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Malcolm Quinn’s book, Utilitarianism and the Art School in Nineteenth-Century Britain, is an historical study of the birth pangs of the state-funded art school that interrogates the politics of art’s reproduction within the context of Victorian reformism in which the art school was proposed as a mechanism to improve the standards of taste of manufacturers and factory workers, as well as of artists, designers, art teachers and others. The review locates the political and cultural transition from the academy to the art school as the construction of a specifically bourgeois institution of art.
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Abbing Hans Why Are Artists Poor? The Exceptional Economy of the Arts 2002 Amsterdam Amsterdam University Press
Althusser Louis Brewster Ben Lenin and Philosophy and Other Essays 1971 London New Left Books
Benjamin Walter Tiedemann Rolf The Arcades Project 1999 Cambridge, MA Belknap Press
Bloch Fred Revising State Theory: Essays in Politics and Postindustrialism 1987 Philadelphia Temple University Press
Bourdieu Pierre Nice Richard The Logic of Practice 1980 Stanford Stanford University Press
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Deleuze Gilles Lapoujade David Hodges Ames & Taormina Mike ‘Two Regimes of Madness’, in Two Regimes of Madness: Texts and Interviews, 1975–1995 2007 Revised Edition Los Angeles Semiotext(e)
Deleuze Gilles & Guattari Félix Polan Dana Kafka: Toward a Minor Literature 1986 University of Minnesota Press
Dutta Arindam The Bureaucracy of Beauty: Design in the Age of Its Global Reproducibility 2007 London Routledge
Eagleton Terry The Ideology of the Aesthetic 1990 Oxford Basil Blackwell
Engelmann Stephen G. & Pitts Jennifer ‘Bentham’s “Place and Time” ’ The Tocqueville Review 2011 32 1 43 66
Foucault Michel Sheridan Alan Discipline and Punish: The Birth of the Prison 1995 New York Vintage Books
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Hirschman Albert O. The Passions and the Interests: Political Arguments for Capitalism before Its Triumph 1977 Princeton Princeton University Press
Illich Ivan Deschooling Society 2002 [1970] New York Marion Boyars
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Jessop Bob State Theory: Putting the Capitalist State in Its Place 1990 Cambridge Polity Press
Leavis Frank Raymond Two Cultures? The Significance of C.P. Snow 1962 London Chatto & Windus
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Rifkin Adrian ‘Success Disavowed: The Schools of Design in Mid-Nineteenth-Century Britain (An Allegory)’ Journal of Design History 1988 1 2 88 102
Schofield Philip Utility and Democracy: The Political Thought of Jeremy Bentham 2006 Oxford Oxford University Press
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Shattuck Michael ‘Comparing Cuts in Public Expenditure 1981–2011: The Implications for Higher Education’ 2011 conference paper, Festival of the Social Sciences, University of Warwick, May, available at: <http://www2.warwick.ac.uk/knowledge/themes/07/shattock/>.
Simon Brian The Two Nations and the Educational Structure, 1780–1870 1964 London Lawrence and Wishart
Snow Charles Percy The Two Cultures and the Scientific Revolution: The Rede Lecture, 1959 1959 Cambridge Cambridge University Press
Stimson Blake Alberro Alexander & Stimson Blake ‘What Was Institutional Critique?’, in Institutional Critique: An Anthology of Artists’ Writings 2009 Cambridge, MA The MIT Press
Thompson Edward Palmer The Making of the English Working Class 1991 Harmondsworth Penguin Books
Toynbee Polly ‘A Great Act of Vandalism That Will Impoverish Us All’ The Guardian 2011 March 29 33 available at: <http://www.theguardian.com/commentisfree/2011/mar/28/arts-council-funding-cuts>.
Whale John Imagination under Pressure, 1789–1832: Aesthetics, Politics and Utility 2000 Cambridge Cambridge University Press
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See Foucault 1995.
See Lecercle 1999.
See Bourdieu 1980.
See Althusser 1971.
Illich 2002.
Perricone 2011, p. 329.
Whale 2000.
Schofield 2009, p. 15.
Dutta 2007.
Simon 1964, p. 75.
Simon 1964, p. 84.
Quoted in Simon 1964, p. 93.
Crimmins 1994, pp. 259–81.
Abbing 2002, p. 141.
Shattuck 2011.
Eagleton 1990, p. 39.
Hirschman 1977, p. 42.
Rifkin 1988, p. 95.
See Goldworth 1969, p. 315.
Thompson 1991, p. 812.
Graeber 2011, p. 141.
Wood 2008, p. 187.
Wood 2008, p. 170.
Mandel 1978, p. 478.
Mandel 1978, p. 479.
Miliband 2009, p. 49.
Bloch 1987, p. 16.
Jessop 1990, p. 46.
Schofield 2006, p. 111.
Schofield 2006, p. 109.
Snow 1959, p. 12.
Snow 1959, p. 14.
Leavis 1962.
Itzkin 1978, p. 307.
Schofield 2009, p. 9.
Engelmann and Pitts 2011, p. 47.
Engelmann and Pitts 2011, p. 58.
Benjamin 1999, p. 16.
Stimson 2009, p. 23.
Grice 2010.
Toynbee 2011.
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Malcolm Quinn’s book, Utilitarianism and the Art School in Nineteenth-Century Britain, is an historical study of the birth pangs of the state-funded art school that interrogates the politics of art’s reproduction within the context of Victorian reformism in which the art school was proposed as a mechanism to improve the standards of taste of manufacturers and factory workers, as well as of artists, designers, art teachers and others. The review locates the political and cultural transition from the academy to the art school as the construction of a specifically bourgeois institution of art.
All Time | Past Year | Past 30 Days | |
---|---|---|---|
Abstract Views | 169 | 36 | 1 |
Full Text Views | 31 | 3 | 3 |
PDF Views & Downloads | 24 | 6 | 4 |