Volume 8 (2020): Issue 3-4 (Oct 2020): Special Issue: The Skin of Things: On the perception and depiction of materials edited by Jeroen Stumpel and Maarten Wijntjes
in Art & Perception-
Subjects
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‘Colouring’ — Material Depiction in Flemish and Dutch Baroque Art TheoryPages: 243–265Publication Date: 28 Oct 2020
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Frans van Mieris’s Painting Technique as One of the Possible Sources for Willem Beurs’s Treatise on PaintingPages: 266–282Publication Date: 28 Oct 2020
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Konrad Lange on ‘the Illusion of Materials’ in Painting and Visual Arts: Revisiting a Psychoaesthetic Theory of the Perception of Material PropertiesPages: 283–298Publication Date: 28 Oct 2019
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When Scenes Look Like Materials: René Magritte’s Reversible Figure–Ground MotifPages: 299–310Publication Date: 28 Oct 2020
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Selective Preparation of Canvas as an ‘Artistic Device’ in David Hockney’s Early Paintings (1964–1972)Impact of This Hybrid Priming Technique on Perception by the Viewer, with a Particular Focus on Portrait of an Artist (Pool with Two Figures) and Mt. Fuji and FlowersPages: 311–336Publication Date: 28 Oct 2020
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Material Properties and Image Cues for Convincing Grapes: The Know-How of the 17th-Century Pictorial Recipe by Willem BeursPages: 337–362Publication Date: 28 Oct 2020
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Thurstonian Scaling and the Perception of Painterly TranslucencyPages: 363–386Publication Date: 28 Oct 2020
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