After situating Pasolini’s sketch for a screenplay about the apostle within a broad context of Pauline retellings, this essay goes on to explore the uneasy tension Pasolini develops between Paul as representative of an oppressive religious authority, and Paul as frail, entrancing, humbled mystic. The tension is uneasy because it represents something of a false dichotomy. The real choice offered in the screenplay, the paper argues, is between Paul the New Testament personality, and Paul the ordinary, and mostly unknown, individual. While Pasolini may barely hint at the possibilities of so understated a treatment, his example sets the stage (so to speak) for an intriguingly contemporary response to more typical examples of Pauline reception (especially among critics inspired by the Paul of Badiou, Agamben, et al.).
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All Time | Past Year | Past 30 Days | |
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Abstract Views | 262 | 35 | 2 |
Full Text Views | 56 | 5 | 0 |
PDF Views & Downloads | 87 | 7 | 1 |
After situating Pasolini’s sketch for a screenplay about the apostle within a broad context of Pauline retellings, this essay goes on to explore the uneasy tension Pasolini develops between Paul as representative of an oppressive religious authority, and Paul as frail, entrancing, humbled mystic. The tension is uneasy because it represents something of a false dichotomy. The real choice offered in the screenplay, the paper argues, is between Paul the New Testament personality, and Paul the ordinary, and mostly unknown, individual. While Pasolini may barely hint at the possibilities of so understated a treatment, his example sets the stage (so to speak) for an intriguingly contemporary response to more typical examples of Pauline reception (especially among critics inspired by the Paul of Badiou, Agamben, et al.).
All Time | Past Year | Past 30 Days | |
---|---|---|---|
Abstract Views | 262 | 35 | 2 |
Full Text Views | 56 | 5 | 0 |
PDF Views & Downloads | 87 | 7 | 1 |