In Samuel Beckett: Anatomy of a Literary Revolution, Pascale Casanova explores the formal and the historical elements of Beckett’s works to establish how the bilingual writer masters the art of “abstractification” in his pioneering venture of testing the limits of language. Casanova closely investigates the cosmopolitan space of Paris in particular in order to explain the socio-political field from which Beckett’s bilingual works stemmed. As this article argues, it is this early search for a literary field with Beckett’s autonomous writing at its core that leads Casanova to her critically acclaimed and contentious notion of the world republic of letters.
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Apter, Emily. Against World Literature: On the Politics of Untranslatability. London: Verso, 2013.
Beckett, Samuel. Disjecta: Miscellaneous Writings and a Dramatic Fragment. New York: Grove Press, 1984.
Beckett, Samuel. Proust and Three Dialogues with Georges Duthuit. London: Calder & Boyers, 1999.
Beckett, Samuel. The Grove Centenary Edition, Vol. I, Novels, ed. Paul Auster, intro. Colm Tóibín. New York: Grove Press, 2006.
Beckett, Samuel. The Grove Centenary Edition, Vol. 2, Novels, ed. Paul Auster, intro. Salman Rushdie. New York: Grove Press, 2006.
Beckett, Samuel. The Expelled / The Calmative / The End / and First Love, ed. and intro. Christopher Ricks. London: Faber and Faber, 2009.
Beckett, Samuel. The Letters of Samuel Beckett, Vol. 1, eds. Martha Dow Fehsenfeld, Lois More Overbeck. Cambridge: Cambridge UP, 2009.
Beckett, Samuel. The Letters of Samuel Beckett, Vol. 2, eds. George Craig et al. Cambridge: Cambridge UP, 2011.
Beckett, Samuel. The Letters of Samuel Beckett, Vol. 3, eds. George Craig et al. Cambridge: Cambridge UP, 2014.
Beckett, Samuel. The Letters of Samuel Beckett, Vol. 4, eds. George Craig et al. Cambridge: Cambridge UP, 2016.
Casanova, Pascale. “Combative Literatures.” New Left Review 72 (2011), 123–134.
Casanova, Pascale. Samuel Beckett: Anatomy of a Literary Revolution. Trans. Gregory Elliott. London: Verso, 2006.
Casanova, Pascale. The World Republic of Letters. Trans. M.B. DeBevoise. Cambridge: Harvard UP, 2005.
Casanova, Pascale. “What is a Dominant Language: Giacomo Leopardi: Theoretician of Linguistic Inequality.” New Literary History 44: 3 (2013), 379–399.
Bourdieu, Pierre. The Field of Cultural Production: Essays on Art and Literature. Ed. Randal Johnson. New York: Columbia UP, 1993.
Chakraborty, Thirthankar. “World Literature: From the Politics to a Poetics.” Sanglap: Journal of Literary and Cultural Inquiry 4:1 (2017), 43–54.
Davies, Paul. “Three Novels and Four Nouvelles: Giving up the Ghost be Born at Last.” The Cambridge Companion to Beckett. Cambridge: Cambridge UP, 1994.
Knowlson, James. Damned to Fame: The Life of Samuel Beckett. New York: Simon and Schuster, 1996.
Mehlman, Jeffrey. Genealogies of the Text: Literature, Psychoanalysis, and Politics in Modern France. Cambridge: Cambridge UP, 1995.
Monk, Craig. “Beckett is Vertical: Proselytizing with the Littles, 1929–1938.” Canadian Journal of Irish Studies 27: 2 (2001), 8–19.
Nguyen, Tram. “Porosities: Aesthetic Correlations Between Gertrude Stein and Samuel Beckett.” In Samuel Beckett Today / Aujourd’ hui 25, eds. Jürgen Siess, Matthiks Engelberts and Angela Moorjani. Brill: Leiden, 2013, 45–57.
Prendergast, Christopher. “Negotiating World Literature.” New Left Review 8 (2001), 100–121.
Seaver, Richard. “Introduction.” “I Can’t Go On, I’ll Go On”: A Samuel Beckett Reader. New York: Grove Press, 1976, ix–xlv.
Shenker, Israel. “Israel Shenker in ‘New York Times’.” Samuel Beckett: The Critical Heritage, eds. Lawrence Graver and Roger Federman. London: Routledge, 2005.
The Nobel Foundation. “The Nobel Prize in Literature 1969.” Web. 31 March 2020.
Tynan, Kenneth. “Kenneth Tynan in ‘Observer’.” Samuel Beckett: The Critical Heritage, eds. Lawrence Graver and Roger Federman. London: Routledge, 2005.
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In Samuel Beckett: Anatomy of a Literary Revolution, Pascale Casanova explores the formal and the historical elements of Beckett’s works to establish how the bilingual writer masters the art of “abstractification” in his pioneering venture of testing the limits of language. Casanova closely investigates the cosmopolitan space of Paris in particular in order to explain the socio-political field from which Beckett’s bilingual works stemmed. As this article argues, it is this early search for a literary field with Beckett’s autonomous writing at its core that leads Casanova to her critically acclaimed and contentious notion of the world republic of letters.
All Time | Past Year | Past 30 Days | |
---|---|---|---|
Abstract Views | 472 | 60 | 3 |
Full Text Views | 41 | 6 | 0 |
PDF Views & Downloads | 81 | 11 | 0 |