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References

AnzaldúaGloria. Borderlands/La Frontera: The New Mestiza. San Francisco: Aunt Lute Books, 1999.

ArizpeLourdes. “El, ‘indio’: mito, profecía, prisión.” América latina en sus ideas, edited by LeopoldoZea. Mexico and Paris: Siglo XXI and UNESCO, 1986.

SepulvedaJuan Ginés de. “Democrates Alter, Or, on the Just Causes for War Against the Indians.” Boletín de la Real Academia de la Historia, Vol. xxi (October 1892). Originally translated for Introduction to Contemporary Civilization in the West. New York: Columbia University Press, 1961.

YunLisa. The Coolie Speaks: Chinese Indentured Laborers and African Slaves in Cuba. Philadelphia: Temple University Press, 2008.

1

Gloria Anzaldúa, Borderlands/La Frontera: The New Mestiza (San Francisco: Aunt Lute Books, 1999), 38.

3

Lourdes Arizpe, “El, ‘indio’: mito, profecía, prisión,” América latina en sus ideas, edited by Leopoldo Zea (Mexico and Paris: Siglo XXI and unesco, 1986), 333.

5

Lisa Yun, The Coolie Speaks: Chinese Indentured Laborers and African Slaves in Cuba (Philadelphia: Temple University Press, 2008), 9–10.

Figures

  • Richard Fung and Peter Steven. Safe Space: A Videotape for Refugee Rights in Canada, 1989. Film (still), 32 minutes.

    View in gallery
  • Richard Fung and Peter Steven. Safe Space: A Videotape for Refugee Rights in Canada, 1989. Film (still), 32 minutes.

    View in gallery
  • Japanese Immigrants disembarking in Port of Santos, in Brazil, year 1937 or 1938.

    View in gallery
  • Oscar Oiwa, Uji River, 2015, gold/ silver leaf and oil on canvas, 111 × 227 × 333 centimetres.

    View in gallery
  • Montreal Ni-Hao, a performative walking tour of Chinatown, created and performed by Alvis Choi (aka Alvis Parsley) shown second from the left, Hemispheric Institute Encuentro 2014, Montreal. Quebec, Canada.

    View in gallery

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