This exchange between Galina Tirnanić, a Byzantine art historian, and Nicolas Trépanier, a social historian of medieval Anatolia, seeks to continue the conversation on the premodern world started by Sergei Parajanov’s Color of Pomegranates (1969). Here, we hope to re-imagine the film as a potential point of initiation for new approaches to reading, imagining, teaching, and writing about the medieval world, both within and beyond Armenian contexts.
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All Time | Past 365 days | Past 30 Days | |
---|---|---|---|
Abstract Views | 636 | 111 | 11 |
Full Text Views | 50 | 14 | 1 |
PDF Views & Downloads | 130 | 30 | 2 |
This exchange between Galina Tirnanić, a Byzantine art historian, and Nicolas Trépanier, a social historian of medieval Anatolia, seeks to continue the conversation on the premodern world started by Sergei Parajanov’s Color of Pomegranates (1969). Here, we hope to re-imagine the film as a potential point of initiation for new approaches to reading, imagining, teaching, and writing about the medieval world, both within and beyond Armenian contexts.
All Time | Past 365 days | Past 30 Days | |
---|---|---|---|
Abstract Views | 636 | 111 | 11 |
Full Text Views | 50 | 14 | 1 |
PDF Views & Downloads | 130 | 30 | 2 |