DANCE AND MOVEMENT IN THE CABARET

In: Experiment

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  • 1. Murray Frame, The St. Petersburg Imperial Theaters: Stage and State in Revolutionary Russia, 1900-1920 (Jefferson, NC: McFarland, 2000), p. 129. 2. Catherine Schuler, Women in Russian Theatre: The Actress in the Silver Age. (New York: Routledge Press, 1996), p.l l 1 . 3. Feodor Sologub, "Teatr odnoi voli," in Teatr, kniga o novom teatre, Georgii Chulkov, ed. (St. Petersburg: Shipovnik, 1908), p. 180. 4. Gary Thurston, The Popular Theatre Movement in Russia. 1862-7919. (Evanston, IL: Northwestern Univ. Press, 1998), p.175.

  • 5.Ibid.,p. 173..� 6. Ibid,pp. 174-75. '.

  • 7. Popular silent film comic. On Nov. 21, 1913, the Sobaka arranged a evening in his honor on his arrival in St. Petersburg. Aleksandr Parnis and Roman Timenchuk, "Programmy 'Brodia- chei Sobaki'," in Pamiatniki kul'tury: Novye otkrytie. Ezhegodnik 1983 (Leningrad: Nauka, 1985), p. 215. 8. Ibid, p. 215.

  • 9. Most notably, The Futurist perform Cassette Tape (Moscow: Gileia 1995). I 10. Nikolai Evreinov, Istoriia russkogo teatra a drevneishikh vremen do 191-7 7 goda. (New York: Chekhov Publishing House, 1955), p. 312.

  • 11. Tlikolai Evreinov, "Khudozhnikoi v Teatre V. F. Komissarzhevskoi," Alkonost (St. Pe- tersburg), kniga 1 (1911) p. 125. 12. E. Aronson, Savva Mamontov (Moscow: Russkaia kniga, 1995), p.70.

  • 13. Camilla Gray, The Russian Experiment in Art 1863-1922 (London: Thames and Hudson, 1962), pp. 54-55. 14. Michael Green, "Boris Pronin, Meyerhold and Cabaret: Some Connections and Reflec- · tions," in Russian Theatre in the Age of Modernism, Robert Russell and Andrew Barratt eds. (New York: St. Martins Press, 1990), p. 77. 15. For a sampling of programs of the Brodiachaia sobaka, see Pamis and Timenchuk, "Pro- grammy 'Brodiachei sobaki'," pp. 160-257.

  • 16. Z. B. "Noveishiia techeniia v tantsakh," Teatr i iskusstvo, No. 41, Oct. 11, 1909, p. 703. 17. "Vecher melodeklamatsii, meloplastiki, i tantsev O. V. Gzovskoi," Utro Rossii, June 9, 1915, p. 6.

  • 18. lu. Aikhenval'd, "Otritsanie teatra," in Ysporakh o teatre. Sbornik statei (Moscow: Kni- goizdatea'stvo pisatelei v Moskve, 1913), p.13. 19. Sergei Volkonskii, "0 estestvennykh zakonakh plastik" i Orkliki teatra (Petrograd: Sirius, 1914), pp. 124-25. 20. Vsevolod Maksimovich (died 1914) was a noted dancer close to the Futurists. See notice of this death in a letter from Khlebnikov to Kamenskii, May 1914, Velimir Khlebnikov, Neiz- dannye proizvedenie (Moscow: Khudozhestvennaia literature, 1940), p. 369. See also Slovnik khudozhnikiv Ukraini (Kiev: Naukova Dumka, 1973) p. 140.. 21. M. 1. Rtisheva was identified in a review of the film as "supruga poeta Remizova i ar- tistka Rtishclteva, kstati skazat', otkryvaiushaia na-dniakh sobstvennyi teatr...." Sine-fono, No. 1, Oct. 12, 1913, p. 30. On the opening of her theater see "Teatr M. I. Rtishchevoi," Moskovskaia kopeika, No. 51/76, Nov. 11, 1913, p. 4.

  • ¡ 22. "E. E. Kriuger o `tango'," Teatr v karikaturakh (Moscow), No. 16 (1913), p. 24. Quoted in Georgii Kovalenko, "El'za Kriuger," Fxperiment, No. 2 (1996), 337. 23. Ibid., p. 341. 24. "Poslednii krik Parizhskoi mody. Ubezhedennye grimasniki," Teatr v karikaturakh, No. 14 (1913), p.14.

  • 25. Vadim Shershenevich, Zelenaia ulitsa (Moscow: Pleiady, 1916) p. 57.

  • 26. Benedikt Livshits, The One-and-a-half Eyed Archer, trans. and ed. John Bowlt (Newton- ville, MA: Oriental Research Partners, 1977), p. 160. 27. C. Moody, "The Crooked Mirror," Melbourne Slavonic Studies, No. 7 (1972), p. 31. 1,

  • 28. N. N Evreinov, Revizor in Russkii teatr v krivom zerkale parodii, M. la. Poliakov, ed. (Moscow: Iskusstvo, 1976), p. 24. 29. Sergei Volkonskii, Chelovek na stsene (St. Peterburg: Apollon, 1912), p.148. 30. N. N. Evreinov, "K postanovke 'Orleanskoi devy' Shillera," Pro scena sua, p. 11.

  • 31. Vsevolod Meierkhol'd, "`Starinnyi teatr' v S. Peterburge (pervyi period)," in Vsevolod Meierkhol'd, Stat'i, pis'ma, rechi, besedy (Moscow: Iskusstvo, 1968), 1: 191. 32. Iu. N. Tynianov, "O parodii" Russkaia literatura XX veka v zerlutle parodii (Moscow: Vysshaia shkola, 1993), p. 370.

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