Cultural Memory and the Anti-Western Utopias of Russian “Futurians”

in Experiment
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Abstract

The paper deals with anti-Western motifs in Russian avant-garde culture, especially their refraction in Russian futurism. On the one hand, the tendency is linked to a strategic goal—asserting independent versions of this or that new form of art and, on the other, it coincides with fundamental features of Russian modernism such as archaization, national self-identification and Eastern cultures.

Cultural Memory and the Anti-Western Utopias of Russian “Futurians”

in Experiment

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