Printing for Prestige? Publishing and Publications by Ming Princes Part 3

in East Asian Publishing and Society
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Abstract

Scattered throughout the realm in a great number of provincial courts, Ming imperial clansmen did not wield political or military power. Some among them therefore used their energies to publish books; indeed, the publishing activities of the Ming princes constitute one of many elements of what can be termed “princely culture.” Even though princely imprints formed an insignificant proportion of Ming publications, a large number of them have survived to our day. Based on the examination of approximately 240 such editions, this essay explores the relationships between the princes and the literati who assisted them. It raises questions central to princely publishing: How learned were the princes? What books did they publish? For which audiences and with what objectives? What are the main characteristics of princely publications? Did princes have well-defined publishing strategies? The last section of the essay addresses the heritage of Ming princely publications in the Qing dynasty.

Parts 1 and 2 of this essay were published in East Asian Publishing and Society 1:1 and 1:2. Tables will follow in the next issue.

Printing for Prestige? Publishing and Publications by Ming Princes Part 3

in East Asian Publishing and Society

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TongliYuan袁同禮 ‘Mingdai sijia cangshu gailüe’ 明代私家藏書概略 Tushuguan xue jikan 圖書館學季刊 1927 2 1 1 8

JuzhengZhang張居正 ShunhuiZhang Zhang Juzheng ji 張居正集 1994 vol. 2 Wuhan Hubei renmin chubanshe (shudu 書牘)

MingfuZhang張明富 ShuTianYuxiangWangChangshunDu ‘Mingdai zongxue shezhi shijian kaobian’ 明代宗學設置時間考辨 Di shiyi jie Mingshi guoji xueshu taolunhui lunwen ji 第十一屆明史國際學術討論會論文集 2007 Tianjin Tianjin guji chubanshe 392 398

MingfuZhang張明富 ‘Shilun Mingdai zongxue shezhi de yuanyin’ 試論明代宗學設置的原因 Shixue yuekan 史學月刊 2008 5 48 58

XiuminZhang張秀民 QiHan韓琦 Zhongguo yinshua shi 中國印刷史 2006 Hangzhou Zhejiang guji chubanshe

XiuminZhang張秀民QiHan韓琦 Zhongguo huozi yinshua shi 中國活字印刷史 1998 Beijing Zhongguo shuji chubanshe

YuchunZhang張玉春 ‘Shiji’ banben yanjiu 《史記》版本研究 2001 Beijing Shangwu yinshuguan

YuchunZhang張玉春SanyuYing應三玉 Shiji banben ji sanjia zhu yanjiu 史記版本及三家注研究 Shiji yanjiu jicheng 史記研究集成 2005 vol. 12 Beijing Huawen chubanshe

QianZhao趙前ZhiqingZhang張志清 ‘Book Publishing by the Princely Household during the Ming Dynasty. A Preliminary Study’ The East Asian Library Journal 2001 X 1 85 128

QianZhao趙前 JiyuRen任繼愈 Zhongguo banben wenhua congshu 中國版本文化叢書 Mingben 明本 2003 Nanjing Jiangsu guji chubanshe

QianZhao趙前 Mingdai banke tudian 明代版刻圖典 2008 Beijing Wenwu chubanshe

LihuaZheng鄭利華 Wang Shizhen yanjiu 王世貞研究 2002 Shanghai Xuelin chubanshe

XiaoZheng鄭曉 Jinyan 今言 1997 Bejing Zhonghua shuju

ZhenduoZheng鄭振鐸 Xidi shuba 西諦書跋 1998 Beijing Wenwu chubanshe

Beijing tushuguan Zhongguo banke tulu 中國版刻圖錄 1961 Beijing Wenwu chubanshe

XingZhong鍾惺 Yinxiuxuan ji 隱秀軒集 1992 Shanghai Shanghai guji chubanshe

HongzuZhou周弘祖 Gujin shuke 古今書刻 2005 Shanghai Shanghai guji chubanshe

HuiZhou周暉 Jinling suoshi 金陵瑣事 2007 Nanjing Nanjing chubanshe

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GuozhenZhu朱國禎 Yongchuang xiaopin 湧幢小品 Mingdai biji xiaoshuo daguan 明代筆記小說大觀 2005 Shanghai Shanghai guji chubanshe 3101 3879

YizunZhu朱彝尊 Pushuting ji 曝書亭集 1989 Taipei Shijie shuju

YizunZhu朱彝尊 Mingshi zong 明詩綜 1989 Taipei Shijie shuju

YizunZhu朱彝尊 Jingzhiju shihua 靜志居詩話 [1990] 2006 Beijing Renmin wenxue chubanshe

Zongfan tiaoli 宗藩條例 Beijing tushuguan guji zhenben congkan 北京圖書館古籍珍本叢刊 1565 vol. 59 Beijing Shumu wenxian chubanshe (n.d.)

227

In 1604he organized in Nanjing a huge literary meeting attended by Zhang Xianyi 張獻翼 and the famous courtesan Ma Xianglan 馬湘蘭. See Qian Qianyi Liechao shiji xiaozhuan 471. The Mingshi introduces him as the “only literatus” among the otherwise brutal scions of the house of Qi (there has in fact been at least one other Zhu Qingsi who left a collection). See MS 116/3574. Of Zhu Qingcai’s writings only a postface to the Zhenshanzhai yinyin 珍善齋印印 a seal album from the Huizhou seal carver Wu Jiong published in the 1610s has been preserved.

235

See for example Ye DehuiShulin qinghua127; K.T. Wu “Ming Printing and Printers” 238; Chang Bide “Mingfan keshu kao (yi)” 146; Zhongguo banke tulu ce 1 71; Tsien Tsuen-hsuin Paper and Printing 178; Zhang Xiumin Zhongguo yinshua shi 292; Zhao Qian Mingben 28; Zhou Xinhui Zhongguo gudai banke banhua shi lunji 248; etc.

238

See Chan Wing-tsitNeo-Confucian Terms Explained242; Inoue ‘‘Hokkei jigi hanpon kō” 118-21 or Shorin no chōbō 381-84.

242

Chen YixiGaolan zaibi23.

245

See Tsien Tsuen-hsuinPaper and Printing178; Zhou Hongzu Gujin shuke 382.

263

Nienhauser ed.The Indiana Companion759.

266

UnschuldMedicine in China82 128 130-31.

273

In 1546the prince specified that since the blocks had deteriorated he was taking advantage of their restoration (or total or partial recutting) to have the text revised. In 1616 the blocks had disappeared and new ones had to be made from two old copies of the book. The preface adds that half of the blocks were modified.

275

Details are as follows. In 1533an unspecified prince of the house of Zhou reprinted several of Zhu Youdun’s writings under the titles Chengzhai lu 誠齋錄 and Chengzhai xinlu 新錄 (see Xuxiu Siku quanshu 1328:93-652). Zhu Gongrui from the house of Ruichang/Ning reprinted Zhu Quan’s Shenyin 神隱 (see Siku quanshu cunmu congshu zibu 260:1-81). And in 1553 Zhu Chenfang from the house of Yichun/Ning reprinted a collection of several Meihua baiyong 梅花百詠 including that of Zhu Quan (see note 255). I suspect the unspecified prince who reprinted Zhu Youdun in 1533 to be Zhu Angong from the house of Ruyang. Several converging clues exist. First Zhu Angong’s known activities as a publisher coincide in time with date of the reprints (he published the Jishizhu in 1536). Second the quality of the 1533 engraving of Chengzhai lu and Chengzhai xinlu is as crude as that in the Jishizhu and the characters are in the same font-style. Finally the preface to the 1533 reprint is signed by Jingzhai 敬齋 which resembles Jingdezhai 敬德齋 the name of Zhu Angong’s studio (as seen in the signature in the Jishizhu).

282

One of 1597one of 1604 and one of 1613 (there may have been one as early as 1588-89). In each new edition more poems were included. Prose-texts were also appended.

288

Chia“Publications of the Ming Principalities” 45-46.

291

Zhao QianMingdai banke tudian20.

297

Zhou XinhuiZhongguo gudai banke banhua shi lunji281; Mingdai banke tushi introd. 27.

302

Chang Bide“Mingfan keshu kao (yi)” 150; Chia “The Uses of Print of Ming Dynasty China” 195 n. 33. Similarly Furongshe yin gao the collection of Zhu Duokui’s “literary society” was cut by He Yide 何一德 a Suzhou cutter. It is however impossible to know if the cutting was done in Suzhou (as is likely) or in Nanchang where the prince resided. The same remark can be made for the 1613 augmented edition of Meixuexuan shigao the work of princes of the house of Qin (Xi’an) cut by Nanjing cutters. Canghai pisha ji 滄海披沙集 the collection of a prince of Qinshui/Shen based in Lu’an was cut in Suzhou as well. The writings included in this collection had previously been cut in the prince’s studio Xunxue shuyuan but when the prince decided to put them together he had the cutting done in Suzhou. See the entry in SKQSZM 2479 (it may well be that Suzhou cutters were summoned to Shanxi but since the collection is lost we cannot check on what grounds the entry in SKQSZM was written). Generally speaking it seems that beginning at the end of the sixteenth century and in the early seventeenth century princes had their publications more frequently cut in Jiangnan where thanks to the publishing boom centered in that region the best workers were to be found.

303

Wang ZhongminZhongguo shanbenshu tiyao282. In his preface prince Zhu Huaijuan states that he found a “fine edition” (jiaben 嘉本) of the text which he ordered to be reprinted (fanke 翻刻). The 1461 edition was augmented and revised by Bao Ning a descendant of the author. The Baos were from Huizhou.

306

For other examples see Chia“Publications of the Ming Principalities” 40.

307

Xie ZhaozheWuzazu132. The princely fatie are dealt with in Craig Clunas’s forthcoming Screen of Kings chapter 3. The huapu i.e. the Huafa dacheng is mentioned in chapter 4.

310

See Zhu Zhan’s own preface (1398) to the Wenzhang leixuan in Siku quanshu cunmu congshu jibu 290:159-60. In 1398 Zhu Zhan had not taken possession of his fief of Ningxia yet but was in Weizhou not very far away. The production of such an anthology in such remote region and so hostile an environment is puzzling. I wonder whether Zhu Zhan had not actually compiled Wenzhang leixuan while still in Nanjing. Indeed questions about the sites of publication for all the publisher-princes among Zhu Yuanzhang’s sons must be raised. See Zhao Qian “Book Publishing by the Princely Household during the Ming Dynasty” 97 (Zhao is convinced that Zhu Zhan compiled and printed his anthology in Ningxia and considers it an outstanding achievement).

311

See Zhu Yinsu’s preface (1539) to Yunxian ji 雲仙集.

312

See Cao Lian’s preface (1556) to Zhonglian suigao/wenlüe 種蓮歲稿/文略.

314

Zhu YizunJingzhiju shihua9. This collection had been printed (see Appendices 2 and 7.3).

324

I do not agree here with Chia“Publications of the Ming Principalities” 37 43.

328

Huang ZongxiMingru xue’an p. 29; DMB pp. 626-27.

331

Zhu Houyu“Qi ban shuji zou 乞頒書籍奏,” in Jujingtang ji3/17b-18a.

332

See his preface quoted by Ding BingShanben shushi cangshu zhi210.

334

See the prince’s preface (1509) and the final note by Zhou Yao (1507) the princely house judge who was responsible for the publication. Zhou’s note further specifies that this new edition was done by collating all the editions (zhuben canhu 諸本參互). Blank spaces were inserted in the text at dubious places or wherever information could not be cross-checked “waiting for those who know to correct.”

341

In 1545Chao Li 晁栗 while serving in the Hanlin Academy as corrector found in the Hanlin or the Grand Secretariat library a copy of Fazang suijin lu by his ancestor Chao Jiong 晁迥 (Chao Li himself was a bibliophile whose collection was catalogued in Chongwentang shumu). He dated it to the Song on the basis of the taboo characters and copied it. Proximity may explain why the prince took up this text: Chao Li was from Kaizhou close to Zhangde seat of the Zhao court. It is impossible to know however whether Chao Li had the manuscript printed earlier by another publisher (the princely edition in this case would be merely a reprint). The only date—1546—that appears on the princely edition is in the note by Chao Li that comes right after all the biographical data on Chao Jiong and explains Chao Li’s work on the text.

357

Zhu YizunPushuting ji428.

364

See Qian DaxinZhuting xiansheng riji chao12 24; Sun Xingyan Pingjinguan jiancang ji 39 42 43 75-76 76-77; Huang Pilie Huang Pilie shumu tiba 95 141 213-15 312 328-29; Ding Bing Shanben shushi cangshu zhi 171 174-75 210 219 336 344 344-45 357 398-99 420-21 576 615 631 638; Lu Xinyuan Bisonglou cangshu zhi 928:55-56 467 545-51 575 600 and 929:71 (three entries) 636 681; Miao Quansun Yifeng cangshu ji 368 376 377; Ye Dehui Xiyuan dushu zhi 23 65 124-25 143 180 184-85 376-77 386 387 391; Fu Zengxiang Shuangjianlou shanben shumu Shuangjianlou cangshu xuji and Shuangjianlou zhencang miji mulu 8 30 33 156 163 199 201 239 251 420-21 478-79 479 480 481; Zheng Zhenduo Xidi shuba fig. 32 and pp. 109 136. Very often these entries as is known were originally colophons that these bibliophiles inscribed on the books in their possession. Although I have used them in my research I here spare the reader the mass of data that can be drawn from their reading. These data are particular to each princely edition and thus fall more properly within the domain of banbenxue; they deserve a place in a critical bibliography of princely publications.

366

See for instance SKQSZM 2383.

372

McDermott“Distribution of Books and Literati Culture” 84-94.

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