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Local, Cross-cultural, and Global: Japoniste Ceramics in Limoges
In: Journal of JaponismeAbstract
Ever since its inception Japonisme presented a creative tension between local traditions and cross-cultural practices. Adding to this formative relationship was the simultaneous development of Japonisme across Europe, the United States, and Japan itself. This paper focuses on one place of intersection – Limoges – and one medium – ceramics – to identify the local (Limoges’s rich ceramic history), the cross-cultural (French and Japanese influences), and the global (similar practices in other regions). A constellation of producers and collectors inextricably connected Limoges, a centuries-old hub of French ceramics, with the increasingly global realm of japoniste ceramics. How did the Limoges tradition blend with a Paris-based Japonisme in Limoges-produced japoniste ceramics? And what was the international reception of these ceramics? Cross-regional and cross-temporal emulation was a driving force bridging Japonisme with the latest experiments in the arts, from early abstractionism to revisions of hierarchies of genre and medium.
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|---|---|---|---|
| Abstract Views | 483 | 159 | 9 |
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| PDF Views & Downloads | 44 | 7 | 2 |
Local, Cross-cultural, and Global: Japoniste Ceramics in Limoges
In: Journal of JaponismeAbstract
Ever since its inception Japonisme presented a creative tension between local traditions and cross-cultural practices. Adding to this formative relationship was the simultaneous development of Japonisme across Europe, the United States, and Japan itself. This paper focuses on one place of intersection – Limoges – and one medium – ceramics – to identify the local (Limoges’s rich ceramic history), the cross-cultural (French and Japanese influences), and the global (similar practices in other regions). A constellation of producers and collectors inextricably connected Limoges, a centuries-old hub of French ceramics, with the increasingly global realm of japoniste ceramics. How did the Limoges tradition blend with a Paris-based Japonisme in Limoges-produced japoniste ceramics? And what was the international reception of these ceramics? Cross-regional and cross-temporal emulation was a driving force bridging Japonisme with the latest experiments in the arts, from early abstractionism to revisions of hierarchies of genre and medium.
| All Time | Past Year | Past 30 Days | |
|---|---|---|---|
| Abstract Views | 483 | 159 | 9 |
| Full Text Views | 28 | 4 | 1 |
| PDF Views & Downloads | 44 | 7 | 2 |