A Jungian and archetypal psychology approach to aesthetics includes noticing which archetypes are activated when viewing or engaging with art. Archetypes provide vitality to art and can be accessed by viewers through attention to bodily responses and emotional awareness enhanced by imagination. Connecting these personal experiences to the collective requires framing viewers' responses within comprehensible patterns. Joan Kellogg's theory ‘The Archetypal Stages of the Great Round of Mandala’ offers a system for identifying archetypes as states of consciousness and making them accessible to a wide audience in order to aid understanding of one's responses to art.
Purchase
Buy instant access (PDF download and unlimited online access):
Institutional Login
Log in with Open Athens, Shibboleth, or your institutional credentials
Personal login
Log in with your brill.com account
Barrett, T.(2003). Interpreting art: Reflecting, wondering, and responding. Boston, MA: McGraw Hill.
Beebe, J.(2008). Individuation in the light of Chinese philosophy. Psychological Perspectives: A Quarterly Journal of Jungian Thought, 51(1), 70–86. doi:
Brooke, R.(2008). Ubuntu and the individuation process: Toward a multicultural analytical psychology. Psychological Perspectives: A Quarterly Journal of Jungian Thought, 51(1), 36–53. doi:
Campbell, J.with Moyers, B.(1991). The power of myth. New York, NY: Anchor Books.
Chodorow, J.(Ed.). (1997). Jung on active imagination. Princeton, NJ: Princeton University Press.
Connolly, A. M.(2013). Cognitive aesthetics of alchemical imagery. Journal of Analytical Psychology, 58(1), 4–33. doi:
Cox, C. T.(2004). In Memoriam: Joan Kellogg (1922–2004). Art Therapy: Journal of the American Art Therapy Association, 21(2), 111–113. doi:
Cox, C. T., Wilder, V., Heller, P. O., Sonnen, C., & Bernier, M.(2004). Celebrating the cycle of life with art, dance, music, and poetry: Marian Chace foundation annual lecture. American Journal of Dance Therapy, 26(1), 17–42. doi:
Fincher, S.(2009). The Mandala workbook: A creative guide for self-exploration, balance, and well-being. Boston, MA: Shambala.
Hillman, J.(1992). Re-visioning psychology. New York, NY: Harper(Original work published 1975).
Howes, G.(2007). The art of the sacred: An introduction the aesthetics of art and belief. London and New York, NY: I.B. Taurius.
Jones, R. A.(2003). Jung's view on myth and post-modern psychology. Journal of Analytical Psychology, 48, 619–628. doi:
Jung, C. G.(1922/1966). On the relation of analytical psychology to poetry. In H. Read, M. Fordham, G. Adler, & W. McGuire(Eds.), The spirit in man, art, and literature, collected works(R. F. C. Hull, Trans.), (Vol. 15, pp. 65–83). London: Routledge.
Jung, C. G.(1933). Modern man in search of a soul. (W. S. Dell& C. F. Baynes, Trans.). London: Lund Humphries.
Jung, C. G.(1934a/1966). The practical use of dream-analysis. In H. Read, M. Fordham, G. Adler, & W. McGuire(Eds.), The practice of psychotherapy, collected works(R. F. C. Hull, Trans.), (Vol. 16, pp. 65–83). London: Routledge.
Jung, C. G.(1934b/1966). “Ulysses”: A monologue. In H. Read, M. Fordham, G. Adler, & W. McGuire(Eds.), The spirit in man, art, and literature, collected works(R. F. C. Hull, Trans.), (Vol. 15, pp. 109–134). London: Routledge.
Jung, C. G.(1954/1975). On the nature of the psyche. In H. Read, M. Fordham, G. Adler, & W. McGuire(Eds.), The structure and dynamics of the psyche, collected works(R. F. C. Hull, Trans.), (Vol. 8, pp. 159–236). London: Routledge.
Jung, C. G.(1956). Symbols of the mother and rebirth. In H. Read, M. Fordham, G. Adler, & W. McGuire(Eds.), Symbols of transformation, collected works(R. F. C. Hull, Trans.), (Vol. 5, pp. 207–272). London: Routledge.
Jung, C. G.(1995/1963). Memories, dreams, reflections. London: Fontana.
Kellogg, J.(1984). Mandala: Path of beauty. Williamsburg, VA: Mandala Assessment and Research Institute.
Knill, P. J.(1995). The place of beauty in therapy and the arts. The Arts in Psychotherapy, 22(1), 1–7. doi:
McIver Lopes, D.(2005). Painting. In B. Gaut& D. McIver Lopes(Eds.), The Routledge companion to aesthetics(2nd ed., pp. 625–637). Oxon and New York, NY: Routledge.
McKenzie, S.(2006). Queering gender: Anima/animus and the paradigm of emergence. Journal of Analytical Psychology, 51, 401–421. doi:
McNiff, S.(1992). Art as medicine. Boston, MA: Shambhala.
Neumann, E.(1958). Art and time. In J. Campbell(Ed.), Man and time: Papers from the Eranos yearbook(R. Manheim, Trans., pp. 3–37). London: Routledge and Kegan Paul(originally published 1951).
Parker, D.(2008). On painting, substance and psyche. In S. Rowland(Ed.), Psyche and the arts: Jungian approaches to music, architecture, literature film and painting(pp. 45–55). East Sussex: Routledge.
Reiber, B.(2008). Psyche, imagination and art. In S. Rowland(Ed.), Psyche and the arts: Jungian approaches to music, architecture, literature film and painting(pp. 66–76). East Sussex: Routledge.
Roesler, C.(2012). Are archetypes transmitted more by culture than biology? Questions arising from conceptualizations of the archetype. Journal of Analytical Psychology, 57, 223–246. doi:
Rowland, S.(2008). Introduction. In S. Rowland(Ed.), Psyche and the arts: Jungian approaches to music, architecture, literature film and painting(pp. 1–11). East Sussex: Routledge.
Singer, T., & Kimbles, S. L.(2004). The cultural complex. Contemporary Jungian perspectives on the psyche and society. London and New York: Brunner-Routledge.
Stein, M.(1998) Jung's map of the soul: An introduction. Chicago, IL: Open Court.
Tacey, D.(2008). Imagining transcendence at the end of modernity: Jung and Derrida. In L. Huskinson(Ed.), Dreaming the myth onwards: New directions in Jungian therapy and thought(pp. 58–68). East Sussex: Routledge.
Thayer, J. A.(1994). An interview with Joan Kellogg. Art Therapy: Journal of the American Art Therapy Association, 11, 200–205. doi:
Vannoy Adams, M.(2008). Does myth (still) have a function in Jungian studies? Modernity, metaphor, and psycho-mythology. In L. Huskinson(Ed.), Dreaming the myth onwards: New directions in Jungian therapy and thought(pp. 81–90). East Sussex: Routledge.
Watkins, M.(1976). Waking dreams(3rd ed.). Dallas, TX: Spring.
Watkins, M.(1986). Invisible guests: The development of imaginal dialogue. Hillsdale, NJ: Analytic Press.
Young, J.(1992). Nietzsche's philosophy of art. Cambridge: Cambridge University Press.
All Time | Past Year | Past 30 Days | |
---|---|---|---|
Abstract Views | 881 | 219 | 7 |
Full Text Views | 53 | 12 | 3 |
PDF Views & Downloads | 91 | 25 | 6 |
A Jungian and archetypal psychology approach to aesthetics includes noticing which archetypes are activated when viewing or engaging with art. Archetypes provide vitality to art and can be accessed by viewers through attention to bodily responses and emotional awareness enhanced by imagination. Connecting these personal experiences to the collective requires framing viewers' responses within comprehensible patterns. Joan Kellogg's theory ‘The Archetypal Stages of the Great Round of Mandala’ offers a system for identifying archetypes as states of consciousness and making them accessible to a wide audience in order to aid understanding of one's responses to art.
All Time | Past Year | Past 30 Days | |
---|---|---|---|
Abstract Views | 881 | 219 | 7 |
Full Text Views | 53 | 12 | 3 |
PDF Views & Downloads | 91 | 25 | 6 |