The main objective of
Art & Perception is to provide a high-quality platform to publish new artwork and research in the multi-disciplinary emerging bridge between art and perception. As such it aims to become the top venue to explore the links between the science of perception and the arts, and to bring together artists, researchers, scholars and students in a unified community that can cooperate, discuss and develop new scientific perspectives in this complex and intriguing new field.
The purpose is not to minimize or erase the differences between the arts and sciences, which are grounded in venerable histories that are in many ways necessarily distinct. Rather, the ambition of the journal is to combine the differing methods and insights of artists and scientists in order to expand our knowledge of art and perceptual experience in a way that neither could do alone.
Art & Perception will serve those across several areas of science studying the way works of art and design affect us perceptually, cognitively, or physiologically. The editors are also keen to receive submissions from practicing artists, and those in related fields of history and theory, which offer an artistic perspective on perception.
Editors Claus-Christian Carbon
Bamberg, Germany Robert Pepperell
Cardiff, UK Johan Wagemans
Leuven, Belgium
Founding Editor Baingio Pinna
Alghero, Italy
Editor Social Media Maarten Wijntjes,
Delft, The Netherlands
Editorial Board Liliana Albertazzi
Rovereto, Italy Marco Bertamini
Liverpool , UK Dario Gamboni
Geneva, Switzerland Alan Gilchrist
Newark, NJ, USA Daniel Graham
Geneva, NY, USA Martin Kemp
Oxford, UK Frederic Fol Leymarie
London, UK Alva Noë
Berkeley CA, USA Aude Oliva
Cambridge, MA, USA Steve Palmer
Berkeley, CA, USA Thomas Papathomas
Piscataway, NJ, USA Pietro Perona
Pasadena, CA, USA Frank E Pollick
Glasgow, UK Christopher W. Tyler
San Francisco, CA, USA Johannes Zanker
Egham, Surrey, UK Daniele Zavagno
Milano, Italy
Art & Architecture Source
Emerging Sources Citation Index (Web of Science)
ERIH PLUS
Online submission: Articles for publication in
Art and Perception can be submitted online through
Editorial Manager, please
click here.
Editors Claus-Christian Carbon
Bamberg, Germany Robert Pepperell
Cardiff, UK Johan Wagemans
Leuven, Belgium
Founding Editor Baingio Pinna
Alghero, Italy
Editor Social Media Maarten Wijntjes,
Delft, The Netherlands
Editorial Board Liliana Albertazzi
Rovereto, Italy Marco Bertamini
Liverpool , UK Dario Gamboni
Geneva, Switzerland Alan Gilchrist
Newark, NJ, USA Daniel Graham
Geneva, NY, USA Martin Kemp
Oxford, UK Frederic Fol Leymarie
London, UK Alva Noë
Berkeley CA, USA Aude Oliva
Cambridge, MA, USA Steve Palmer
Berkeley, CA, USA Thomas Papathomas
Piscataway, NJ, USA Pietro Perona
Pasadena, CA, USA Frank E Pollick
Glasgow, UK Christopher W. Tyler
San Francisco, CA, USA Johannes Zanker
Egham, Surrey, UK Daniele Zavagno
Milano, Italy
Art & Architecture Source
Emerging Sources Citation Index (Web of Science)
ERIH PLUS
The main objective of
Art & Perception is to provide a high-quality platform to publish new artwork and research in the multi-disciplinary emerging bridge between art and perception. As such it aims to become the top venue to explore the links between the science of perception and the arts, and to bring together artists, researchers, scholars and students in a unified community that can cooperate, discuss and develop new scientific perspectives in this complex and intriguing new field.
The purpose is not to minimize or erase the differences between the arts and sciences, which are grounded in venerable histories that are in many ways necessarily distinct. Rather, the ambition of the journal is to combine the differing methods and insights of artists and scientists in order to expand our knowledge of art and perceptual experience in a way that neither could do alone.
Art & Perception will serve those across several areas of science studying the way works of art and design affect us perceptually, cognitively, or physiologically. The editors are also keen to receive submissions from practicing artists, and those in related fields of history and theory, which offer an artistic perspective on perception.
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ISSN:
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