Secret Eroticism and Lived Religion

The Art of Matsuri Photography

In: Journal of Religion in Japan
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  • 1 University of California, Davis, CA, USA

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Abstract

Through interviews and personal observation, this essay introduces the photographer Ogano Minoru, exploring his particular take on the practice of matsuri photography. In his photos, Ogano tries to visually capture the affective aspects of matsuri as experienced by participants. He suggests that even when matsuri are not organized through religious institutions, they emerge from deeply held beliefs and everyday life concerns in the local community. The concluding part of the article is a brief photo essay about mushi-okuri and related matsuri in the Tsugaru region (Aomori Prefecture).

  • Nihon Kaiiki Bunka Kenkyūjo 日本海域文化研究所 (ed.). 2004. Namahage: Sono men to shūzoku—“Oga hantō-shi” no bekkan ナマハゲ—その面と習俗—男鹿半島史の別巻. Akita: Nihon Kaiiki Bunka Kenkyūjo.

  • Nihon Kaiiki Bunka Kenkyūjo 日本海域文化研究所 (ed.). 2016. Namahage: Sono men to shūzoku—kaiteiban “Oga hantō-shi” no bekkan ナマハゲ—その面と習俗 改訂版—男鹿半島史の別巻. Akita: Nihon Kaiiki Bunka Kenkyūjo.

  • Ogano, Minoru 小賀野実. 2019. Namahage: Akita, Oga no kurashi o mamoru kami no gyōji なまはげ—秋田・男鹿のくらしを守る神の行事. Tokyo: Popura-sha.

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