Richard Wagner’s Prose Sketches for Jesus of Nazareth
Historical and Theological Reflections on an Uncompleted Opera
In: Journal for the Study of the Historical JesusSearch for other papers by Richard H. Bell in
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In May 1849 Wagner fled Dresden after the failure of the uprising of which he was a leader. His last creative work in Dresden was prose sketches for an opera Jesus of Nazareth, the result of his study of the Graeco-Roman world and the New Testament together with some knowledge of biblical criticism. Although he portrays Jesus as a social revolutionary in that he attacks the Pharisees, oppression and injustice, he is by no means a political messiah; indeed Wagner emphases his sacrificial death which results in the giving of the Holy Spirit. Key theological themes of the work which I explore include Jesus’ messiahship, law and freedom, and the significance of his death.
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Richard Wagner’s Prose Sketches for Jesus of Nazareth
Historical and Theological Reflections on an Uncompleted Opera
In: Journal for the Study of the Historical JesusSearch for other papers by Richard H. Bell in
Current site
Google Scholar
PubMed
In May 1849 Wagner fled Dresden after the failure of the uprising of which he was a leader. His last creative work in Dresden was prose sketches for an opera Jesus of Nazareth, the result of his study of the Graeco-Roman world and the New Testament together with some knowledge of biblical criticism. Although he portrays Jesus as a social revolutionary in that he attacks the Pharisees, oppression and injustice, he is by no means a political messiah; indeed Wagner emphases his sacrificial death which results in the giving of the Holy Spirit. Key theological themes of the work which I explore include Jesus’ messiahship, law and freedom, and the significance of his death.
| All Time | Past Year | Past 30 Days | |
|---|---|---|---|
| Abstract Views | 928 | 110 | 8 |
| Full Text Views | 620 | 5 | 0 |
| PDF Views & Downloads | 283 | 5 | 0 |