An analysis of two important Czech films dealing, hesitantly, with Christological themes enables an engagement with contemporary Czech society. The two films,
Divided We Fall
occasion reflections on Christ's triple office of Priest, Prophet and King and the continuing power of the Christ story in popular Czech culture. This leads to an interpretation of the films and their messages, set against the backdrop of religious life in the Czech Republic as demonstrated in sociological research. Theologians can learn with the filmmakers how to address the new religiosity present in the society, post-ecclesial but not post-belief.