Silent Shouts: Michael Arcega’s Code-Switching

in Asian Diasporic Visual Cultures and the Americas
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References

1

“World Report 2015: Bahrain,” Human Rights Watch, 2015. https://www.hrw.org/world-report/2015/country-chapters/bahrain.

Figures

  • Michael Arcega, A Tautology: Bohn, Boan, Bone, Bown, Bøn, Bauwn, 2013, cotton, wood, bone, foam, ceramic, watercolour. Installation, Al Riwak Art Space in Adliya, Bahrain.

    View in gallery
  • Michael Arcega, Mothership 2: a proposal, 2013, road barricades, fences, ropes, and water jugs. Installation, Al Riwak Art Space in Adliya, Bahrain.

    View in gallery
  • Michael Arcega, Residue of a Gesture: one side of a non-verbal discussion, 2013, found objects (bottle with steel wool and used spraycan). Installation, Al Riwak Art Space in Adliya, Bahrain.

    View in gallery

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