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Editor-in-Chief
John E. Bowlt (University of Southern California, Los Angeles, USA)

Series Editor
Oleg Minin (Bard College, New York, USA)

Editorial Board
Gerald Janecek (University of Kentucky, Lexington, USA)
John Malmstad (Harvard University, Cambridge, Mass., USA)
Jean-Claude Marcadé (Institut de Recherche et d’Étude sur les Nouvelles Institutions et Sociétés à l’Est, Paris, France)
Nicoletta Misler (Istituto Universitario (L’Orientale), Naples, Italy)
Toshiharu Omuka (University of Tsukuba, Tsukuba-shi, Japan)
Aleksandr Parnis (Gorky Institute of World Literature, Moscow, Russia)
Sarah Pratt (University of Southern California, Los Angeles, USA)
Yuri Tsivian (University of Chicago, Chicago, USA)
Central & Eastern European Academic Source
Emerging Sources Citation Index (Web of Science)
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Current Abstracts
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Experiment

A Journal of Russian Culture

Experiment, an annual journal devoted to Russian culture, focuses on the movements of the early twentieth century. These include both traditional and non-traditional avenues of academic enquiry, such as studio painting and graffiti, sculpture and ballroom dancing, architecture and commercial advertising. It is hoped that broader examination of such disciplines within critical discourse will provide a stronger and more precise definition of Russia's cultural accomplishment. Supervised by an editorial board of international stature, Experiment emphasizes an interdisciplinary approach, drawing upon archival sources while promoting and documenting the history of the Russian arts. The journal recognizes the achievements both of Imperial and Soviet Russia and of the diaspora.

Prepared by a guest editor or editors, each volume of Experiment consists of essays treating a particular theme or idea. Experiment is published under the auspices of the Institute of Modern Russian Culture at the University of Southern California.

Theme issues to date:
Vol. 30 - Collector Culture and the Russian Avant-Garde
Vol. 29 - Paul Cezanne and Modernism in Russia
Vol. 28 - Russian Caricature
Vol. 27 - The Graphic Arts in Early 20th Century Russia (Part 2)
Vol. 26 - The Graphic Arts in Early 20th Century Russia (Part 1)
Vol. 25 - Abramtsevo and Its Legacies: Neo-National Art, Craft, and Design
Vol. 24 - As Life Flows on: Remembering Riga, Uzbekistan, Siberia, Leningrad. Memoirs by Musya Glants
Vol. 23 - In Memoriam: Dmitry Vladimirovich Sarabyanov
Vol. 22 - A Stitch in Time: A Century of Russian Needlework and Fashion
Vol. 21 - By a Miracle Preserved... Letters from the Archive of Irina Miller (1940-1947)
Vol. 20 - Kinetic Los Angeles: Russian Émigrés in the City of Self-Transformation
Vol. 19 - Demonocracy: The Satirical Journals of the 1905 Russian Revolution
Vol. 18 - Russian Sculpture
Vol. 17 - Sergei Diaghilev and the Ballets Russes
Vol. 16 - Leningrad Avant-garde
Vol. 15 - Siberian Modernism
Vol. 14 - The Wanderers
Vol. 13 - Vera Sudeikina
Vol. 12 - Cabaret
Vol. 11 - Pavel Filonov
Vol. 10 - Performing Arts and the Avant-garde
Vols. 8-9 - Vasilii Kandinsky
Vol. 7 - Art Nouveau
Vol. 6 - Organica
Vol. 5 - Khardzhiev Archive
Vol. 4 -The Apocalypse
Vol. 3 - The Russian Academy of Artistic Sciences
Vol. 2 - Artistic Movement in Russia in the 1910s and 1920s
Vol. 1 - Russian Avant-garde
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Latest Articles

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Collector Culture and the Russian Avant-Garde
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On Kazimir Malevich’s Black Quadrilateral
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Дар Георгия Костаки.
The Gift of George Costakis
Коллекция авангарда Г.Д. Костаки. История передачи части коллекции авангарда в Третьяковскую галерею в 1977 г.
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Костаки vs Харджиев
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К анализу модели архивной части коллекции Н.И. Харджиева и И.С. Зильберштейна
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«Московское наследие» Соломона Никритина в Отделе личных коллекций Пушкинского музея. Опыт систематизации
Solomon Nikritin in the Department of Private Collections at the Pushkin State Museum of Fine Arts: An Attempt to Systematize his “Moscow Legacy”
An Unlikely Patron of the Russian Avant-Garde
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Николай Харджиев. Разговоры
Nikolai Khardzhiev. Conversations.
Публикация и примечания: Ильдар Галеев