Mapping the Unseen: Ibn al-ʿArabī’s Maps in Chapter 371 of al-Futūḥāt al-Makkiyya
In: Journal of Sufi StudiesSearch for other papers by Ali Karjoo-Ravary in
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Abstract
This paper examines a series of sequential cosmological and eschatological maps drawn by Ibn al-ʿArabī (d. 638/1240) in his second recension of al-Futūḥāt al-Makkiyya (Türk ve İslam Eserleri Müzesi 1845+). These images, drawn from the visual language of the rational sciences, map the images of revelation into the cosmology of the day so as to show the vastness of God’s cosmos and the limits of the intellect. Ibn al-ʿArabī, aware of the limits of his medium, explicitly states that these should be a “single composition.” He uses visual cues to mark shifts of perspective, helping the reader visualize the interconnections that bind together this multidimensional representation of the cosmos. By considering their placement and their relation to the narrative, I also argue that the final two maps are a representation of two eyes, identifying the cosmos and the reader as reflections of God, a contemplative use that is lost in their transmission history.
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Mapping the Unseen: Ibn al-ʿArabī’s Maps in Chapter 371 of al-Futūḥāt al-Makkiyya
In: Journal of Sufi StudiesSearch for other papers by Ali Karjoo-Ravary in
Current site
Google Scholar
PubMed
Abstract
This paper examines a series of sequential cosmological and eschatological maps drawn by Ibn al-ʿArabī (d. 638/1240) in his second recension of al-Futūḥāt al-Makkiyya (Türk ve İslam Eserleri Müzesi 1845+). These images, drawn from the visual language of the rational sciences, map the images of revelation into the cosmology of the day so as to show the vastness of God’s cosmos and the limits of the intellect. Ibn al-ʿArabī, aware of the limits of his medium, explicitly states that these should be a “single composition.” He uses visual cues to mark shifts of perspective, helping the reader visualize the interconnections that bind together this multidimensional representation of the cosmos. By considering their placement and their relation to the narrative, I also argue that the final two maps are a representation of two eyes, identifying the cosmos and the reader as reflections of God, a contemplative use that is lost in their transmission history.
| All Time | Past Year | Past 30 Days | |
|---|---|---|---|
| Abstract Views | 842 | 226 | 15 |
| Full Text Views | 342 | 28 | 0 |
| PDF Views & Downloads | 835 | 57 | 0 |