Tra lyra e aulos. Tradizioni musicali e generi poetici, edited by Bravi, L., Lomiento, L., Meriani, A., Pace, G.

in Greek and Roman Musical Studies
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References

Bing, P. (1988). The Well-Read Muse. Göttingen: Vandenhoeck & Rupprecht.

Boardman, J. (1956). Some Attic fragments. Pot, plaque and dithyramb. JHS 76, pp. 18-25.

Breed, B.W. (2006). Time and Textuality in the Book of the Eclogues. In: M. Fantuzzi & Th. Papanghelis, eds, Brill’s Companion to Greek and Latin Pastoral, Leiden/Boston: Brill, pp. 333-368.

Cannatà Fera, M. (1990). Pindarus. Threnorum fragmenta, Romae: Edizioni dell’Ateneo.

Heinemann, A. (2013). Performance and the Drinking Vessel: Looking for an Imagery of Dithyramb in the Time of the ‘New Music’. In: B. Kowalzig & P. Wilson, eds, Dithyramb in Context, Cambridge: CUP, pp. 282-309.

LeVen, P. (2010). New Music and Its Myths: Athenaeus’ Reading of the Aulos Revolution (Deipnosophistae 14.616e−617f). JHS 130, pp. 35-47.

LeVen, P. (2014). The Many-Headed Muse. Tradition and Innovation in Late Classical Greek Lyric Poetry. Cambridge: CUP.

Pöhlmann, E. (2017). Ambrosian Hymns. Evidence for Roman Music of Late Antiquity? GRMS 5.1, pp. 104-122. DOI: 10.1163/22129758-12341292.

Rossi, L.E. (1998). Orazio, un lirico greco senza musica. SemRom 1, pp. 163-181.

Tessier, A. (2017). Tractatus de metris anonymus e cod. Vaticano Graeco 896. Trieste: EUT (also available online: <https://arts.units.it/retrieve/handle/11368/2917799/210527/Vat.%20896%20De%20metris.pdf>).

West, M.L. (1992). Ancient Greek Music. Oxford: Clarendon Press.

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