
FINNISH NATIONALISM AND THE AVANT-GARDE
MULTILINGUALISM AND (DE)TERRITORIALISATION IN THE WORKS OF ELMER DIKTONIUS
HILMA AF KLINT AND THE NEW ART OF SEEING
ART AS A REVOLUTIONARY DIONYSIAN JAGUAR – OTTO VILLE KUUSINEN, ELMER DIKTONIUS AND THE EMERGENCE OF AVANT-GARDE POETRY IN FINLAND
THE EARLY AVANT-GARDE IN ICELAND
LEGACIES OF THE EARLY NORDIC AVANT-GARDES
ABSTRACTS
INDEx

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