Art & Perception
an international journal of art and perception science
Editors-in-Chief:
,
,
, and
Claus-Christian Carbon
Claus-Christian Carbon
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Jan Koenderink
Jan Koenderink
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Robert Pepperell
Robert Pepperell
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Johan Wagemans
Johan Wagemans
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The main objective of Art & Perception is to provide a high-quality platform to publish new artwork and research in the multi-disciplinary emerging bridge between art and perception. As such it aims to become the top venue to explore the links between the science of perception and the arts, and to bring together artists, researchers, scholars and students in a unified community that can cooperate, discuss and develop new scientific perspectives in this complex and intriguing new field.
The purpose is not to minimize or erase the differences between the arts and sciences, which are grounded in venerable histories that are in many ways necessarily distinct. Rather, the ambition of the journal is to combine the differing methods and insights of artists and scientists in order to expand our knowledge of art and perceptual experience in a way that neither could do alone.
Art & Perception will serve those across several areas of science studying the way works of art and design affect us perceptually, cognitively, or physiologically. The editors are also keen to receive submissions from practicing artists, and those in related fields of history and theory, which offer an artistic perspective on perception.
The purpose is not to minimize or erase the differences between the arts and sciences, which are grounded in venerable histories that are in many ways necessarily distinct. Rather, the ambition of the journal is to combine the differing methods and insights of artists and scientists in order to expand our knowledge of art and perceptual experience in a way that neither could do alone.
Art & Perception will serve those across several areas of science studying the way works of art and design affect us perceptually, cognitively, or physiologically. The editors are also keen to receive submissions from practicing artists, and those in related fields of history and theory, which offer an artistic perspective on perception.
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Subjects
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Print Only €415.00$481.00
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Online only €377.00$437.00
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Please contact sales in order to purchase any of the above.
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Online only €126.00$147.00
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Print Only €126.00$147.00
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- External Indexers:
Editors
Claus-Christian Carbon Bamberg, Germany
Jan Koenderink Leuven, Belgium
Robert Pepperell Cardiff, UK
Johan Wagemans Leuven, Belgium
Founding Editor
Baingio Pinna Alghero, Italy
Editor Social Media
Maarten Wijntjes, Delft, The Netherlands
Editorial Board
Liliana Albertazzi Rovereto, Italy
Marco Bertamini Liverpool , UK
Dario Gamboni Geneva, Switzerland
Alan Gilchrist Newark, NJ, USA
Daniel Graham Geneva, NY, USA
Martin Kemp Oxford, UK
Frederic Fol Leymarie London, UK
Alva Noë Berkeley CA, USA
Aude Oliva Cambridge, MA, USA
Steve Palmer Berkeley, CA, USA
Thomas Papathomas Piscataway, NJ, USA
Pietro Perona Pasadena, CA, USA
Frank E Pollick Glasgow, UK
Christopher W. Tyler San Francisco, CA, USA
Johannes Zanker Egham, Surrey, UK
Daniele Zavagno Milano, Italy
Claus-Christian Carbon Bamberg, Germany
Jan Koenderink Leuven, Belgium
Robert Pepperell Cardiff, UK
Johan Wagemans Leuven, Belgium
Founding Editor
Baingio Pinna Alghero, Italy
Editor Social Media
Maarten Wijntjes, Delft, The Netherlands
Editorial Board
Liliana Albertazzi Rovereto, Italy
Marco Bertamini Liverpool , UK
Dario Gamboni Geneva, Switzerland
Alan Gilchrist Newark, NJ, USA
Daniel Graham Geneva, NY, USA
Martin Kemp Oxford, UK
Frederic Fol Leymarie London, UK
Alva Noë Berkeley CA, USA
Aude Oliva Cambridge, MA, USA
Steve Palmer Berkeley, CA, USA
Thomas Papathomas Piscataway, NJ, USA
Pietro Perona Pasadena, CA, USA
Frank E Pollick Glasgow, UK
Christopher W. Tyler San Francisco, CA, USA
Johannes Zanker Egham, Surrey, UK
Daniele Zavagno Milano, Italy
Art & Architecture Source
Emerging Sources Citation Index (Web of Science)
ERIH PLUS
Emerging Sources Citation Index (Web of Science)
ERIH PLUS
Online submission: Articles for publication in Art and Perception can be submitted online through Editorial Manager, please click here.
Download Author Instructions (PDF).
Download Author Instructions (PDF).
Art & Perception
an international journal of art and perception science
Editors-in-Chief:
,
,
, and
Claus-Christian Carbon
Claus-Christian Carbon
Search for other papers by Claus-Christian Carbon in
Current site
Google Scholar
PubMed
Search for other papers by Claus-Christian Carbon in
Current site
Google Scholar
PubMed
Jan Koenderink
Jan Koenderink
Search for other papers by Jan Koenderink in
Current site
Google Scholar
PubMed
Search for other papers by Jan Koenderink in
Current site
Google Scholar
PubMed
Robert Pepperell
Robert Pepperell
Search for other papers by Robert Pepperell in
Current site
Google Scholar
PubMed
Search for other papers by Robert Pepperell in
Current site
Google Scholar
PubMed
Johan Wagemans
Johan Wagemans
Search for other papers by Johan Wagemans in
Current site
Google Scholar
PubMed
Search for other papers by Johan Wagemans in
Current site
Google Scholar
PubMed
The main objective of Art & Perception is to provide a high-quality platform to publish new artwork and research in the multi-disciplinary emerging bridge between art and perception. As such it aims to become the top venue to explore the links between the science of perception and the arts, and to bring together artists, researchers, scholars and students in a unified community that can cooperate, discuss and develop new scientific perspectives in this complex and intriguing new field.
The purpose is not to minimize or erase the differences between the arts and sciences, which are grounded in venerable histories that are in many ways necessarily distinct. Rather, the ambition of the journal is to combine the differing methods and insights of artists and scientists in order to expand our knowledge of art and perceptual experience in a way that neither could do alone.
Art & Perception will serve those across several areas of science studying the way works of art and design affect us perceptually, cognitively, or physiologically. The editors are also keen to receive submissions from practicing artists, and those in related fields of history and theory, which offer an artistic perspective on perception.
The purpose is not to minimize or erase the differences between the arts and sciences, which are grounded in venerable histories that are in many ways necessarily distinct. Rather, the ambition of the journal is to combine the differing methods and insights of artists and scientists in order to expand our knowledge of art and perceptual experience in a way that neither could do alone.
Art & Perception will serve those across several areas of science studying the way works of art and design affect us perceptually, cognitively, or physiologically. The editors are also keen to receive submissions from practicing artists, and those in related fields of history and theory, which offer an artistic perspective on perception.
-
Print + Online €452.00$524.00
-
Print Only €415.00$481.00
-
Online only €377.00$437.00
-
Please contact sales in order to purchase any of the above.
-
Online only €126.00$147.00
-
Print Only €126.00$147.00
-
Please contact sales in order to purchase any of the above.
- External Indexers: