Save

“Cauldron of Conspiracy”: Conspiratorial Tropes as Modes of Critique in Ḥabībī’s The Pessoptimist and Saʿdāwī’s Frankenstein in Baghdad

In: Journal of Arabic Literature
Author:
Aya Labanieh Columbia University New York, NY USA

Search for other papers by Aya Labanieh in
Current site
Google Scholar
PubMed
Close
Download Citation Get Permissions

Access options

Get access to the full article by using one of the access options below.

Institutional Login

Log in with Open Athens, Shibboleth, or your institutional credentials

Login via Institution

Purchase

Buy instant access (PDF download and unlimited online access):

$40.00

Abstract

This article uses the concepts of “conspiracy” and “conspiracy theory,” along with their literary tropes, to theorize resistance to the colonial ideals of modernity in Israel and Iraq and to contest the oppressive developmental temporalities associated with this modernity. By analyzing Imīl Ḥabībī’s al-Mutashāʾil (The Secret Life of Saeed, the Pessoptimist, 1974) and Aḥmad Saʿdāwī’s Frānkishtāyn fī Baghdād (Frankenstein in Baghdad, 2013), I show how tropes of conspiracism and conspiratorial thinking are deployed in both of these novels to critique myths of linear progress—often used to justify the Israeli occupation and the U.S. invasion—despite the divergent historical periods and contexts out of which the two texts emerge. In their act of contestation, the novels leverage alternate temporalities in connection to conspiracism, such as the cyclical time of suffering and exploitation, or the apocalyptic time that offers release from said suffering through ending time altogether. Yet in both cases the tropes of conspiracy are ultimately shown to have little explanatory or emancipatory value and high human cost. Both novels thus thematize the analytic and critical limits of conspiracism.

Content Metrics

All Time Past 365 days Past 30 Days
Abstract Views 107 107 22
Full Text Views 14 14 1
PDF Views & Downloads 179 179 27