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Volume 6 (2018): Issue 1 (Mar 2018)

in Greek and Roman Musical Studies
Publisher:
Brill
Editorial
By: Eleonora Rocconi
Pages: v–vi
Publication Date: 22 Mar 2018
Migrating Musical Myths
The Case of the Libyan Aulos
By: Andrew D. Barker
Pages: 1–13
Publication Date: 22 Mar 2018
Echo’s Bones and the Metamorphoses of the Voice
By: Pauline LeVen
Pages: 14–25
Publication Date: 22 Mar 2018
Centaur-Musicians in Classical Iconography
By: María Isabel Rodríguez López and Claudina Romero Mayorga
Pages: 26–50
Publication Date: 22 Mar 2018
Music in the Time of Vergil
Insights from a Symposium
By: Timothy J. Moore
Pages: 51–60
Publication Date: 22 Mar 2018
Music, Craft, and Technology in the Similes in Vergil’s Aeneid
By: Deborah Beck
Pages: 61–78
Publication Date: 22 Mar 2018
Tibia and Tuba at the Crossroads of Funerary and Nuptial Imagery
By: Kamila Wyslucha
Pages: 79–95
Publication Date: 22 Mar 2018
Musical Themes and Private Art in the Augustan Age
By: Daniela Castaldo
Pages: 96–114
Publication Date: 22 Mar 2018
Ἀνωνύµου σύγγραµµα περὶ µουσικῆς (Anonymi Bellermann)
An Agglomeration of Five Musical Handbooks
By: Egert Pöhlmann
Pages: 115–127
Publication Date: 22 Mar 2018
‘Musics’, Bellermann’s Anonymi, and the Art of the Aulos
By: Stefan Hagel
Pages: 128–176
Publication Date: 22 Mar 2018
The Koinē Hormasia Re-Interpreted
By: Dietmar Najock
Pages: 177–205
Publication Date: 22 Mar 2018
Antistrophes or Antistrophic Couples?
On a Peculiar Use of Antistrophos
By: Marco Ercoles
Pages: 206–211
Publication Date: 22 Mar 2018
Classical Metre and Modern Music
By: Konstantine Panegyres
Pages: 212–238
Publication Date: 22 Mar 2018
The City and the Stage. Performance, Genre, and Gender in Plato’s Laws, written by Folch, M.
By: Andrea Capra
Pages: 239–241
Publication Date: 22 Mar 2018
Claudio Tolemeo, Armonica. Con il Commentario di Porfirio. Testo greco a fronte. Saggio introduttivo, traduzione, note e apparati di Massimo Raffa, edited by Raffa, M.
By: Matteo Agnosini
Pages: 242–245
Publication Date: 22 Mar 2018