This article studies the use of adab and related terminology among medieval Jewish authors with particular attention to shifts in cultural and religious sensibilities, matters of group cohesion and self-definition, and the contours of adab discourse across religious boundaries. The article demonstrates that, although Jews in the Islamic East in the tenth century internalized adab as a cultural concept, it was in al-Andalus that Jews first self-consciously presented themselves as udabā. The article focuses on works of Judeo-Arabic biblical exegesis, grammar, and poetics as well as Hebrew poetry composed after the style of Arabic poetry.
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All Time | Past 365 days | Past 30 Days | |
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Abstract Views | 710 | 217 | 9 |
Full Text Views | 112 | 2 | 0 |
PDF Views & Downloads | 197 | 4 | 0 |
This article studies the use of adab and related terminology among medieval Jewish authors with particular attention to shifts in cultural and religious sensibilities, matters of group cohesion and self-definition, and the contours of adab discourse across religious boundaries. The article demonstrates that, although Jews in the Islamic East in the tenth century internalized adab as a cultural concept, it was in al-Andalus that Jews first self-consciously presented themselves as udabā. The article focuses on works of Judeo-Arabic biblical exegesis, grammar, and poetics as well as Hebrew poetry composed after the style of Arabic poetry.
All Time | Past 365 days | Past 30 Days | |
---|---|---|---|
Abstract Views | 710 | 217 | 9 |
Full Text Views | 112 | 2 | 0 |
PDF Views & Downloads | 197 | 4 | 0 |