Published twice annually, the Journal of Avant-Garde Studies is a peer-reviewed interdisciplinary forum for critical discussion of the experimental, the outrageous, and the unclassifiable in the arts and literature, from the heyday of modernism to today. The perspective is global, the theoretical approaches are diverse, and the eligible subjects range from the famous to the forgotten.
JAGS seeks to broaden and enrich our history of the vanguard.
Editors in Chief Éva Forgács, Art Center C of Design in Pasadena, CA, USA Benedikt Hjartarson, University of Iceland, Reykjavík, Iceland Cecilia Novero, University of Otago, Dunedin, New Zealand Sami Sjöberg, University of Helsinki, Helsinki, Finland
Managing Editor Przemysław Strożek, Polish Academy of Sciences, Warsaw, Poland
Editorial Board Mark Antliff, Duke University, Durham, NC, USA Wolfgang Asholt, Humboldt University of Berlin, Berlin, Germany Paula Barreiro López, Université Grenoble-Alpes, Grenoble, France Hubert van den Berg, Palacký University Olomouc, Olomouc, Czech Republic Stephen Cain, York University, Toronto, ON, Canada Tim Conley, Brock University, St. Catharines, ON, Canada Rubén Gallo, Princeton University, NJ USA Irene Gammel, Ryerson University, Toronto, ON, Canada Bojan Jović, Inst. for Literature & Arts, Belgrade, Serbia Béatrice Joyeux-Prunel, Université de Genève, Genève, Switzerland Andreas Kramer, Goldsmiths College, London, UK Christina Lodder, Kent University, Canterbury, UK Gao Minglu, University of Pittsburgh, Pittsburgh, PA, USA Nancy Perloff, Getty Research Institute, Los Angeles, CA, USA Jed Rasula, University of Georgia, Athens, GA, USA Yeon Shim Chung, Hongik University, Seoul, South Korea Julia Vaingurt, University of Illinois at Chicago, Chicago, IL, USA
Online submission: Articles for publication in the Journal of Avant-Garde Studies can be submitted online through Editorial Manager via which they will be peer-reviewed. To submit an article, click here.
Articles should be between 6,000 and 10,000 words (general and research articles). The following should be included: abstract (max.100 words), up to six keywords, affiliation details and an e-mail address.
For more details on online submission, please visit our EM Support page.
For any questions about your manuscript, please contact the Editor in Chief, Benedikt Hjartarson, University of Iceland.
For any questions about submission via Editorial Manager, please contact Brill's EM support All other matters can be directed to the publisher at BRILL, Masja Horn.
Call for Papers
Las Vanguardistas:
Women and the Avant-Garde in Ibero-America and the Caribbean
Submission of abstracts: 15th July, 2022
Submission of articles: 30th October, 2022
The Journal of Avant-Garde Studies (JAGS) and its guest editors invite submissions for the special issue “Las Vanguardistas: Women and the Avant-Garde in Ibero-America and the Caribbean”. By proposing this special issue, we aim to foster a global understanding of avant-garde movements and highlight the key role of Ibero-American and Caribbean women in the avant-garde scene from the 1910s to the present day. The geographical scope of this special issue includes Spain and Portugal as well as all Hispanic American countries in North, Central, and South America plus the Hispanophone Caribbean.
We welcome academic articles that focus on, but are not limited to, the following topics:
Beyond the “center” vs. “periphery” paradigm. Attempts to “transnationalize” and “decenter” the avant-garde by including Ibero-American and Caribbean women in our corpus.
Women authors, poets, actresses, painters, architects, visual artists and their participation in avant-garde and neo-avant-garde movements (ultraísmo, surrealismo, estridentismo, creacionismo, dadaísmo, futurismo, nadaismo, Stone and Sky movement, and more).
Generational approaches to the Spanish avant-garde and how to move beyond the generational model.
Ibero-American and Caribbean women authors in exile.
Comparative approaches to women’s works. Avant-garde themes and motifs in a comparative context (case studies are welcome).
Women and the avant-garde press: women’s contributions to avant-garde magazines.
Women and salon culture: women’s participation in avant-garde literary circles, institutions, academies and salons.
Avant-garde poetry in translation. Circulation and dissemination of avant-garde poetry through the work of translators.
Women and avant-garde theater.
Women and avant-garde cinema.
Women and avant-garde painting, photography, and other visual arts.
Scholars at any stage of their research are invited to submit abstracts of 200 words by July 15, 2022. Upon acceptance of the abstract, authors will be invited to submit their full articles by October 30, 2022. Articles should be written in English (6000-7000 words) and sent to the guest editors via e-mail: christina.bezari@ugent.be and juanita.olivera@umu.se The preferred language for typesetting is American-English. Instructions for authors can be found under the tab "Submit Article". For further information, please don’t hesitate to contact us.
"Modernist studies has been a booming field for the past twenty-five years, but only now with the Journal of Avant-Garde Studies will we finally benefit from a forum specifically designed to look into the core, the engine without which modernism would simply not exist. The closer we look, the more we'll see that the avant-garde is the seed from which the mighty oak of modernism grew." – Jed Rasula, Professor of English, University of Georgia, USA
All interested in 20th-century art, modernism and the avant-garde movements. Relevant also for advanced undergraduate and graduate courses in art history, cultural history, literary studies, and transnational studies as well as an international audience of scholars and museum experts.
Online submission: Articles for publication in the Journal of Avant-Garde Studies can be submitted online through Editorial Manager via which they will be peer-reviewed. To submit an article, click here.
Articles should be between 6,000 and 10,000 words (general and research articles). The following should be included: abstract (max.100 words), up to six keywords, affiliation details and an e-mail address.
For more details on online submission, please visit our EM Support page.
For any questions about your manuscript, please contact the Editor in Chief, Benedikt Hjartarson, University of Iceland.
For any questions about submission via Editorial Manager, please contact Brill's EM support All other matters can be directed to the publisher at BRILL, Masja Horn.
Editors in Chief Éva Forgács, Art Center C of Design in Pasadena, CA, USA Benedikt Hjartarson, University of Iceland, Reykjavík, Iceland Cecilia Novero, University of Otago, Dunedin, New Zealand Sami Sjöberg, University of Helsinki, Helsinki, Finland
Managing Editor Przemysław Strożek, Polish Academy of Sciences, Warsaw, Poland
Editorial Board Mark Antliff, Duke University, Durham, NC, USA Wolfgang Asholt, Humboldt University of Berlin, Berlin, Germany Paula Barreiro López, Université Grenoble-Alpes, Grenoble, France Hubert van den Berg, Palacký University Olomouc, Olomouc, Czech Republic Stephen Cain, York University, Toronto, ON, Canada Tim Conley, Brock University, St. Catharines, ON, Canada Rubén Gallo, Princeton University, NJ USA Irene Gammel, Ryerson University, Toronto, ON, Canada Bojan Jović, Inst. for Literature & Arts, Belgrade, Serbia Béatrice Joyeux-Prunel, Université de Genève, Genève, Switzerland Andreas Kramer, Goldsmiths College, London, UK Christina Lodder, Kent University, Canterbury, UK Gao Minglu, University of Pittsburgh, Pittsburgh, PA, USA Nancy Perloff, Getty Research Institute, Los Angeles, CA, USA Jed Rasula, University of Georgia, Athens, GA, USA Yeon Shim Chung, Hongik University, Seoul, South Korea Julia Vaingurt, University of Illinois at Chicago, Chicago, IL, USA
Call for Papers
Las Vanguardistas:
Women and the Avant-Garde in Ibero-America and the Caribbean
Submission of abstracts: 15th July, 2022
Submission of articles: 30th October, 2022
The Journal of Avant-Garde Studies (JAGS) and its guest editors invite submissions for the special issue “Las Vanguardistas: Women and the Avant-Garde in Ibero-America and the Caribbean”. By proposing this special issue, we aim to foster a global understanding of avant-garde movements and highlight the key role of Ibero-American and Caribbean women in the avant-garde scene from the 1910s to the present day. The geographical scope of this special issue includes Spain and Portugal as well as all Hispanic American countries in North, Central, and South America plus the Hispanophone Caribbean.
We welcome academic articles that focus on, but are not limited to, the following topics:
Beyond the “center” vs. “periphery” paradigm. Attempts to “transnationalize” and “decenter” the avant-garde by including Ibero-American and Caribbean women in our corpus.
Women authors, poets, actresses, painters, architects, visual artists and their participation in avant-garde and neo-avant-garde movements (ultraísmo, surrealismo, estridentismo, creacionismo, dadaísmo, futurismo, nadaismo, Stone and Sky movement, and more).
Generational approaches to the Spanish avant-garde and how to move beyond the generational model.
Ibero-American and Caribbean women authors in exile.
Comparative approaches to women’s works. Avant-garde themes and motifs in a comparative context (case studies are welcome).
Women and the avant-garde press: women’s contributions to avant-garde magazines.
Women and salon culture: women’s participation in avant-garde literary circles, institutions, academies and salons.
Avant-garde poetry in translation. Circulation and dissemination of avant-garde poetry through the work of translators.
Women and avant-garde theater.
Women and avant-garde cinema.
Women and avant-garde painting, photography, and other visual arts.
Scholars at any stage of their research are invited to submit abstracts of 200 words by July 15, 2022. Upon acceptance of the abstract, authors will be invited to submit their full articles by October 30, 2022. Articles should be written in English (6000-7000 words) and sent to the guest editors via e-mail: christina.bezari@ugent.be and juanita.olivera@umu.se The preferred language for typesetting is American-English. Instructions for authors can be found under the tab "Submit Article". For further information, please don’t hesitate to contact us.
"Modernist studies has been a booming field for the past twenty-five years, but only now with the Journal of Avant-Garde Studies will we finally benefit from a forum specifically designed to look into the core, the engine without which modernism would simply not exist. The closer we look, the more we'll see that the avant-garde is the seed from which the mighty oak of modernism grew." – Jed Rasula, Professor of English, University of Georgia, USA
All interested in 20th-century art, modernism and the avant-garde movements. Relevant also for advanced undergraduate and graduate courses in art history, cultural history, literary studies, and transnational studies as well as an international audience of scholars and museum experts.
Published twice annually, the Journal of Avant-Garde Studies is a peer-reviewed interdisciplinary forum for critical discussion of the experimental, the outrageous, and the unclassifiable in the arts and literature, from the heyday of modernism to today. The perspective is global, the theoretical approaches are diverse, and the eligible subjects range from the famous to the forgotten.
JAGS seeks to broaden and enrich our history of the vanguard.
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Please contact sales in order to purchase any of the above.